First off, thank you for all the wonderful messages of support and for the donations. My apologies for not yet having replied individually to everyone – I have spent the past week answering emails and have still not managed to clear my inbox. If I may ask those waiting for a reply to exercise a little patience, I will do my best to respond as soon as time permits.
Two nights ago, I watched a BBC Newsnight report on an exhibition about censorship of music in Stalin’s Soviet Union, currently doing the rounds in Tel Aviv(!) before coming to London. Stalin banned all genres of music which he found ‘un-Soviet like’ – not just rock ‘n’ roll, but also traditional Russian folk tunes. Dissidents found a way to record songs on x-ray film: the exhibition features these medical scans of human bones, engraved with ‘Rock Around the Clock’ and other classics. But for me the most interesting part of the BBC report concerned a Haifa-based Palestinian Arab musician, Jowan Safadi, arrested and charged for incitement because of a song performed at a music festival in 2010.
By Karl Radl, first published by Semitic Controversies. Reproduced with kind permission.
Alison Chabloz – the heroic lady who poked fun at the great shibboleth of modern times aka the so-called ‘Holocaust’ – was convicted of uploading ‘three grossly offensive’ songs on YouTube by a Magistrates Court presided over by Judge John Zani. (1) Zani is himself the descendant of Italian immigrants to the UK. (2)
Despite the assorted hype being used by jewish publications like Jewish News – the Times of Israel’s UK subsidiary – claiming that Zani’s verdict was damning. (3) The fact of the matter is that ‘Chabloz was convicted under section 127 of the Communications Act 2003 after District Judge John Zani found the material to be “grossly offensive”. There is no law specifically against Holocaust denial in the UK.’ (4)
While the Jewish Chronicle buried the following important observation at the very end of their article: ‘Because District Judge Zani’s ruling was at a magistrates’ court, it does not set a binding precedent.’ (5)
The song that made me famous – or infamous depending on how you look at it – (((Survivors))) is two years old today.
A song so effective against the Globalist agenda that I’ve now been convicted in an English court of causing ‘gross offence’ – for sharing my own work on social media.
Today, I watched Vincent Lapierre’s EetR report on last week’s hearing at the court of appeal in Paris where patriot and author, Hervé Ryssen, stated his case against a 17-month prison sentence demanded by the state procurator and usual anti-racist [sic] busybody organisations (LICRA, SOS Racisme, Jewish Students Union, etc.)
In just nine days’ time, I will once again be in court, on this occasion for my long-awaited trial. Of course, there is no guarantee that proceedings will be over there and then: the enemies of freedom and justice have a nasty habit of trying to drag things out for as long as possible, in the hope of extracting a guilty plea from those they take sadistic pleasure in persecuting. As my father would say: they can whistle!
On the Campaign Against Antisemitism’s website, there is a fairly recent article written in typically gloating fashion concerning my prosecution (for singing songs) which states that Alison Chabloz is not ‘an important person’. Those at the CAA helm, on the other hand, clearly do consider themselves to be important, a fact outlined in numerous articles brimming with over-inflated rhetoric and self-praise. No holds barred when it comes to CAA’s own admissions to meddling with the authorities, producing yet more anti-white ‘Holocaust’ propaganda, currying favour with high-ranking government officials via social invitations and meetings during which the obvious aim is to influence chief constables, police and crime commissioners, judges and anyone else they can manipulate.
Subjected to further censorship on YouTube, in this video I have translated a recent upload by Vincent Reynouard who helps us understand why revisionism is crucial to the struggles we face.
I re-uploaded the intro to my original video which has now been censored by YouTube, including in my home country the United Kingdom. In anticipation of my adversaries making a fraudulent complaint, I prepared a separate short clip, instructing viewers who want to continue watching to go to BitChute where the full version is now uploaded with revised subtitles in the French-spoken sections.
Link to full version also below. Please feel free to download, share, mirror and use on your platforms.
With just three weeks to go before my next appearance at Westminster Magistrates Court, have the authorities finally grasped the level of malice directed towards myself, my livelihood and my family?
Twice last November, I was arrested on charges of malicious communications and harassment, brought by the very same people whom I had previously reported to police for the exact same crimes committed against me. The difference being that I have lost my livelihood, have had my gigs cancelled and have been harassed in my own home with anonymous, threatening letters.
Rather than do their duty and bring the perpetrators of these crimes against me to justice, police closed their investigations and then arrested me for alleged crimes against these same perpetrators. Apologies for the bad language, but it’s fucking insane.