A year ago today, Robert Faurisson passed away. For more than 40 years, his life was entirely dedicated to the revisionist cause. By way of his study, research and quest for historical exactitude, he also sought exoneration for the German people, wrongly accused during and since the Nuremberg Victors’ Trials, and declared his unbending support for the plight of the indigenous Arabs of occupied Palestine.
In light of Faurisson’s dual citizenship (France/UK) and bilingualism, it is perhaps unsurprising that he was the first prominent revisionist to discover my own leanings in this direction. That was back in 2015 when I performed a quenelle salute at the Edinburgh Fringe. From that infamous day onward, Faurisson – with the help of his devoted sister, Madame Yvonne S. – was typically diligent in informing revisionists worldwide of my musical and other contributions, for which I am still immensely grateful.
When I began composing my series of Songs of the Shoah, I paid tribute to Faurisson in ‘Nemo’s Antisemitic Universe‘ – one of the songs which later saw me convicted and sentenced in an English court. Before circulating the video of my song, I sent him a copy, politely asking his permission to proceed. His response came almost immediately with a resounding J’approuve! The rest is history, so to speak…
Musical extracts ~ me playing keys over backing tracks of jazz standards, Taking a chance… and Gee, baby…
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Unfortunately, owing to tech issues, I am unable to upload the documents cited but will keep trying and update as necessary.
Alison. X x
It sounds better than ‘Dumpling of dumplings’ – although the English translation might be more apt as far as my silhouette is concerned. But let’s stick with the French for now…
Following my participation at last month’s Forum de l’Europe, it was suggested that I should perform at this year’s Bal des Quenelles – an annual celebration every Summer Solstice at the country residence of France’s best known comic and inventor of the Quenelle, Dieudonné. I waited patiently for confirmation and was rewarded with the offer of a 15-minute first-half slot, all expenses paid and a VIP backstage pass.
Two days before I was due to take the Eurostar to Paris, the mayoress of St-Lubin-de-la-Haye – a nondescript liberal feminist author – threatened to shut down the event, predictably citing ‘anti-Semitism’ and the risk of a breach of the peace. Dieudonné responded with typical defiance and humour. The mayoress’s letter was in fact a thinly disguised attempt to dissuade people from making the effort to attend: with the theme announced as a ‘Yellow Vests Special’ and an almost perfect weather forecast, the authorities’ frantic scaremongering was clearly intended to put a damper on things. But there was no doubt in my mind that Chabloz would go to the ball.
Last weekend, I was once again privileged to speak and perform in Paris on the occasion of the Vème Forum de l’Europe, organised by Jeune Nation and Yvan Benedetti of Parti Nationaliste Français (PNF), and to participate the following day in the traditional parade and banquet in honour of the patron saint of France, St. Joan of Arc.
Above: European speakers on the podium. From left to right: Pierre-Marie Bonneau (PNF), Sorin Olariu (Fondation Ogoranu, Romania), Hervé van Laethem (Nation, Belgium), Alison Chabloz and Yvan Benedetti (PNF). Photo © Jeune Nation.
Yesterday’s spin from Zionist-controlled mass media regards ‘Holocaust’ Memorial Day 2019 was slightly different than in preceding years. There were, of course, plenty of films and documentaries meant to reinforce the current state religion of Holocaustianity – the world’s newest foundation myth, created in order to control western society and prevent Europeans from attaining their full potential.
From The Guardian – whose founder’s motto, ironically, was Comment is free but facts are sacred:
Moshe Kantor, president of the European Jewish Congress, said: “As each year the number of Holocaust survivors able to share their personal testimony diminishes, our responsibility to honour their experience, to educate the uninitiated grows ever greater if we are to ensure that Jews can live as safely as all other European citizens.
“On 27 January, the world will unite to remember all the victims of the Holocaust – let their voices give us the call to action we need to work together, united, to ensure the future of the Europe we know.”
Notwithstanding my conviction for posting politically incorrect songs to the Internet, by far the toughest battle I’ve faced throughout 2018 has been an emotionally gruelling and bitter test involving individuals who are supposed to be on the same side. For the record, and in order to bring this difficult year to a close, you will find below various extracts and posts taken from monthly updates on this website.
Evidence of a conspiracy to oust me from revisionist ranks has stacked up over the course of the year, some of which is included below, along with articles touching on my trial and other general topics of interest to nationalists and those in favour of free speech. Also featured are several of my favourite writings of 2018.
Of the many moving tributes following the recent death of Robert Faurisson, the video below is one of the most pertinent I have seen so far. Using today’s technology – featuring a mise en scène and dresscode worthy of note and which would certainly have met with Robert Faurisson’s approval – Alain Soral regales viewers with his in-a-nutshell analysis of the crucial importance of historical revisionism and the inestimable contribution made by Robert Faurisson.
Alain Soral is the founder of Égalité et Réconciliation, the leading dissident publication in France with seven million monthly clicks. He is also head of the publishing house Kontre Kulture. Mr Soral kindly granted me permission to translate his incisive impromptu text and redistribute the video below with voiceover in English. You can find the original here.
Many thanks to all who continue to support the revisionist cause.
The passing of Robert Faurisson almost immediately after his final speech to an audience of Revisionist enthusiasts brings to mind other prominent figures who made similarly spectacular exits from this worldly stage. In 1673, French playwright Molière collapsed whilst performing the lead role in his comedy Le malade imaginaire (The Hypochondriac). More recently in 1984, British humourist Tommy Cooper suffered a heart attack whilst performing at the Royal Variety Show in London.