Tell Me More Lies

Welcome back to all my readers

Alison Chabloz20 Comments

As predicted, April 14th 2022, the day of my sentencing for again causing gross offence with a satirical song, I was handed almost the maximum term: 22 weeks, eleven of which to be served at HMP Bronzefield near Heathrow, west London, and the rest ‘on Licence’.

Exactly the same as last year: sent to jail on Maundy Thursday, meaning that my first week was spent without access to my own money, without canteen supplies and, worst of all, without access to a telephone.

I repeat: exactly the same scenario as last year. I was unable to reach my family for almost an entire week and only found out after Easter that my mother had been rushed into hospital – as had happened also last year.

My plea for bail, pending Appeal — — including two official complaints to the Lord Chief Justice — took an extraordinary six weeks to be heard, and was rejected on grounds that I would be eligible for early release ‘on tag’.

Again: exactly the same as last year, no tag was granted and I was kept behind bars until the end of June. Following this latest unsuccessful bail hearing, my Appeal against both conviction and sentencing was listed to be heard at Southwark Crown Court, the day following my release, June 30th.

It quickly became apparent during my stay that efforts were afoot to bait me into committing some further offence, for some form of ‘racism’, whilst inside. Mindful of events that affected author, Hervé Ryssen, during his spell in prison in France, I stood my ground, clarified in writing my position and made sure to keep a record of events.

My final ten days were spent in isolation owing to an outbreak of the flu’ (now rebranded as Covid19.) On day five, mass testing on my wing returned a positive Lateral Flow test.

The day of my release, after being forced under duress to sign five pages’ worth of ultra-strict Licence terms basically insinuating that I would be a terrorist, I was told that I would have to wait till lunchtime for a medical certificate stating my ‘Covid’ status, because the Head of Health Care hadn’t yet arrived for work…

Finally, I made it to my first meeting with Probation and was told to go home and rest, and that they would call me.

I was quite poorly for the next few days, with sickness and vomiting – as if I had been poisoned. But I survived.

My initial sentence is now fully served, although I am bound by Standard Licence until September 2023 – unless I am successful on Appeal, now adjourned until November 3rd – thanks to Covid.

Many thanks also to all for your messages of love and support. I will get round to replying to everyone, eventually.

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In light of the total silence from certain prominent individuals representing groups here in England, who claim to champion rights to free expression, I accepted to work on new lyrics penned by my long-time co-author, the hugely talented Gerard Menuhin.

The new song is a follow-up to an earlier number, produced in November 2020. Something of a marathon at eight minutes long, I sing the role of Michele Mainwaring, aka Countess Griaznoff, aka “Lady” Michele Renouf.

Politics, they say, is a dirty business. The question needs to be asked: why is it that my former associates belonging to the Britnat Social Club (including leaders of Patriotic Alternative) have nothing to say about my latest conviction?

The unavoidable conclusion is that they have been working alongside my accusers from the start.

The song that saw me jailed again from Easter to the summer solstice was about Tommy Robinson – despite the judge’s remarks. Only recently did I learn that Robinson’s wife is, apparently, a niece of the late Richard Edmonds… This would explain why, following my first conviction, Edmonds’ advice to me was that I should try to rejoin the Labour party(!). It also helps to clarify his later hatchet job, published by Hope Not Hate satellite mag, Heritage and Destiny, shortly before another of my Court hearings back in 2019.

News of Renouf’s latest gallivanting in fancy dress occasionally soils my inbox. No surprise that these forwarded messages urge correspondents to share some self-publicising clip on Twitter.

Gerard’s latest lyrics were sent to me whilst I was in prison. His and other letters were – exactly the same as last year – withheld by ‘security staff’ who found the content ‘inappropriate.’ Perhaps the c word? I don’t know.

Learning the lyrics by heart and filming (in a wig!) was fun, as have been my few private performances for friends. This version is far from perfect, but it’s a decent enough performance with just a couple of snags towards the end that I managed to patch up using equipment that I currently have at hand.

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It is surreal enough, being the granddaughter of a British soldier who fought and died for his country and having been sent to jail for testing the limits of free speech – for which, I was always told, my grandad sacrificed his life. Those so-called patriots who decided to throw me under the bus are, to reuse a term employed by Labour deputy, Angela Rayner, scum. Despite all their posturing, it seems not in their (financial) interest to actually want to challenge the prescribed narrative concerning WW2.

I have now been jailed twice for singing satirical songs. My right to express myself publicly (and indeed online) as a performing artist has been taken away. This removal of my rights under law has been rubber-stamped by a corrupt Criminal Justice System, and ignored by ‘patriots’ who appear to still believe that Tommy Robinson is the messiah.

If Tommy had any mettle about him in this case, then he might, as one Twitter user suggests, offer to pay my fine. Tommy supported Count Dankula aka Marcus Meecham, yet has nothing much to say about my unique case. Asides the gaslighting and slurs, labelling me a ‘retard’ is unhelpful, as well as downright hypocritical.

Contrary to the facts, several of my original accusers — among whom are two of those who testified against me in Court — now seem to be suggesting that I was jailed for harassment, rather than for causing gross upset with satirical songs. This and other issues not mentioned above are due to be raised with the relevant authorities prior to my November appeal. Until then, once again many thanks to all those with the guts and gumption to lend their support. I hope you enjoy the new song.

Offensive speech: viral Netflix sales or jail?

Alison Chabloz4 Comments

Readers will have no doubt seen the latest Cancel Culture Controversy concerning British comic, Jimmy Carr. I won’t go into details here, only to point out that Carr has been criticised and condemned, whilst no doubt laughing all the way to the bank.

Coming shortly after wokedom’s outrage over Whoopi Goldberg’s comments on race, it seems that cancel culture is truly out of hand.

For something different and distant from all the noise, here is a song I wrote in 2009. Let Love In is a Latin number; the lyrics speak for themselves and have, at least from my own perspective, stood the test of time quite well.

Let Love In – Music and lyrics ©2009 Alison Chabloz
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Review of 2018 ~ convicted and betrayed yet still undefeated

Alison Chabloz

180111 undefeatedNotwithstanding my conviction for posting politically incorrect songs to the Internet, by far the toughest battle I’ve faced throughout 2018 has been an emotionally gruelling and bitter test involving individuals who are supposed to be on the same side. For the record, and in order to bring this difficult year to a close, you will find below various extracts and posts taken from monthly updates on this website.

Evidence of a conspiracy to oust me from revisionist ranks has stacked up over the course of the year, some of which is included below, along with articles touching on my trial and other general topics of interest to nationalists and those in favour of free speech. Also featured are several of my favourite writings of 2018.

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Welcome to AlisonChabloz.Com!

Alison Chabloz13 Comments

My site has a new domain name with further visual and functional upgrades coming soon. I can also upload videos directly to my site – quenelle to YouTube! All previous posts and photos remain intact under the new alisonchabloz.com URL.

Here’s a recent version of my short performance in Vichy at last year’s celebration in honour of Professor Robert Faurisson‘s 88th birthday. As well as Gerard Menuhin’s Tell Me More Lies, you can also hear a little speech I made in French (with English subtitles) at the beginning. Charmant, n’est-ce pas?

 

 

A song of strategy & other news

Alison Chabloz39 Comments

Parisian Songs of War – Giuseppe Fallisi and Alison Chabloz

180519 joe and me vichyYesterday, I finally received the full video footage of Italian tenor Giuseppe Fallisi and I performing together in Vichy last year in honour of Professor Robert Faurisson’s 88th birthday. Although the acoustics are far from perfect, it was a pleasure to listen again after all this time. Entitled in Italian Parisian Songs of War Mr Fallisi’s own musical compositions take the words of Baudelaire, Rimbaud and Verlaine – poets studied and taught by the professor. Indeed, the professor first became known to the French public at large because of his work on the poetry of Rimbaud.

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Happy New Year 2018 ~ No Regrets!

Alison Chabloz47 Comments

In just nine days’ time, I will once again be in court, on this occasion for my long-awaited trial. Of course, there is no guarantee that proceedings will be over there and then: the enemies of freedom and justice have a nasty habit of trying to drag things out for as long as possible, in the hope of extracting a guilty plea from those they take sadistic pleasure in persecuting. As my father would say: they can whistle!

On the Campaign Against Antisemitism’s website, there is a fairly recent article written in typically gloating fashion concerning my prosecution (for singing songs) which states that Alison Chabloz is not ‘an important person’. Those at the CAA helm, on the other hand, clearly do consider themselves to be important, a fact outlined in numerous articles brimming with over-inflated rhetoric and self-praise. No holds barred when it comes to CAA’s own admissions to meddling with the authorities, producing yet more anti-white ‘Holocaust’ propaganda, currying favour with high-ranking government officials via social invitations and meetings during which the obvious aim is to influence chief constables, police and crime commissioners, judges and anyone else they can manipulate.

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Alison Chabloz – Musician and British Nationalist – ITEL Radio

Alison Chabloz3 Comments

Heartfelt thanks to Dennis Fetcho and Inside The Eye – Live! for hosting me on last Saturday’s show. I’m back in the studio this coming Thursday to record four more songs from my upcoming CD ‘Tell Me More Lies’. You can hear the finished title track – with some slight, obligatory Internet radio distortion – during my interview by clicking the link below.

Alison Chabloz – Musician and British Nationalist – ITEL Radio, 11.12.16

Enemies of free speech drown in self-inflicted ‘vat of pus’

Alison Chabloz17 Comments

Searching for news and views about free speech on Twitter, sheer numbers of tweets show that the topic is constantly trending. With regard to Twitter itself, the impression is not good – nor indeed for any of the other big social media platforms. 

As for handling abuse, in my experience, Facebook has on several occasions removed content that I reported: on one occasion, a hate group set up in my name in 2012 was completely deleted; likewise with another recent post by a pro-Israel group inciting people to bully me.

My profile pictures on Facebook had been suddenly flooded with abusive comments. The same happened after my quenelle salute in Edinburgh last year. My ‘other’ Facebook inbox was also crammed with abuse. I since discovered that entire countries can be blocked from seeing pages on Facebook. No prizes for guessing which illegal state is on my list.

Twitter’s report system, however, is arbitrary. Management already admitted they are unable to control abuse from trolls. Suspensions such as mine are a blatant example of how social media has killed free speech. Interestingly, although I’m not the only person to have been suspended, it now appears that certain banned users are allowed back whereas others are not:

Take Milo Yiannopoulos aka Nero, for example, who now tweets via his Facebook page. Ricky Vaughn is also back on Twitter again, having recuperated 10k followers in less than a month – a fact which won’t please Nero. My voice, however, remains censored whist Schadenfreude emanating from the Twitter Eruv continues to make itself heard, loud and clear.

The double standards are toe-curling, cringe-worthy and would be hilarious if they weren’t so worrying. Several people have remarked that, as a woman, I get far more abuse on Twitter than any man holding similar views and that this abuse against me comes principally from other women – a fact further reinforced by the above-mentioned Schadenfreude.

Recently, a Wikipedia editor using the name Nichebiographer published a wiki about me which was flagged for deletion and promptly removed. The same editor did however manage to insert a couple of sentences about me in the English entry on the Quenelle :

Use of the quenelle by British musician Alison Chabloz led to the first known police investigation into the quenelle, lending credence to the possibility that performance of a quenelle could be considered a criminal offence in Britain.[21]

The above has since been edited by Philip Cross:

Use of the quenelle by British musician Alison Chabloz in August 2015 was the subject of complaints. However, the organisers of the Edinburgh Festival Fringe, where Chabloz was due to perform, said no action would be taken against her as it was not within their remit.[21][22][23]

Reasons given for the edits were “speculation, no prosecution of Chabloz” and “misleading comments, reporting someone to the police is not the same as claiming it is an investigation.” Along with this little gem – shining like a beacon of common sense in a sea of filthy, muddying censorship – is Alain Soral’s recognition of my London Forum performance.

My detractors are uncharacteristically quiet, no doubt plotting ahead of my next scheduled alternative media live broadcast. By then, I hope to have one one track from my upcoming CD ready to be aired.

Are my detractors, along with Twitter Support, perhaps ready to ponder the consequences of their actions? Contrary to the original Wikipedia spin on my quenelle, there is a real, live, ongoing criminal investigation and police are regularly updated. Why have there been no press reports about this? I’m glad that pretty much everything has been recorded here on this very blog. If you want to believe Twitter, then I’ve already been arrested, am wanted for questioning, am on bail and about to be sectioned. As already seen in my previous blog, it’s fine for Zionists to use Twitter to threaten, harass and abuse. Whose side is Twitter on? If they can’t see what’s going on here then it’s safe to assume Twitter has sold out and is effectively dead as a platform for free speech.

Or is it? A quick search reveals that Twitter has yet to remove tweets of my song Nemo’s Antisemitic Universe, despite legal threats from the Jewish lobby currently occupying France, le CRIF. Declaration of human rights on freedom of expression, anyone? As an artist, censorship of the kind I’ve been subjected to is surely the highest accolade? It’s also unlawful, which is certainly one reason why my songs are still up on Twitter and YouTube.

Finally, I just want to quickly mention one example of what I call VIP abuse on Twitter. Along with the usual hacks and pundits who infest the mainstream with cries of ‘Holocaust Denier’, singer Alison Moyet recently called me a ‘vat of pus’. Totally out of the blue, I’d never interacted or tweeted with her before. Once again, the Schadenfreude-filled team of Twitter fishwives patted Moyet on the back and tweeted their liberal approval.

Of course, with my account suspended, my reply to Moyet is now invisible:

A week after Moyet tweeted – projected? – her thoughts about me, I received a standing ovation for my first ever gig in London: another massive #quenelle to add to my famous photo – now deleted thanks to my detractors’ hyper-sensitivity and mass reports to Twitter. By this time next year, my London Forum video will likely have more than 20,000 views.

Moyet, Lewis and all the rest need to understand that I was always taught that my Grandfather met his violent death as a sacrifice to western Freedom and Democracy. Those who actively encourage censorship, as well as those who remain silent in the face of these glaring double standards, are mere agents of a corrupt state. Arbitrary decisions lead to censorship of some, whereas others are permitted to abuse and harass with impunity. The latter are mostly slaves to a System, whose self-interest trumps the public interest – and therefore their own – every time. Idiots.

Orwell was right: ignorance is strength. Ruination of social media platforms by gangs of desperate, anonymous trolls and greedy, self-obsessed celebs and hacks is doomed to failure. We know it, our enemies know it and every day the general public is growing increasingly aware. There’s still a long fight ahead of us. However, Truth will always prevail in the end. The enemies of free speech will be crushed underfoot like cockroaches scurrying into the darkened stench of a pitiless landscape, their carcasses kicked into a vat of pus of lies and deceit entirely of their own making. Good riddance!

‘Tell Me More Lies’ at The London Forum

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TELL ME MORE LIES

September 24, 2016, I was invited to present my songs of the Shoah to an audience of over 100 people for a meeting of the London Forum at the Grosvenor Hotel.

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