Season’s greetings to all. Here is a brief review of 2019 that, in the end, turned out to be not so brief. The new year is fraught with the prospect of yet another upcoming spell behind bars, for singing songs. More on that later…
Yesterday’s spin from Zionist-controlled mass media regards ‘Holocaust’ Memorial Day 2019 was slightly different than in preceding years. There were, of course, plenty of films and documentaries meant to reinforce the current state religion of Holocaustianity – the world’s newest foundation myth, created in order to control western society and prevent Europeans from attaining their full potential.
From The Guardian – whose founder’s motto, ironically, was Comment is free but facts are sacred:
Moshe Kantor, president of the European Jewish Congress, said: “As each year the number of Holocaust survivors able to share their personal testimony diminishes, our responsibility to honour their experience, to educate the uninitiated grows ever greater if we are to ensure that Jews can live as safely as all other European citizens.
“On 27 January, the world will unite to remember all the victims of the Holocaust – let their voices give us the call to action we need to work together, united, to ensure the future of the Europe we know.”
Of the many moving tributes following the recent death of Robert Faurisson, the video below is one of the most pertinent I have seen so far. Using today’s technology – featuring a mise en scène and dresscode worthy of note and which would certainly have met with Robert Faurisson’s approval – Alain Soral regales viewers with his in-a-nutshell analysis of the crucial importance of historical revisionism and the inestimable contribution made by Robert Faurisson.
Alain Soral is the founder of Égalité et Réconciliation, the leading dissident publication in France with seven million monthly clicks. He is also head of the publishing house Kontre Kulture. Mr Soral kindly granted me permission to translate his incisive impromptu text and redistribute the video below with voiceover in English. You can find the original here.
Many thanks to all who continue to support the revisionist cause.
A couple of comments on my recent YouTube videos have expressed dislike for the curtain – an Indian print – which I have been using as a backdrop. The print doesn’t belong to me and it certainly doesn’t belong to my mother who, I should say, has a more classical taste when it comes to interior design and soft furnishings. Personally, I think the issue has more to do with poor lighting rather than the print itself and I shall try to remedy the situation in the near future.
Subjected to further censorship on YouTube, in this video I have translated a recent upload by Vincent Reynouard who helps us understand why revisionism is crucial to the struggles we face.
I re-uploaded the intro to my original video which has now been censored by YouTube, including in my home country the United Kingdom. In anticipation of my adversaries making a fraudulent complaint, I prepared a separate short clip, instructing viewers who want to continue watching to go to BitChute where the full version is now uploaded with revised subtitles in the French-spoken sections.
Link to full version also below. Please feel free to download, share, mirror and use on your platforms.
A year has passed since my legendary performance at the London Forum, now subject to criminal proceedings as already explained in detail here on this blog.
Desperate to see me further punished for the crime of singing humorous songs about Jewish power and influence, my accusers and longtime stalkers fail to grasp that I am not in the least afraid. Once one knows the Truth, it simply feels right and there is no going back. If the British authorities wish to imprison a singer for her satirical songs – so be it!
Unable to perform and speak freely (my laptop STILL in police possession after almost a year), I might just as well be in prison: the experience would no doubt spark further artistic inspiration, not to mention increase Joe Public’s ever-growing distrust of police, the Crown Prosecution Service (CPS) and our elected leaders.
Anyway, on to the topic of this blog which deals with last week’s news concerning how a Hope Not Hate ‘researcher’, Patrik Hermansson – a queer Swede – managed to infiltrate the alt-right in a ‘year-long’ investigation which began last January.
Broomfield did not have the courage to publish my comment below his article which appeared late last Sunday. Suspecting this might be the case, I made a copy. Firstly, here’s Broomfield’s section about me:
My unpublished comment:
As Matt Broomfield would appear to have sympathy for the plight of the Palestinian people, it seems rather strange that he omits to mention references I made about Palestine in my songs and in my talk.
In fact, no doubt relying on memory, Broomfield also manages to misquote, misinterpret and mislead in regard to what I actually said that day. My performance was scripted and was filmed – although not uploaded to YouTube for reasons of jurisprudence.
I most certainly did not say I was in trouble “just for writing a few songs offensive to Jews”, nor did I add any “Come on!” following my remark about Professor Faurisson’s 88th birthday in Vichy.
Most perplexing of all is that this meeting took place three months ago in February, which perhaps partly explains Broomfield’s misquotes and omissions. The judge mentioned recused herself over a month ago and although I am certainly still on bail, this is not the same as being ‘out’ on bail.
Rather than play Kosher Brother, perhaps Broomfield could have investigated why British police closed their investigation into the online harassment and death threats I’ve received since 2015 – investigation closed just two weeks before I was arrested by the same police force for writing a couple of songs? Now that would have been some proper journalism – rather than the poisonous garbage he chooses to spread here.
Then again, Broomfield perhaps believes my grandfather, great-grandfather and countless others who died fighting for this country were fighting so that Brits would face prosecution in their own land for writing satirical songs which upset Jews? Would the author also argue that these men fought and died in order to give queer men the right to marry and adopt children?
And for all those on this thread rambling on and on about the ‘Holocaust’, why not show some proof – or at least accept an honourable debate – rather than trying to criminalise opinions.
Update: will Tommy ‘none of my friends and family are white’ Robinson be turning up at Broomfield’s house with a video camera?