Season’s greetings to all. Here is a brief review of 2019 that, in the end, turned out to be not so brief. The new year is fraught with the prospect of yet another upcoming spell behind bars, for singing songs. More on that later…
Musical extracts ~ me playing keys over backing tracks of jazz standards, Taking a chance… and Gee, baby…
Please find links to my donation pages on the right hand side bar. Thanks to everyone for your ongoing support and encouragement.
Unfortunately, owing to tech issues, I am unable to upload the documents cited but will keep trying and update as necessary.
Alison. X x
Like many of us who champion the cause of historical revisionism, I am wedded to the idea of establishing the truth of what actually took place in Germany during World War Two. The official narrative of a past event, branded as a ‘holocaust’ of Jews living under the Third Reich – whilst no longer having credibility, historiographically speaking, – is now implemented, – i.e. shoved down our throats by ZOG at every possible opportunity, neatly assisted by Hollywood and the media, – as the latest imposed religion for the Goyim. You’d better believe in the six million, or else!
Like many who champion the revisionist cause, but not all, I am the victim of state-sponsored persecution, prosecution and a two year suspended prison sentence; not so much for my firm belief that the main posits of the official narrative simply do not stand up to scientific scrutiny, but for having ridiculed and blasphemed, in song, this founding myth of Globalism that is the so-called ‘Holocaust’ and, worse still, for pouring scorn on those who strive to maintain the ‘Holocaust’ myth.
Merely questioning or indeed pointing out the lack of forensic evidence can lead to a spell behind bars, especially in German-speaking countries. Sylvia Stolz is once again in prison in Germany for a speech given in Switzerland. The list goes on: 90-year old Ursula Haverbeck jailed for posing difficult questions on the same subject; ditto for Horst Mahler, now in a secure medical wing after suffering a second leg amputation due to poor health care in prison; in Austria, meanwhile, Wolfgang Fröhlich has at last been freed after serving 15 years – for expressing an opinion. Surely Fröhlich must be the main contender for the 2020 Prix Robert Faurisson?
Stéphane Blet is a French classical pianist and composer living in Turkey. In 2005, he was awarded the prestigious title of Knight of the Order of Arts and Literature by Jacques Chirac. A longtime supporter of Palestinian rights, Blet suddenly found himself a target of the Israel lobby in 2017 when he was prosecuted by the notorious pro-Israel League Against Racism and Anti-Semitism (LICRA) – a government-funded NGO that fulfils a similar role in France as do Hope Not Hate and Campaign Against Anti-Semitism in Britain.
Having emigrated to Istanbul to avoid further bullying from what he describes as the Jewish Mafia (see below death threats sent to Blet by members of this same mafia), Blet continues to be politically active and is now subject to further prosecution by another French-Israeli NGO, the National Bureau for Vigilence Against Anti-Semitism (NBVCA), for his videos in support of the French Yellow Vest movement.
A meagre yet nonetheless revealing Subject Access Request (SAR) has finally arrived from Derbyshire Constabulary. The most important revelations are as follows:
Reports against me all were made to local forces outside Derbyshire. In simple terms, therefore, I am being forced to carry out Serf Labour as “payback” to a community that has no complaint against me. Indeed, there exists (thankfully) not a single synagogue within the entire county.
The SAR confirms (finally) that I did indeed deliver more anonymous post (including another, unopened “greetings card”) to Glossop police station shortly before I was first arrested November 2016. The officer in charge at the time had expressly asked me not to open any more of these greetings cards before handing them over to police. Why wasn’t this unopened card sent for DNA testing? Why was this case only partially investigated and why was this new evidence not taken into account? Why was I suddenly informed that the investigation had been dropped a week before I was the one being arrested for alleged harassment of the suspected sender and why was this person never interviewed by local police? – The SAR states categorically that my reports concerning this particular individual span a period of over 28 months.
The SAR also contains a short report of the interview I gave to police after my first above-cited arrest. Why did the CPS Counter Terrorism Unit prosecution barrister, Karen Robinson, then claim in court March 2018 that a second interview I gave in October 2017 was the first time I had ever been interviewed by police about my songs? What happened to the process of full disclosure?
A number of reports from the usual suspects are vaguely alluded to, one of which accuses me of “selling a CD” of my songs! It appears that Derbyshire police weren’t too fond of the idea of having me re-arrested for alleged breach of my bail conditions throughout most of 2017, despite reports coming thick and fast. Perhaps that’s why the Met was sent to do the dirty work outside court, October 2017, resulting in two nights in the cells and then bizarrely, according to the SAR, two days later “all charges dropped” by my own local force?
Notwithstanding my conviction for posting politically incorrect songs to the Internet, by far the toughest battle I’ve faced throughout 2018 has been an emotionally gruelling and bitter test involving individuals who are supposed to be on the same side. For the record, and in order to bring this difficult year to a close, you will find below various extracts and posts taken from monthly updates on this website.
Evidence of a conspiracy to oust me from revisionist ranks has stacked up over the course of the year, some of which is included below, along with articles touching on my trial and other general topics of interest to nationalists and those in favour of free speech. Also featured are several of my favourite writings of 2018.
Before detailing my recent experience of Jewish Chronicle (JC) editor Stephen Pollard’s refusal to grant my Subject Access Request (SAR), I would briefly like to return to last June and the day of my sentencing at Westminster Magistrates Court.
When I was called once more to the dock, I immediately recognised solicitor Mark Lewis, seated next to both my accusers from Campaign Against Antisemitism. I was able to quickly alert my barrister, Adrian Davies, that Lewis had sent me several death threats on Twitter, a fact which Mr Davies revealed during mitigation that same day.
During my second visit with the Probation Service in August, I produced screenshots of Lewis’ tweets along with several other examples of abuse sent to me on Twitter, abuse that is still ongoing today despite the obvious fact that I am unable to respond directly owing to my 12-month ban from social media. Shortly after my meeting with probation, Lewis’ prosecution by the Solicitors Regulatory Authority was quietly announced by the media.