Those of you who watched my recent BitChute video will know that this latest number is another TMML Productions collaboration with Gerard Menuhin.
After receiving the first version from Gerard in 2017, I did have a go, but wasn’t quite ready. Some ideas are best shut in the bottom drawer then dug out again after a few years. Five years. Hard to believe.
One of my issues with the words at the time, if I remember rightly, was the fact that the character in the song has transitioned from male to female. How could I perform such a role convincingly? Nor was I able to find a solution for the rhythm and phrasing, until about a fortnight ago, when I came up with a bossa nova theme, one that I feel fits perfectly with the incongruous, the unnatural and the unauthentic. Almost six minutes of bewildering musical loveliness – at least that’s my own impression.
This number follows on nicely from two other recent satirical songs, Mission Photo-op and Anything Goes, – the latter to be re-released as a “live” vocal version. One more swing number and I will have a second E.P; both produced in under four months, since October.
It is not currently in my interest, legally speaking, to rake in donations – although if you wish to contribute a small sum I would be very grateful. (I need to make sure that my websites are up-to-date, possibly offering some form of subscription.) It would be great to hear your suggestions regarding what kind of music or topic you would like to hear more of, within reason of course. And if you would like to help in other ways, then please like, follow and share if you can.
Music & lyrics by Alison Chabloz and Gerard Menuhin © tmml productions 2021
Original musical satire, courtesy of Chabloz & Menuhin.
For some reason, my audio editing software failed to capture a L/R stereo track with separate channels for vocal and keys.
The audio is therefore mono, meaning less possibilities to edit and remove, for example, plosives and other parasitical noises.
My performance is 100% live, to camera, with the absolute minimum of post-production trickery.
The theme is humorous. No offence is intended towards pet owners or their pets or indeed anyone else. Enjoy!
Lyrics by Gerard Menuhin. Adaptation (of Blue Suede Shoes), arrangement, performance and production by me.
This is the latest collaboration between Gerard and I, the first of what will hopefully turn out to be a trio of blues numbers. Please let us know what you think in the comments and please share widely.
At Monday’s Southwark Crown Court hearing for mention and fix for my Appeal, the listing clerk apologetically explained that she had requested the presence of two magistrates for the scheduled December dates as early as September 30th. She was notified only late afternoon Friday that none were available.
The Court eventually did however manage to find enough jurors for the Legal Argument part of my Appeal to go ahead by having surplus jurors sent over from the Old Bailey. Mid-morning, I was contacted by my barrister who said that the Legal Arguments might proceed if I was still able to attend.
First off, a slight correction as to my speculations yesterday regards the Tommy Robinson affair. Apparently, Robinson was aware of reporting restrictions on the case. He simply did not understand why these restrictions were in place, namely to avoid jury contamination. Everyone has the right to fair trial. Similar restrictions are currently in place for several high-profile nationalist trials. We cannot complain about contempt rules only when it suits us. Readers will have decide for themselves whether or not Robinson’s actions were deliberately intended to a) jeopardise potential convictions and/or b) to deflect attention away from my case. The most relevant point is that it is indeed the issue of free speech which is the prime motivator of current support for Robinson. We now need to open his supporters’ eyes to those who are in fact behind the desire to further limit our most precious of freedoms.
Reasons for the enemy wanting ever stricter bail conditions became clearer last Wednesday. First imposed December 2016 by Friend of Israel DJ Emma Arbuthnot (recused), I have now been on bail for 15 months. Last autumn’s Freedom of Information request provides ample confirmation of Crown witness and CAA Enforcer Steve Silverman‘s determined efforts to have me locked up for breach of bail, thus obtaining a police interview which could be used against me in court. Much of the questioning in fact centred on my answers to Sgt Jon Lloyd regards my song Too Extreme For The BNP for which no charges have been brought. I think on the whole press coverage was pretty fair: selective in parts, for sure, but Jenni Frazer actually manages to call me a performer – a giant step forward. Hurrah!
Above: Barrister Adrian Davies and Alison Chabloz leaving court. Photo Colin Bex.
My YouTube channel is now no longer available in the UK – presumably the same applies in other European ‘free, democratic’ states. I’m told that a well-meaning message appears when trying to access my videos: ‘This channel is no longer available, you can unsubscribe here’.
Ah well. I guess I should consider myself lucky that my channel does at least still exist everywhere else – unlike Richie Allen’s.
My critics are certainly spending vast amounts of time, energy and money trying to silence me.
But not all of them!
Above: the famous Schwarzbadturm, Nordpier mit Sonnenrad
As far as I am aware, I am the only artist in modern British history to have been jailed for the heinous crime of composing and singing satirical songs which I uploaded to the Internet.
In four weeks time, my trial will take place in London and the three songs concerned will be screened in court. Two clips will show songs from my appearance at The London Forum in September 2016 in front of an audience of roughly 100 people who, considering the standing ovation I received at the end, clearly enjoyed my performance. The third clip is of a song which contains the word SATIRE in the title, which leads me to the point of this blog post.
Last week, for having expressed myself musically via the Internet, I was entertained at Her Majesty’s pleasure during 48 hours.
Clearly at the beck and call of my predatory stalkers, police first arrested me for an alleged breach of bail outside Court 8 at Westminster Mags then, ten minutes later, de-arrested me. Within half an hour, I was re-arrested on suspicion of inciting racial hatred for my songs (again), handcuffed and carted off to Charing Cross police station where I was held for six hours to await two officers from Derbyshire police to take me back to my home county for questioning.
In Buxton, I spent another 31 hours in custody, was interviewed, rearrested for breaching bail and for another count of sending a ‘grossly offensive message’ – i.e. posting another humorous song on YouTube, clearly marked as SATIRE and which contains NO HATE SPEECH whatsoever – and finally charged with the latter two offences. I was told that the incitement charge is pending police investigation. I was refused bail and informed that police had requested I be held on remand.
On the morning of October 6th, I was again handcuffed and driven in a prison bus to Chesterfield Immediate Remand Court where I pleaded not guilty to malicious communications and was freed under the same bail conditions with the new charge transferred to the next legal argument hearing at Westminster on October 25th.
Now, three days after being released and of course being the subject of all-too-predictable arrogant gloating online from my predatory stalkers (yet total silence from the mainstream press), my impression is that my persecutors were trying to break me.
I was treated badly at Charing Cross, made to suffer three hours of torture in a freezing cold police van with no seat and refused a number of my rights. I have compiled a fully detailed report which has been sent to my lawyers.
All for singing satirical songs? What has happened to this country, when the authorities behave in such a despicable manner towards an artist who has never caused any harm to anyone? What do my predatory stalkers hope to achieve?
Anyway, I am absolutely fine. As I have said before, this kind of persecution only strengthens my resolve. Thanks to everyone who has sent me kind words of support.
The Crown now must convince District Judge Zani that ridiculing Jewish lies, power and influence in a song is grossly offensive. Other points of law to be discussed at the next hearing are whether sharing a URL constitutes sending or causing to be sent a grossly offensive message and deciding whether YouTube is a public communications network.
My bail terms specify that anything I post has to be BOTH racist/anti-Semitic AND grossly offensive in order for me to be charged with a breach. Certainly, one of the interviewing officers didn’t seem to be offended at all – one foot tapping the beat during the showing of a police screencapture video of my alleged musical crimes!
If my trial goes ahead, all the footage of the three songs concerned will be shown in court – the third clip clearly showing a YouTube warning notice for delicate flowers who might be offended by watching! If the authorities want to make themselves look utterly ridiculous then I can’t really see any problem. Likewise, if they decide to put an artist on trial for singing satirical songs, find me guilty and send me to prison, I have absolutely no problem with that either.
Once again, my predatory stalkers have omitted to include another of my songs which, considering the definition of what they claim to be ‘grossly offensive’, could easily have been subject to similar nonsense charges. I wonder why?
Rendezvous 10am, October 25th, Westminster Mags for a case that risks making legal history.