For the record #2 – Media lawyer to be prosecuted for offensive social media posts

Mainstream coverage of social media “offences” is highly dependent on who is the “offender” and who is the “victim”. Certain “racially-motivated” offences are hardly mentioned, whereas others earn swathes of column space and even prime-time TV coverage. Councillors and even members of the aristocracy are not spared the glare of negative publicity and my own case has generated plenty of interest. But for some reason, yesterday’s announcement by the Solicitor’s Regulatory Authority that media lawyer Mark Lewis is to be prosecuted in a disciplinary court has not been mentioned by any mainstream sources at all. *

In a statement made following yesterday’s news, Lewis said:

It is a matter of great principle that one can respond robustly to intimidating racist death threats.

After briefly following me ca. 2011/2012 on Twitter, Lewis then blocked me; thereafter unblocking me to engage in what can only be described as abusive (on his part) spats.

Lewis’ robust responses culminated in his presence in court, seated next to my CAA accusers last June for sentencing, no doubt in the hope that I would be led down to the cells and then to prison.

So, let’s take a look at some of the history which led to this week’s turning of the tables.

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Charity under investigation as puppet-on-a-string earns musical restraining order

Suzanne she goes down
Once more to Ealing cop shop
She makes an umpteenth statement
Falsely claiming she’s a victim

And we know that she’s half crazy
That her strings are pulled in Barnet
And the lies are fed from Finchley
Oh but she’s too blind to see it
Yet Suzanne does her duty
Carries out her orders
Just keeps on spreading nonsense
In the hope somebody answers
With angry words and menace

And again she runs for cover
Begging Mr Plod to nick me
But he only shakes his helmet
As she stands there
Playing victim with her lies…

(Sincere apologies to fans of Leonard Cohen – RIP).

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CAA a hateful organisation that needs to be banned

I like to work in the evening. Performing music in public is the most satisfying way. Sadly, as any such possibility has been denied to me by way of CAA trolls‘ stalking and harassment of my professional and social life, not to mention a conviction for singing heretical songs, I now spend my evenings mostly writing.

“They” are still out to get me. A certain Catholic Zionist from Ealing – obsessively deranged -has been charged with the job of trying to bait me into publishing words here on my website, thereby enabling the usual suspects to submit yet more vexatious reports to an already overstretched and underfunded police force. So here goes:

Let’s take a look at what what one prosecution witness had to say about my wicked songs – in this case, “Nemo’s anti-Semitic Universe”.

As opposed to the insane declarations below, “Nemo” does not refer to “all Jews” but to CAA Chief Twitter Troll Stephen Applebaum who is the subject of an ongoing police investigation. These two men – Applebaum and his CAA master/mentor – are the major culprits in having twisted the long arm of the law in this supposed democracy of ours to have my right to freedom of artistic expression quashed. Why pretend to hate “fascists” when your own behaviour makes any dictatorship seem positively liberal in comparison?

No argument whatsoever that Applebaum is “Nemo”, as confirmed by this same Crown/CAA witness under cross examination in an English court of law last January. As well, police are in possession of a entire library of screenshots spanning from 2015 to 2018, proving that both Applebaum and the Crown/CAA witness concerned work as team on behalf of the despicable CAA. Astonishingly, none of this evidence was made available to the CPS disclosure unit during my 18-month long legal ordeal.

Below are several comments from the Crown/CAA witness about “Nemo’s anti-Semitic Universe”, a song dedicated to this witness’s closest associate, Applebaum, who trolled me on average three times daily over a period of at least two years. The statement was supplied to the Crown in June 2017. Witness remarks are in red italics. My cited lyrics in blue:

Using Nemo as a metaphor for her Jewish critics, Chabloz dismisses the widespread condemnation of her deliberate incitement of hatred towards Britain’s Jews as the result of an exercise to find something to take offence at. She dismisses her own antisemitism as merely a pretence invented by the Jews for their own purposes.

“Nemo” is not a metaphor for Jewish critics. It is one of the numerous Twitter names belonging to Stephen Applebaum – as testified in court by the person who wrote the above nonsense. “Nemo” relates directly to a troll who spends much of his sad life seeking out examples of “anti-Semitism” on Twitter in order to satisfy his master/mentor. 

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Nemo, Shomrim online plod, the shekel is his God.

Chabloz uses another antisemitic trope to portray Nemo, whom she imagines to be a Jew, as someone who worships money. In specifying the shekel – the currency of the State of Israel – the implication is that Nemo is paid by Israel to make false accusations of antisemitism.

“Nemo” aka Applebaum certainly identifies as a Jew. As for working for the state of Israel, it is easy to prove that most of his time is spent on Twitter trolling for Israel. His daily visits to my website show a worryingly unhealthy obsession, as well as indicating that he is still tasked with finding something – anything! – that his CAA master/mentor can then report to police.

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Nemo rages, fumes and spits as he trolls the early shift, regurgitates his myths. He has us all in fits. Nemo’s gentile-o-phobic drift.

By referring to Nemo’s ‘myths’, Chabloz continues to push the narrative that the Holocaust did not happen. By calling Nemo ‘gentile-o-phobic’, she once more attempts to promote the lie that Jews feel disdain for non-Jews. It is hard to see any motive for this beyond encouraging others to hate Jews.

Same spin: Chabloz doesn’t believe the tall tales of Zisblatt, Wiesel, soap and lampshades. Therefore she must be an evil Nazi who wants all Jews killed. As for ‘gentile-o-phobic’, how’s this for a prime exhibit, “Nemo”/Applebaum (renamed “Sicaro”) channelling Shylock from Shakespeare’s Merchant of Venice!

 

 

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Nazi dogmatic decree. No, no, Nemo, ‘Moi, je ne suis pas Charlie.’

Here Chabloz employs the modern antisemitic trope that Jews are the new Nazis. After the terrorist attack on the offices of Charlie Hebdo in Paris, the slogan ‘Je suis Charlie’ was used around the world as an expression of solidarity. She puts into Nemo’s mouth the words, ‘Je ne suis pas Charlie’, in order to show that Jews stand against civilised society.

The witness is clearly a fantasist who invents ridiculous theses in order to achieve CAA’s sordid aims. He already knew that “Nemo” was Applebaum when he submitted his statement to the Crown. Police already knew too! The “Nazi dog” line is a reference to Count Dankula. I am expressing my own words and thoughts by way of my own music. “Nemo” is a vicious stalker. Writing a humourous song was my way of dealing with this abuse: police weren’t interested in stopping this scumbag from trying to ruin my life. And now I am the one being punished.

Finally, today it became apparent that police engaged in evidence tampering to have me stitched-up! Oh dear, oh dear! The investigating officer who provided video evidence for interrogation and which was later shown in court managed to access a video 48 hours AFTER the video had been blocked in the UK and “sandboxed” by YouTube.

Cohencidentally, the EXACT same evidence-tampering by German police is being exposed in the ongoing Schaefer siblings’ trial in Munich.

 


Dates for my pending appeal for both conviction and sentence should have been made public over two weeks ago. Alas, anti-Zionists do not benefit from a crock/crook-of-gold legal fund à la Tommy Robsinson. I will keep you updated as soon as news arrives. Thanks to all for your ongoing support.

Alison. X x

Report to police, publish an article

An article online published last Thursday by despicable Zionist rag, UK Jewish News, claims I am again under police investigation. The flurry of emails to my inbox from all over the world – Canada, Australia, the US, France as well as Britain – leads me to write a general update here rather than keep repeating myself in replies to those devoted to the Revisionist Cause.

180802 JN artist

 Above: ‘Hate singer’ – but nevertheless an ‘artist’

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Europe’s twenty-first century witch trials

 

Today, I watched Vincent Lapierre’s EetR report on last week’s hearing at the court of appeal in Paris where patriot and author, Hervé Ryssen, stated his case against a 17-month prison sentence demanded by the state procurator and usual anti-racist [sic] busybody organisations (LICRA, SOS Racisme, Jewish Students Union, etc.)

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A song of strategy & other news

Parisian Songs of War – Giuseppe Fallisi and Alison Chabloz

180519 joe and me vichyYesterday, I finally received the full video footage of Italian tenor Giuseppe Fallisi and I performing together in Vichy last year in honour of Professor Robert Faurisson’s 88th birthday. Although the acoustics are far from perfect, it was a pleasure to listen again after all this time. Entitled in Italian Parisian Songs of War Mr Fallisi’s own musical compositions take the words of Baudelaire, Rimbaud and Verlaine – poets studied and taught by the professor. Indeed, the professor first became known to the French public at large because of his work on the poetry of Rimbaud.

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Happy New Year 2018 ~ No Regrets!

In just nine days’ time, I will once again be in court, on this occasion for my long-awaited trial. Of course, there is no guarantee that proceedings will be over there and then: the enemies of freedom and justice have a nasty habit of trying to drag things out for as long as possible, in the hope of extracting a guilty plea from those they take sadistic pleasure in persecuting. As my father would say: they can whistle!

On the Campaign Against Antisemitism’s website, there is a fairly recent article written in typically gloating fashion concerning my prosecution (for singing songs) which states that Alison Chabloz is not ‘an important person’. Those at the CAA helm, on the other hand, clearly do consider themselves to be important, a fact outlined in numerous articles brimming with over-inflated rhetoric and self-praise. No holds barred when it comes to CAA’s own admissions to meddling with the authorities, producing yet more anti-white ‘Holocaust’ propaganda, currying favour with high-ranking government officials via social invitations and meetings during which the obvious aim is to influence chief constables, police and crime commissioners, judges and anyone else they can manipulate.

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