Musical extracts ~ me playing keys over backing tracks of jazz standards, Taking a chance… and Gee, baby…
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Unfortunately, owing to tech issues, I am unable to upload the documents cited but will keep trying and update as necessary.
Alison. X x
Like many of us who champion the cause of historical revisionism, I am wedded to the idea of establishing the truth of what actually took place in Germany during World War Two. The official narrative of a past event, branded as a ‘holocaust’ of Jews living under the Third Reich – whilst no longer having credibility, historiographically speaking, – is now implemented, – i.e. shoved down our throats by ZOG at every possible opportunity, neatly assisted by Hollywood and the media, – as the latest imposed religion for the Goyim. You’d better believe in the six million, or else!
Like many who champion the revisionist cause, but not all, I am the victim of state-sponsored persecution, prosecution and a two year suspended prison sentence; not so much for my firm belief that the main posits of the official narrative simply do not stand up to scientific scrutiny, but for having ridiculed and blasphemed, in song, this founding myth of Globalism that is the so-called ‘Holocaust’ and, worse still, for pouring scorn on those who strive to maintain the ‘Holocaust’ myth.
Merely questioning or indeed pointing out the lack of forensic evidence can lead to a spell behind bars, especially in German-speaking countries. Sylvia Stolz is once again in prison in Germany for a speech given in Switzerland. The list goes on: 90-year old Ursula Haverbeck jailed for posing difficult questions on the same subject; ditto for Horst Mahler, now in a secure medical wing after suffering a second leg amputation due to poor health care in prison; in Austria, meanwhile, Wolfgang Fröhlich has at last been freed after serving 15 years – for expressing an opinion. Surely Fröhlich must be the main contender for the 2020 Prix Robert Faurisson?
My grateful thanks to The Barnes Review for dedicating eight pages in their latest edition to an interview I gave to author Dave Gahary last year.
The magazine is the world’s leading revisionist periodical; its editorial team has staunchly resisted onslaughts by the anti free speech brigade since 1994, thanks to the philosophy of its founder and creator, the late Willis Carto.
It is an honour and privilege that my small contribution is recognised by leading revisionists.
For the fifth time in 12 months, I walked free from court again yesterday – this time in a breach trial brought against me by the National Probation Service (NPS) for refusing to comply with the slave labour part of my Suspended Sentence Order.
First off, a brief explanation is necessary regards the difference between a Community Order (CO) and a Suspended Sentence Order (SSO). As one District Judge commented in a research paper published in 2008:
‘Well, prison is an ever-present part of one isn’t it [the SSO], but not of the other, and that’s the difference in a nutshell. There’s a real threat. As I see it, a Community Order is – look, we’re trying to help you – and anything to do with imprisonment is – look, we’re trying to threaten you.’
I like to work in the evening. Performing music in public is the most satisfying way. Sadly, as any such possibility has been denied to me by way of CAA trolls‘ stalking and harassment of my professional and social life, not to mention a conviction for singing heretical songs, I now spend my evenings mostly writing.
“They” are still out to get me. A certain Catholic Zionist from Ealing – obsessively deranged -has been charged with the job of trying to bait me into publishing words here on my website, thereby enabling the usual suspects to submit yet more vexatious reports to an already overstretched and underfunded police force. So here goes:
Let’s take a look at what what one prosecution witness had to say about my wicked songs – in this case, “Nemo’s anti-Semitic Universe”.
As opposed to the insane declarations below, “Nemo” does not refer to “all Jews” but to CAA Chief Twitter Troll Stephen Applebaum who is the subject of an ongoing police investigation. These two men – Applebaum and his CAA master/mentor – are the major culprits in having twisted the long arm of the law in this supposed democracy of ours to have my right to freedom of artistic expression quashed. Why pretend to hate “fascists” when your own behaviour makes any dictatorship seem positively liberal in comparison?
No argument whatsoever that Applebaum is “Nemo”, as confirmed by this same Crown/CAA witness under cross examination in an English court of law last January. As well, police are in possession of a entire library of screenshots spanning from 2015 to 2018, proving that both Applebaum and the Crown/CAA witness concerned work as team on behalf of the despicable CAA. Astonishingly, none of this evidence was made available to the CPS disclosure unit during my 18-month long legal ordeal.
Below are several comments from the Crown/CAA witness about “Nemo’s anti-Semitic Universe”, a song dedicated to this witness’s closest associate, Applebaum, who trolled me on average three times daily over a period of at least two years. The statement was supplied to the Crown in June 2017. Witness remarks are in red italics. My cited lyrics in blue:
Using Nemo as a metaphor for her Jewish critics, Chabloz dismisses the widespread condemnation of her deliberate incitement of hatred towards Britain’s Jews as the result of an exercise to find something to take offence at. She dismisses her own antisemitism as merely a pretence invented by the Jews for their own purposes.
“Nemo” is not a metaphor for Jewish critics. It is one of the numerous Twitter names belonging to Stephen Applebaum – as testified in court by the person who wrote the above nonsense. “Nemo” relates directly to a troll who spends much of his sad life seeking out examples of “anti-Semitism” on Twitter in order to satisfy his master/mentor.
*
Nemo, Shomrim online plod, the shekel is his God.
Chabloz uses another antisemitic trope to portray Nemo, whom she imagines to be a Jew, as someone who worships money. In specifying the shekel – the currency of the State of Israel – the implication is that Nemo is paid by Israel to make false accusations of antisemitism.
“Nemo” aka Applebaum certainly identifies as a Jew. As for working for the state of Israel, it is easy to prove that most of his time is spent on Twitter trolling for Israel. His daily visits to my website show a worryingly unhealthy obsession, as well as indicating that he is still tasked with finding something – anything! – that his CAA master/mentor can then report to police.
*
Nemo rages, fumes and spits as he trolls the early shift, regurgitates his myths. He has us all in fits. Nemo’s gentile-o-phobic drift.
By referring to Nemo’s ‘myths’, Chabloz continues to push the narrative that the Holocaust did not happen. By calling Nemo ‘gentile-o-phobic’, she once more attempts to promote the lie that Jews feel disdain for non-Jews. It is hard to see any motive for this beyond encouraging others to hate Jews.
Same spin: Chabloz doesn’t believe the tall tales of Zisblatt, Wiesel, soap and lampshades. Therefore she must be an evil Nazi who wants all Jews killed. As for ‘gentile-o-phobic’, how’s this for a prime exhibit, “Nemo”/Applebaum (renamed “Sicaro”) channelling Shylock from Shakespeare’s Merchant of Venice!
*
Nazi dogmatic decree. No, no, Nemo, ‘Moi, je ne suis pas Charlie.’
Here Chabloz employs the modern antisemitic trope that Jews are the new Nazis. After the terrorist attack on the offices of Charlie Hebdo in Paris, the slogan ‘Je suis Charlie’ was used around the world as an expression of solidarity. She puts into Nemo’s mouth the words, ‘Je ne suis pas Charlie’, in order to show that Jews stand against civilised society.
The witness is clearly a fantasist who invents ridiculous theses in order to achieve CAA’s sordid aims. He already knew that “Nemo” was Applebaum when he submitted his statement to the Crown. Police already knew too! The “Nazi dog” line is a reference to Count Dankula. I am expressing my own words and thoughts by way of my own music. “Nemo” is a vicious stalker. Writing a humourous song was my way of dealing with this abuse: police weren’t interested in stopping this scumbag from trying to ruin my life. And now I am the one being punished.
Finally, today it became apparent that police engaged in evidence tampering to have me stitched-up! Oh dear, oh dear! The investigating officer who provided video evidence for interrogation and which was later shown in court managed to access a video 48 hours AFTER the video had been blocked in the UK and “sandboxed” by YouTube.
Cohencidentally, the EXACT same evidence-tampering by German police is being exposed in the ongoing Schaefer siblings’ trial in Munich.
Alison. X x
Ben Weich in this week’s edition of the Jewish Chronicle confirms the gist of my previous post: police have received yet another vexatious complaint from the usual suspects and are therefore obliged to fulfil their duty and investigate my heretical comments regards Claude Lanzmann’s Shoah. On and on it goes…
Today, I would like to comment on the atrocious double standards being applied by the English court system when it comes to so-called ‘hate crime’. I will return to foreign justice systems in a future article, specifically dealing with the current plights of Ursula Haverbeck and the Schaefer siblings in Germany (not forgetting Horst Mahler and Gerhard Ittner), as well as that of Canadian free speech advocate, Arthur Topham.
The song that made me famous – or infamous depending on how you look at it – (((Survivors))) is two years old today.
A song so effective against the Globalist agenda that I’ve now been convicted in an English court of causing ‘gross offence’ – for sharing my own work on social media.
My site has a new domain name with further visual and functional upgrades coming soon. I can also upload videos directly to my site – quenelle to YouTube! All previous posts and photos remain intact under the new alisonchabloz.com URL.
Here’s a recent version of my short performance in Vichy at last year’s celebration in honour of Professor Robert Faurisson‘s 88th birthday. As well as Gerard Menuhin’s Tell Me More Lies, you can also hear a little speech I made in French (with English subtitles) at the beginning. Charmant, n’est-ce pas?
Update June 2019: my YouTube channel was finally taken. Here is the BitChute link:
La vie en dissidente – BitChute
Original post:
As I mentioned the plight of Monika Schaefer in my previous blog post, I thought this would be a good opportunity to finally upload to YouTube a recording of one of our performances together.
My YouTube channel is now no longer available in the UK – presumably the same applies in other European ‘free, democratic’ states. I’m told that a well-meaning message appears when trying to access my videos: ‘This channel is no longer available, you can unsubscribe here’.
Ah well. I guess I should consider myself lucky that my channel does at least still exist everywhere else – unlike Richie Allen’s.
My critics are certainly spending vast amounts of time, energy and money trying to silence me.
But not all of them!
Above: the famous Schwarzbadturm, Nordpier mit Sonnenrad
Alison Chabloz 
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