Robert Largan, contemptuous of High Peak voters, in love with Israel.

I have already written about my first impressions of the Tory candidate for High Peak, here:

Why the entire System is unfit for office

Last night, I was finally banned from posting on Robert Largan’s Facebook page.

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Why the entire System is unfit for office

Junior fellow at SLGO (Smirk Like Gideon Osborne) and local Conservative candidate in the upcoming UK General Election, Robert Largan can smell blood. To start off the week, Largan posted the following about his rival, Labour’s Ruth George, on his campaign Facebook page:

Largan

The post reads as follows, see Largan’s final sentence:

Ruth George is still trying to claim that well known racist Kasey Carver has “no role to play” in her campaign despite overwhelming evidence to the contrary.

Remember, Kasey Carver has made a number of anti-Jewish racist posts including:

-Sharing a post about the “so called Holocaust”
-Advancing a racist conspiracy theory about Israel supporting ISIS
-Making racist comments about the “Zionist influence of the BBC”
-Was a long time friend of Alison Chabloz, a racist Holocaust denier, so notorious that she is banned from entering France.

No sooner had I politely responded to the call to war, Largan then dutifully moved the battle location over to Twitter – from where I am banned and therefore unable to reply directly. Was Largan hoping to attract an army of virtue-signallers complete with pitchforks? Sadly for him, only a couple of accounts with visible links to Campaign Against Antisemitism, CAA, entered the one-sided fray. Rattusbaum aka Nemo predictably came out to bat for Israel, squeaking plaintively. Amusingly, le gros porc was quickly out for a duck after being bowled over by another song.

Let me make it clear that I am not in favour of any of the main parties. True, there are entries on this very site, published not all that long ago, that are supportive of Jeremy Corbyn’s anti-Zionism. Now, however, the anti anti-Semitism lobby seems to be promoting me as one of the main reasons not to vote Labour. Quite a compliment, I’d say!

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Our corrupt System needs community payback

According to the British Sentencing Council’s definitive guidelines on the imposition of custodial sentences:

• A custodial sentence must not be imposed unless the offence or the combination of the offence and one or more offences associated with it was so serious that neither a fine alone nor a community sentence can be justified for the offence.

Furthermore, the Criminal Justice Act 2003, part 12, chapter 3, para. 9 (5), states:

Before making a suspended sentence order imposing two or more different requirements falling within subsection (1) [mine has no less that five], the court must consider whether, in the circumstances of the case, the requirements are compatible with each other.

And again quoting from the above guidelines:

• A suspended sentence MUST NOT be imposed as a more severe form of community order. A suspended sentence is a custodial sentence. Sentencers should be clear that they would impose an immediate custodial sentence if the power to suspend were not available. If not, a non-custodial sentence should be imposed.

At my conviction last May, District Judge John Zani was fairly precise in his indication that my offences were serious enough to warrant custody. My musical malice had “on the face of it”, passed the custody threshold and therefore I was facing a spell behind bars or – as it turned out – a custodial punishment in the form of a Suspended Sentence Order including slave labour plus four other requirements.

Are these requirements compatible? Not really. Forced labour plus a 12-month social media ban plus a fine prevent me from earning a crust. The strangest part of my order is the 20-day “Rehabilitation Requirement Activity” (RAR). Let me explain.

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Guilty verdict provokes Jewish concerns

Over the past few days, seven opinion pieces have been published by lamestream media. With the possible exception of Spiked’s Fraser Myers, all are penned by Jews, with two written by Gideon Falter, chairman of Campaign Against Antisemitism (CAA), the man who originally brought the private criminal prosecution against me which led to last week’s guilty verdict for causing offence by uploading songs to my Tell Me More Lies blog and to YouTube.

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Happy New Year 2018 ~ No Regrets!

In just nine days’ time, I will once again be in court, on this occasion for my long-awaited trial. Of course, there is no guarantee that proceedings will be over there and then: the enemies of freedom and justice have a nasty habit of trying to drag things out for as long as possible, in the hope of extracting a guilty plea from those they take sadistic pleasure in persecuting. As my father would say: they can whistle!

On the Campaign Against Antisemitism’s website, there is a fairly recent article written in typically gloating fashion concerning my prosecution (for singing songs) which states that Alison Chabloz is not ‘an important person’. Those at the CAA helm, on the other hand, clearly do consider themselves to be important, a fact outlined in numerous articles brimming with over-inflated rhetoric and self-praise. No holds barred when it comes to CAA’s own admissions to meddling with the authorities, producing yet more anti-white ‘Holocaust’ propaganda, currying favour with high-ranking government officials via social invitations and meetings during which the obvious aim is to influence chief constables, police and crime commissioners, judges and anyone else they can manipulate.

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FOI documents reveal malicious intent to remove right to freedom of expression

The full document containing communications between Campaign Against Antisemitism (CAA) and Derbyshire Police and Crime Commissioner’s office (PCC) can be found here.

The correspondence between both organisations begins with a letter to PCC Hardyal Dhindsa from CAA chairman, Gideon Falter, dated June 8 2016. Surely no coincidence that my original demo of (((Survivors))) was uploaded the same day?
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Curtains for YouTube in 2018?

A couple of comments on my recent YouTube videos have expressed dislike for the curtain – an Indian print – which I have been using as a backdrop. The print doesn’t belong to me and it certainly doesn’t belong to my mother who, I should say, has a more classical taste when it comes to interior design and soft furnishings. Personally, I think the issue has more to do with poor lighting rather than the print itself and I shall try to remedy the situation in the near future.

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