Junior fellow at SLGO (Smirk Like Gideon Osborne) and local Conservative candidate in the upcoming UK General Election, Robert Largan can smell blood. To start off the week, Largan posted the following about his rival, Labour’s Ruth George, on his campaign Facebook page:
The post reads as follows, see Largan’s final sentence:
Ruth George is still trying to claim that well known racist Kasey Carver has “no role to play” in her campaign despite overwhelming evidence to the contrary.
Remember, Kasey Carver has made a number of anti-Jewish racist posts including:
-Sharing a post about the “so called Holocaust”
-Advancing a racist conspiracy theory about Israel supporting ISIS
-Making racist comments about the “Zionist influence of the BBC”
-Was a long time friend of Alison Chabloz, a racist Holocaust denier, so notorious that she is banned from entering France.
No sooner had I politely responded to the call to war, Largan then dutifully moved the battle location over to Twitter – from where I am banned and therefore unable to reply directly. Was Largan hoping to attract an army of virtue-signallers complete with pitchforks? Sadly for him, only a couple of accounts with visible links to Campaign Against Antisemitism, CAA, entered the one-sided fray. Rattusbaum aka Nemo predictably came out to bat for Israel, squeaking plaintively. Amusingly, le gros porc was quickly out for a duck after being bowled over by another song.
Let me make it clear that I am not in favour of any of the main parties. True, there are entries on this very site, published not all that long ago, that are supportive of Jeremy Corbyn’s anti-Zionism. Now, however, the anti anti-Semitism lobby seems to be promoting me as one of the main reasons not to vote Labour. Quite a compliment, I’d say!
My unexpected release from HMP New Hall on unconditional bail last week appears to have somewhat dampened my detractors’ celebratory mood, in particular for the start of the Jewish New Year, Rosh Hashanah. Following vituperative pleas that I be shiv’d inside prison (= stabbed ), post-release whining has reverted to the usual calls for censorship and that I would do well to hang myself. Such nice people. Why they still think it’s a wise move to grant me further publicity is, frankly, unfathomable.
This latest round of persecution has led to my profile being raised further, with messages of love and support flooding in from near and far. Many thanks to everyone for their kind encouragements. Those of you frustrated in your attempts to donate (my latest donation pages at Patreon and Ko-Fi having been suspended with funds sequestered!) can find more information on how to help by clicking here.
It sounds better than ‘Dumpling of dumplings’ – although the English translation might be more apt as far as my silhouette is concerned. But let’s stick with the French for now…
Following my participation at last month’s Forum de l’Europe, it was suggested that I should perform at this year’s Bal des Quenelles – an annual celebration every Summer Solstice at the country residence of France’s best known comic and inventor of the Quenelle, Dieudonné. I waited patiently for confirmation and was rewarded with the offer of a 15-minute first-half slot, all expenses paid and a VIP backstage pass.
Two days before I was due to take the Eurostar to Paris, the mayoress of St-Lubin-de-la-Haye – a nondescript liberal feminist author – threatened to shut down the event, predictably citing ‘anti-Semitism’ and the risk of a breach of the peace. Dieudonné responded with typical defiance and humour. The mayoress’s letter was in fact a thinly disguised attempt to dissuade people from making the effort to attend: with the theme announced as a ‘Yellow Vests Special’ and an almost perfect weather forecast, the authorities’ frantic scaremongering was clearly intended to put a damper on things. But there was no doubt in my mind that Chabloz would go to the ball.
Of the many moving tributes following the recent death of Robert Faurisson, the video below is one of the most pertinent I have seen so far. Using today’s technology – featuring a mise en scène and dresscode worthy of note and which would certainly have met with Robert Faurisson’s approval – Alain Soral regales viewers with his in-a-nutshell analysis of the crucial importance of historical revisionism and the inestimable contribution made by Robert Faurisson.
Alain Soral is the founder of Égalité et Réconciliation, the leading dissident publication in France with seven million monthly clicks. He is also head of the publishing house Kontre Kulture. Mr Soral kindly granted me permission to translate his incisive impromptu text and redistribute the video below with voiceover in English. You can find the original here.
Many thanks to all who continue to support the revisionist cause.
An article online published last Thursday by despicable Zionist rag, UK Jewish News, claims I am again under police investigation. The flurry of emails to my inbox from all over the world – Canada, Australia, the US, France as well as Britain – leads me to write a general update here rather than keep repeating myself in replies to those devoted to the Revisionist Cause.
Above: ‘Hate singer’ – but nevertheless an ‘artist’
My site has a new domain name with further visual and functional upgrades coming soon. I can also upload videos directly to my site – quenelle to YouTube! All previous posts and photos remain intact under the new alisonchabloz.com URL.
Here’s a recent version of my short performance in Vichy at last year’s celebration in honour of Professor Robert Faurisson‘s 88th birthday. As well as Gerard Menuhin’s Tell Me More Lies, you can also hear a little speech I made in French (with English subtitles) at the beginning. Charmant, n’est-ce pas?
A senior police officer meets with Jewish Shomrim vigilante police force and Twitter troll Bedlam Jones.
Since that fateful day in court last December, Jones has desperately sought ways to alleviate his discomfort. Alas, to no avail.