Season’s greetings to all. Here is a brief review of 2019 that, in the end, turned out to be not so brief. The new year is fraught with the prospect of yet another upcoming spell behind bars, for singing songs. More on that later…
Junior fellow at SLGO (Smirk Like Gideon Osborne) and local Conservative candidate in the upcoming UK General Election, Robert Largan can smell blood. To start off the week, Largan posted the following about his rival, Labour’s Ruth George, on his campaign Facebook page:
The post reads as follows, see Largan’s final sentence:
Ruth George is still trying to claim that well known racist Kasey Carver has “no role to play” in her campaign despite overwhelming evidence to the contrary.
Remember, Kasey Carver has made a number of anti-Jewish racist posts including:
-Sharing a post about the “so called Holocaust”
-Advancing a racist conspiracy theory about Israel supporting ISIS
-Making racist comments about the “Zionist influence of the BBC”
-Was a long time friend of Alison Chabloz, a racist Holocaust denier, so notorious that she is banned from entering France.
No sooner had I politely responded to the call to war, Largan then dutifully moved the battle location over to Twitter – from where I am banned and therefore unable to reply directly. Was Largan hoping to attract an army of virtue-signallers complete with pitchforks? Sadly for him, only a couple of accounts with visible links to Campaign Against Antisemitism, CAA, entered the one-sided fray. Rattusbaum aka Nemo predictably came out to bat for Israel, squeaking plaintively. Amusingly, le gros porc was quickly out for a duck after being bowled over by another song.
Let me make it clear that I am not in favour of any of the main parties. True, there are entries on this very site, published not all that long ago, that are supportive of Jeremy Corbyn’s anti-Zionism. Now, however, the anti anti-Semitism lobby seems to be promoting me as one of the main reasons not to vote Labour. Quite a compliment, I’d say!
A year ago today, Robert Faurisson passed away. For more than 40 years, his life was entirely dedicated to the revisionist cause. By way of his study, research and quest for historical exactitude, he also sought exoneration for the German people, wrongly accused during and since the Nuremberg Victors’ Trials, and declared his unbending support for the plight of the indigenous Arabs of occupied Palestine.
In light of Faurisson’s dual citizenship (France/UK) and bilingualism, it is perhaps unsurprising that he was the first prominent revisionist to discover my own leanings in this direction. That was back in 2015 when I performed a quenelle salute at the Edinburgh Fringe. From that infamous day onward, Faurisson – with the help of his devoted sister, Madame Yvonne S. – was typically diligent in informing revisionists worldwide of my musical and other contributions, for which I am still immensely grateful.
When I began composing my series of Songs of the Shoah, I paid tribute to Faurisson in ‘Nemo’s Antisemitic Universe‘ – one of the songs which later saw me convicted and sentenced in an English court. Before circulating the video of my song, I sent him a copy, politely asking his permission to proceed. His response came almost immediately with a resounding J’approuve! The rest is history, so to speak…
My unexpected release from HMP New Hall on unconditional bail last week appears to have somewhat dampened my detractors’ celebratory mood, in particular for the start of the Jewish New Year, Rosh Hashanah. Following vituperative pleas that I be shiv’d inside prison (= stabbed ), post-release whining has reverted to the usual calls for censorship and that I would do well to hang myself. Such nice people. Why they still think it’s a wise move to grant me further publicity is, frankly, unfathomable.
This latest round of persecution has led to my profile being raised further, with messages of love and support flooding in from near and far. Many thanks to everyone for their kind encouragements. Those of you frustrated in your attempts to donate (my latest donation pages at Patreon and Ko-Fi having been suspended with funds sequestered!) can find more information on how to help by clicking here.
In the above interview, first published by MetaTV, Thibault and Alison cover many topics, including Alison’s recent ban from entering France and the current situation facing European patriots.
Musical extracts ~ me playing keys over backing tracks of jazz standards, Taking a chance… and Gee, baby…
Please find links to my donation pages on the right hand side bar. Thanks to everyone for your ongoing support and encouragement.
Unfortunately, owing to tech issues, I am unable to upload the documents cited but will keep trying and update as necessary.
Alison. X x
It sounds better than ‘Dumpling of dumplings’ – although the English translation might be more apt as far as my silhouette is concerned. But let’s stick with the French for now…
Following my participation at last month’s Forum de l’Europe, it was suggested that I should perform at this year’s Bal des Quenelles – an annual celebration every Summer Solstice at the country residence of France’s best known comic and inventor of the Quenelle, Dieudonné. I waited patiently for confirmation and was rewarded with the offer of a 15-minute first-half slot, all expenses paid and a VIP backstage pass.
Two days before I was due to take the Eurostar to Paris, the mayoress of St-Lubin-de-la-Haye – a nondescript liberal feminist author – threatened to shut down the event, predictably citing ‘anti-Semitism’ and the risk of a breach of the peace. Dieudonné responded with typical defiance and humour. The mayoress’s letter was in fact a thinly disguised attempt to dissuade people from making the effort to attend: with the theme announced as a ‘Yellow Vests Special’ and an almost perfect weather forecast, the authorities’ frantic scaremongering was clearly intended to put a damper on things. But there was no doubt in my mind that Chabloz would go to the ball.
First, they came for the artists…
An article last week in the French version of the Times of Israel laments the fact that school teachers in France are experiencing increasing difficulty when trying to “educate” students on the “Holocaust”. Predictably, the finger is pointed at the French Muslim community. In order to remedy the situation, public education policy will now ensure that teachers undergo special workshops and in-training days.
My first thought when skimming through the article was French comic Dieudonné’s contribution to the Revisionist cause. The enemy, neatly assisted by the likes of ex-PM Manuel El blanco Valls, severely shot themselves in the foot trying to censor him: 8,000 people turned up at a recent show in Marseilles and the comic’s success has never been more widespread.
Subjected to further censorship on YouTube, in this video I have translated a recent upload by Vincent Reynouard who helps us understand why revisionism is crucial to the struggles we face.
I re-uploaded the intro to my original video which has now been censored by YouTube, including in my home country the United Kingdom. In anticipation of my adversaries making a fraudulent complaint, I prepared a separate short clip, instructing viewers who want to continue watching to go to BitChute where the full version is now uploaded with revised subtitles in the French-spoken sections.
Link to full version also below. Please feel free to download, share, mirror and use on your platforms.