By Gerard Menuhin, reproduced with kind permission.
ABOUT TRUTH and HATE
“The further a society drifts from the truth, the more it will hate those that speak it.”
(George Orwell)
We all know the expression ‘the truth hurts’. The truth can indeed be hurtful, but secure, grounded people can accept it and even grow when they hear the truth.
However, truth doesn’t mean the same to everyone. Whereas to the overwhelming majority of the world’s population ‘truth’ represents what actually happens or has happened and is therefore vital to all relations and transactions, to a minute, rootless but vociferous minority of professional victims, ‘truth’ is a flexible concept, to be used expediently.
As a matter of policy, to gain an approximation of the truth, it’s usually wise to invert everything this minority says. That is to say, when they claim something, particularly when they accuse others of something, that assertion must be assumed to define their own actions and attitudes. They don’t invariably lie in the accepted sense of making something up, they just stand the truth on its head. How to explain this?
Last week, for having expressed myself musically via the Internet, I was entertained at Her Majesty’s pleasure during 48 hours.
Clearly at the beck and call of my predatory stalkers, police first arrested me for an alleged breach of bail outside Court 8 at Westminster Mags then, ten minutes later, de-arrested me. Within half an hour, I was re-arrested on suspicion of inciting racial hatred for my songs (again), handcuffed and carted off to Charing Cross police station where I was held for six hours to await two officers from Derbyshire police to take me back to my home county for questioning.
In Buxton, I spent another 31 hours in custody, was interviewed, rearrested for breaching bail and for another count of sending a ‘grossly offensive message’ – i.e. posting another humorous song on YouTube, clearly marked as SATIRE and which contains NO HATE SPEECH whatsoever – and finally charged with the latter two offences. I was told that the incitement charge is pending police investigation. I was refused bail and informed that police had requested I be held on remand.
On the morning of October 6th, I was again handcuffed and driven in a prison bus to Chesterfield Immediate Remand Court where I pleaded not guilty to malicious communications and was freed under the same bail conditions with the new charge transferred to the next legal argument hearing at Westminster on October 25th.
Now, three days after being released and of course being the subject of all-too-predictable arrogant gloating online from my predatory stalkers (yet total silence from the mainstream press), my impression is that my persecutors were trying to break me.
I was treated badly at Charing Cross, made to suffer three hours of torture in a freezing cold police van with no seat and refused a number of my rights. I have compiled a fully detailed report which has been sent to my lawyers.
All for singing satirical songs? What has happened to this country, when the authorities behave in such a despicable manner towards an artist who has never caused any harm to anyone? What do my predatory stalkers hope to achieve?
Anyway, I am absolutely fine. As I have said before, this kind of persecution only strengthens my resolve. Thanks to everyone who has sent me kind words of support.
The Crown now must convince District Judge Zani that ridiculing Jewish lies, power and influence in a song is grossly offensive. Other points of law to be discussed at the next hearing are whether sharing a URL constitutes sending or causing to be sent a grossly offensive message and deciding whether YouTube is a public communications network.
My bail terms specify that anything I post has to be BOTH racist/anti-Semitic AND grossly offensive in order for me to be charged with a breach. Certainly, one of the interviewing officers didn’t seem to be offended at all – one foot tapping the beat during the showing of a police screencapture video of my alleged musical crimes!
If my trial goes ahead, all the footage of the three songs concerned will be shown in court – the third clip clearly showing a YouTube warning notice for delicate flowers who might be offended by watching! If the authorities want to make themselves look utterly ridiculous then I can’t really see any problem. Likewise, if they decide to put an artist on trial for singing satirical songs, find me guilty and send me to prison, I have absolutely no problem with that either.
Once again, my predatory stalkers have omitted to include another of my songs which, considering the definition of what they claim to be ‘grossly offensive’, could easily have been subject to similar nonsense charges. I wonder why?
Rendezvous 10am, October 25th, Westminster Mags for a case that risks making legal history.
A year has passed since my legendary performance at the London Forum, now subject to criminal proceedings as already explained in detail here on this blog.
Desperate to see me further punished for the crime of singing humorous songs about Jewish power and influence, my accusers and longtime stalkers fail to grasp that I am not in the least afraid. Once one knows the Truth, it simply feels right and there is no going back. If the British authorities wish to imprison a singer for her satirical songs – so be it!
Unable to perform and speak freely (my laptop STILL in police possession after almost a year), I might just as well be in prison: the experience would no doubt spark further artistic inspiration, not to mention increase Joe Public’s ever-growing distrust of police, the Crown Prosecution Service (CPS) and our elected leaders.
Anyway, on to the topic of this blog which deals with last week’s news concerning how a Hope Not Hate ‘researcher’, Patrik Hermansson – a queer Swede – managed to infiltrate the alt-right in a ‘year-long’ investigation which began last January.
Alison Chabloz 
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