Happy Birthday!

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The song that made me famous – or infamous depending on how you look at it – (((Survivors))) is two years old today.

A song so effective against the Globalist agenda that I’ve now been convicted in an English court of causing ‘gross offence’ – for sharing my own work on social media.

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Welcome to AlisonChabloz.Com!

My site has a new domain name with further visual and functional upgrades coming soon. I can also upload videos directly to my site – quenelle to YouTube! All previous posts and photos remain intact under the new alisonchabloz.com URL.

Here’s a recent version of my short performance in Vichy at last year’s celebration in honour of Professor Robert Faurisson‘s 88th birthday. As well as Gerard Menuhin’s Tell Me More Lies, you can also hear a little speech I made in French (with English subtitles) at the beginning. Charmant, n’est-ce pas?

 

 

La Vie en Dissidence ~ Alison Chabloz & Monika Schaefer

As I mentioned the plight of Monika Schaefer in my previous blog post, I thought this would be a good opportunity to finally upload to YouTube a recording of one of our performances together.

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How I managed to recruit the enemy and claim victory

My YouTube channel is now no longer available in the UK –  presumably the same applies in other European ‘free, democratic’ states. I’m told that a well-meaning message appears when trying to access my videos: ‘This channel is no longer available, you can unsubscribe here’.

Ah well. I guess I should consider myself lucky that my channel does at least still exist everywhere else – unlike Richie Allen’s.

My critics are certainly spending vast amounts of time, energy and money trying to silence me.

But not all of them!

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Above: the famous Schwarzbadturm, Nordpier mit Sonnenrad

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Britons awake! This trial isn’t about me, it’s about all of us

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They came from far and wide in defiance of this latest assault on our freedoms. From Lancashire, Liverpool, Scotland and all the way from Canada – thank you Mr Fromm! The media coverage was glorious – mostly down to so many turning up in support, me being handed flowers outside court and general media astonishment at my songs being played inside court. And no, I certainly did not sing along – nor did I mouth the words. Where this fake news originated I have no idea – perhaps a reaction to my song Find Me Guilty? In particular, the line:

I’ll sing my way to court in high heels and a frock
Give the press a winning smile from inside the dock!

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Happy New Year 2018 ~ No Regrets!

In just nine days’ time, I will once again be in court, on this occasion for my long-awaited trial. Of course, there is no guarantee that proceedings will be over there and then: the enemies of freedom and justice have a nasty habit of trying to drag things out for as long as possible, in the hope of extracting a guilty plea from those they take sadistic pleasure in persecuting. As my father would say: they can whistle!

On the Campaign Against Antisemitism’s website, there is a fairly recent article written in typically gloating fashion concerning my prosecution (for singing songs) which states that Alison Chabloz is not ‘an important person’. Those at the CAA helm, on the other hand, clearly do consider themselves to be important, a fact outlined in numerous articles brimming with over-inflated rhetoric and self-praise. No holds barred when it comes to CAA’s own admissions to meddling with the authorities, producing yet more anti-white ‘Holocaust’ propaganda, currying favour with high-ranking government officials via social invitations and meetings during which the obvious aim is to influence chief constables, police and crime commissioners, judges and anyone else they can manipulate.

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My censors are the real ‘Holocaust deniers’

Looking back over the past 12 months, it’s hard to describe my year as being anything other than eventful. Thank you to all my followers, readers and donors – your support has enabled me to continue the fight and remain strong in the face of ever-increasing adversary.

In the past, – asides those contracts on cruise ships where I entertained live audiences daily – my musical performances were more often than not part of some folk gathering or open mic session. Of course, most artists desire a live audience and such events were always enjoyable, giving me the opportunity to meet other musicians playing the local circuit in the North West and Derbyshire.

There’s no denying that I sometimes feel great sadness about having lost this part of my life. Many of those closest to me now are understandably concerned for my safety and believe that appearing at open mics elsewhere is simply not worth the risk.

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