Welcome to AlisonChabloz.Com!

My site has a new domain name with further visual and functional upgrades coming soon. I can also upload videos directly to my site – quenelle to YouTube! All previous posts and photos remain intact under the new alisonchabloz.com URL.

Here’s a recent version of my short performance in Vichy at last year’s celebration in honour of Professor Robert Faurisson‘s 88th birthday. As well as Gerard Menuhin’s Tell Me More Lies, you can also hear a little speech I made in French (with English subtitles) at the beginning. Charmant, n’est-ce pas?

 

 

Europe’s twenty-first century witch trials

 

Today, I watched Vincent Lapierre’s EetR report on last week’s hearing at the court of appeal in Paris where patriot and author, Hervé Ryssen, stated his case against a 17-month prison sentence demanded by the state procurator and usual anti-racist [sic] busybody organisations (LICRA, SOS Racisme, Jewish Students Union, etc.)

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A song of strategy & other news

Parisian Songs of War – Giuseppe Fallisi and Alison Chabloz

180519 joe and me vichyYesterday, I finally received the full video footage of Italian tenor Giuseppe Fallisi and I performing together in Vichy last year in honour of Professor Robert Faurisson’s 88th birthday. Although the acoustics are far from perfect, it was a pleasure to listen again after all this time. Entitled in Italian Parisian Songs of War Mr Fallisi’s own musical compositions take the words of Baudelaire, Rimbaud and Verlaine – poets studied and taught by the professor. Indeed, the professor first became known to the French public at large because of his work on the poetry of Rimbaud.

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Response to Matt Broomfield in The Independent

Broomfield did not have the courage to publish my comment below his article which appeared late last Sunday. Suspecting this might be the case, I made a copy. Firstly, here’s Broomfield’s section about me:

170507 alison independent

My unpublished comment:

As Matt Broomfield would appear to have sympathy for the plight of the Palestinian people, it seems rather strange that he omits to mention references I made about Palestine in my songs and in my talk.

In fact, no doubt relying on memory, Broomfield also manages to misquote, misinterpret and mislead in regard to what I actually said that day. My performance was scripted and was filmed – although not uploaded to YouTube for reasons of jurisprudence.

I most certainly did not say I was in trouble “just for writing a few songs offensive to Jews”, nor did I add any “Come on!” following my remark about Professor Faurisson’s 88th birthday in Vichy.

Most perplexing of all is that this meeting took place three months ago in February, which perhaps partly explains Broomfield’s misquotes and omissions. The judge mentioned recused herself over a month ago and although I am certainly still on bail, this is not the same as being ‘out’ on bail.

Rather than play Kosher Brother, perhaps Broomfield could have investigated why British police closed their investigation into the online harassment and death threats I’ve received since 2015 – investigation closed just two weeks before I was arrested by the same police force for writing a couple of songs? Now that would have been some proper journalism – rather than the poisonous garbage he chooses to spread here.

Then again, Broomfield perhaps believes my grandfather, great-grandfather and countless others who died fighting for this country were fighting so that Brits would face prosecution in their own land for writing satirical songs which upset Jews? Would the author also argue that these men fought and died in order to give queer men the right to marry and adopt children?

And for all those on this thread rambling on and on about the ‘Holocaust’, why not show some proof – or at least accept an honourable debate – rather than trying to criminalise opinions.

***

Update: will Tommy ‘none of my friends and family are white’ Robinson be turning up at Broomfield’s house with a video camera? 

170509 robinson whine

Update: five months on and still no charge

Derbyshire police have dropped the three possible pending charges relating to my arrest on suspicion of harassment and incitement last November (see my previous posts). All that’s left now are two malicious communications charges, for sharing the London Forum video of September’s Grosvenor Hotel performance, which the CPS thus far has failed to serve on me properly by (conveniently?) not paying postage.

Several of my contacts with knowledge of English law and court proceedings have told me that costs so far would already amount to tens of thousands of pounds. If I go to trial in July and lose, I will appeal which will carry the total into the hundreds of thousands – all at the expense of UK taxpayers.

As well as the police and CPS investigations, there have already been three hearings at Westminster Magistrates Court in front of three different judges. Chief Magistrate Baroness Arbuthnot was obliged to quietly recuse herself after it was revealed she’d been on an all-expenses-paid trip to Israel as part of a delegation with the Conservative Friends of Israel (CFI). Now that my case has been taken over from foreign lobbying group Campaign Against Antisemitism (CAA) by the Crown, the CPS have their top counter-terrorism lawyer on board as well as a big-shot barrister and we mustn’t forget the cost of police protection necessary to fend off  Jewish Defence League (JDL) thug protests outside court.

Asides a straggle of limpet-like gang-stalkers whose lives would no doubt be completely empty if they weren’t intent on trolling my every post on Gab or YouTube, the usual culprits are all uncharacteristically subdued. News of Derbyshire police having dropped all charges won’t be music to fishwives‘ ears, nor to those down at CAA head office.

After my trial was adjourned last month, I was supposed to receive a new charge sheet by first class post on March 25. When I opened the letter, it was a simple bail sheet and the above-mentioned charges are described as ‘cases’. April 3, I received notification from the local post office that they had an undelivered item which I could collect after paying £2. The next day, I went to the delivery office and saw that the item was in fact the charge sheet. The lady behind the desk said I was entitled to refuse because the sender had failed to stamp or frank the letter. Maybe my gang-stalkers need to have a whip-round in aid of CPS postal charges?

Therefore, I have still not been formally charged with any crime. The charges of malicious communications for sharing a video (not uploaded by me to YouTube) are confusing to say the least. No one is being forced to visit my blog and watch the video.  For the past five months, I have been effectively gagged, unable to share my thoughts on social media and unable to look for work: my computer is still with police and I have no idea when it will be returned. My trial is now adjourned and, depending on legal arguments to be heard in front of District Judge John Zani on June 23, is provisionally rescheduled for July 17.

Despite these inconveniences, I can count 12 successful performances this year so far.  In January, I was invited to perform with Italian tenor, Giuseppe Fallisi in Vichy on the occasion of Professor Faurisson’s 88th birthday. I appeared again at the London Forum in February in the illustrious company of David Irving, David Shayler and Vincent Reynouard. A week later, I flew to Toronto for a nine-day, eight-city tour of Canada sponsored by Paul Fromm’s Canadian Association For Freedom of Expression (CAFE) and last month I was a speaker at the Forum de la Nation in Lyon, France where Fallisi and I again gave a performance of his compositions based on poems by Rimbaud, Verlaine and Baudelaire.

My gagging order prevented me from speaking openly about these events, but it did not prevent the Canadian press from appeasing various Jewish organisations which had the gall to associate my tour with a series of bomb threats sent to synagogues, later found to have been the work of an Israeli Jew. My parents also received unwelcome attention from the press when BBC Religious Affairs Correspondent, Martin Bashir, tried and failed to doorstep me. I had already declined to make any comment to the past interviewer of Princess Diana and Michael Jackson: it’s not as if the BBC is suddenly going to start reporting fairly about ‘Holocaust’ revisionism.

Following last month’s adjournment, I did however accept several alternative media broadcasts which you can find on YouTube. I will leave links below as well as to my PayPal account and where to purchase a copy of my EP. Thanks to all my readers and supporters. Long live free speech.

 

Alison Chabloz “I’m Being Prosecuted & Persecuted For My Satirical Anti-Zionist Songs.”

Antisemitism Harassment Campaign and The Law with Alison Chabloz

Radio Aryan Alison Chabloz Court Case Update – March 23rd 2017

Canadian Jewish groups troubled by UK blogger’s visit

PayPal – For those wishing to support me. Many thanks

Songs of the Shoah

 

 

 

Censorship and Denial: end of the Shoah

I’d like to come back briefly to a couple of points I made in my previous post. Thanks to everyone for reading and especially for all the comments:

Troll strangler banned from Twitter

Firstly, regards the legal request sent to Twitter by the CRIF (French Jewish lobby), part of the email reads:

“We are notifying you of this request about your account so that you may decide whether or how you will respond. Please let us know by replying to this email whether you will remove the reported content. Please note that we may be obligated to take action regarding the content identified in the complaint in the future.”

TAKE ACTION AGAINST THE CONTENT IDENTIFIED…

What action would Twitter take? The tweet is still up. My video is still up on YouTube – although YouTube won’t let me monetise my revisionist songs as they’re not advertiser friendly. Nearly six thousand views of (((Survivors))) – no adverts allowed.

That’s three times more views than my song about Nemo. Is my little ditty being targeted because it mentions the dreaded Robert Faurisson? Do French tax payers approve of their funds being used by the Jewish lobby to trawl the Internet looking for stuff they can claim to feel offended by? It’s fair to assume that the CRIF will not be inviting me along to its annual dinner for a rendering. At least not the musical kind.

*

In my last blog I also spoke of David Cole, David Irving, Mark Weber and the film, Denial. In a blog written for TakiMag last month, Cole slyly makes his case for semi-revisionism, still managing to smear Irving as an evil and wicked Jew hater for having had the audacity to try and sue Cole’s fellow Jew, Deborah Lipstadt.
Jew-Zionists still cling to their fairy tales and, more importantly, to the revenue generated by these fairy tales. Determined to guard their interests, they know that censorship is key, along with disinformation. Welcome to Democracy.

The Daily Mail will no doubt keep churning out Auschwitz monthly press releases, although in one recent report,  the “gas chambers” were strangely conspicuous by their absence. “Death camp” – yes, that is obligatory. But is the Auschwitz gas chamber now finally and forever relegated to the dustbins of history – even in the eyes of mainstream media?

Rather than being a box-office success, which seems unlikely, will the film Denial serve as an historic watershed ? Will the two Davids be invited on TV to gently break the news to audiences worldwide? All those school trips; endless Holocaust Memorial weeping pageants; Auschwitz, where everything is fake and even when something is real, they’ll try and tell you a fake story about what it was used for, e.g. women’s hair.

“Oh, but we’re not sure about the Ostland and the Aktion Reinhard camps. We *think* gassing took place there because, you see, that’s where the Holocaustᵀᴹ really happened. Everything’s ok. Keep the paycheck coming. No, I really don’t think it’s a good idea to publish those photos. Yes, Master, of course, Master, three bags full, Master.”

Coincidentally, I used to work with Taki at GstaadLife. We once met on the slopes of the Wasserngrat and shook hands. Soon after I left my job as editor, the English-speaking Swiss newspaper seemed to go somewhat downhill. Skiing down the Wasserngrat can also be a little bumpy at times – especially the top part of the black run – but it’s definitely much more fun than writing for a flagging brand. During my time there I did, however, learn a lot about blogging.

Back to Denial the film. First echoes from revisionists are positive. Despite his own revisionist ambiguity, David Irving is a wonderful military historian and a fine writer. The film reportedly pays robust tribute to these qualities. The verdict at the Lipstadt trial constitutes simply more evidence of the total power and control of the Jewish lobby over every organisation and institution out there. The only part of the verdict we hear is the one favourable to the lobby: Lipstadt did not defame David Irving by calling him a “Holocaust denier”. By this same verdict and indeed by his own reasoning and as the creator of a legendary video, David Cole is a “Holocaust denier” too. Cole agrees with Irving. The star of the Shoah we once all knew, Auschwitz, is well and truly over, passé, finished.

*

Regarding my Twitter suspension, it’s going to take more than appeals to make Support robots wake up and listen. I fought both suspensions. Support told me I could choose which account I wanted to keep. Of course, I opted for my main account which has 3,500 followers. They wrote back and said that account was SUSPENDED FOR A VIOLENT THREAT AGAINST A NAUSEATING ANONYMOUS ZIOTROLL*- and that they wouldn’t be reinstating my back up account – 200 followers – either. Anonymous trolls rule Twitter! Hurrah for the trolls! Death to free speech!

One would think that the Jewish press would have a field day over my suspension. After all, there was a whole array of articles when one rather delicate Jewish lady took offence to my quenelle and reported me to police. That was literally the headline and substance of every story: “Jewish woman reports UK artist to police for being offended.” Perhaps the censorship angle of my Twitter ban doesn’t really do much to help the lobby’s image – hence the silence even from the avidly vexatious hacks at the Campaign Against Antisemitism – the UK Jewish lobby’s online Shomrim division.

*

Finally, a word about the first reactions to my blog. I received notification from WordPress that a comment from a certain “Alison Mental” was waiting to be moderated. The comment said simply “HAHAHAHAHAHAHAHA You’ve been suspended HAHAHAHAHAHAHA.”

Well, some people can be rather careless. Perhaps many aren’t aware that WordPress always provides the IP address of comments? My blog stats show that this comment was posted from Spain by a BT customer.

No!! It couldn’t possibly be..? Could it?

* Thanks to one of my correspondents who reminds me to say here that ‘Sicaro’ is likely a corrupted version of the Italian ‘sicario’ meaning ‘hired killer’ – no “i”. Being scared of a few words on Twitter and immediately running to Twitter Support and, allegedly, to police indicates that our hit man is, in reality, just another delicate flower. Bless.

‘Tell Me More Lies’ at The London Forum

TELL ME MORE LIES

September 24, 2016, I was invited to present my songs of the Shoah to an audience of over 100 people for a meeting of the London Forum at the Grosvenor Hotel.

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