ADL demands my removal from Facebook

Exactly a year ago today, I received in my inbox an extraordinary missive sent by veteran nationalist, Richard Edmonds, relaying the text of a statement published online by Heritage and Destiny deputy editor, Peter Rushton. Initially signed by Rushton, Edmonds and Michèle Renouf, the statement slanders me as a ‘traitor and a saboteur’. Below are links to several self-penned articles on this astonishing chapter in British nationalist-revisionist history:

For the Record: UK ‘patriots’ distinguish themselves by emulating enemy tactics

In response to cries for my SURGICAL REMOVAL from movement circles

Reply in under one minute to Richard Edmonds

Drawing a line – Far right treachery and betrayal from within

A year on, the outright failure on the part of these so-called nationalists to have me surgically removed from movement circles is no better illustrated than by today’s demands by the Anti Defamation League that my Facebook account must be suspended immediately. Indeed, according to both the ADL and the Jewish diaspora’s seethingly vengeful and most anti-White publication to date, The Algemeiner, the removal of my presence from Facebook is a top priority, as is the removal of online accounts run by a host of other notorious luminaries including David Duke, Louis Farrakhan, Richard Spencer, Gilad Atzmon, Kevin MacDonald, Kevin Barrett, Texe Marrs (RIP), Gordon Duff, E. Michael Jones and Nathanael Kapner :

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Latest Freedom of Information request sheds more light on my conviction

A meagre yet nonetheless revealing Subject Access Request (SAR) has finally arrived from Derbyshire Constabulary. The most important revelations are as follows:

  • Reports against me all were made to local forces outside Derbyshire. In simple terms, therefore, I am being forced to carry out Serf Labour as “payback” to a community that has no complaint against me. Indeed, there exists (thankfully) not a single synagogue within the entire county.

     

  • The SAR confirms (finally) that I did indeed deliver more anonymous post (including another, unopened “greetings card”) to Glossop police station shortly before I was first arrested November 2016. The officer in charge at the time had expressly asked me not to open any more of these greetings cards before handing them over to police. Why wasn’t this unopened card sent for DNA testing? Why was this case only partially investigated and why was this new evidence not taken into account? Why was I suddenly informed that the investigation had been dropped a week before I was the one being arrested for alleged harassment of the suspected sender and why was this person never interviewed by local police? – The SAR states categorically that my reports concerning this particular individual span a period of over 28 months.

     

  • The SAR also contains a short report of the interview I gave to police after my first above-cited arrest. Why did the CPS Counter Terrorism Unit prosecution barrister, Karen Robinson, then claim in court March 2018 that a second interview I gave in October 2017 was the first time I had ever been interviewed by police about my songs? What happened to the process of full disclosure?

     

  • A number of reports from the usual suspects are vaguely alluded to, one of which accuses me of “selling a CD” of my songs! It appears that Derbyshire police weren’t too fond of the idea of having me re-arrested for alleged breach of my bail conditions throughout most of 2017, despite reports coming thick and fast. Perhaps that’s why the Met was sent to do the dirty work outside court, October 2017, resulting in two nights in the cells and then bizarrely, according to the SAR, two days later “all charges dropped” by my own local force?

     

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For the record #1 – Suzanne Fernandes outs herself as a liar

A reliable source informs me that last Monday’s LBC radio phone-in with Muslim Zionist, Maajid Nawaz, featured a call from a disillusioned serving police officer who stated that his force had been obliged to arrest someone for singing a song. Who could that be, I wonder?

November 2016, bare-faced liar and useful idiot for the Israel lobby, Suzanne Fernandes, managed to have an officer from Derbyshire Constabulary arrest me – the officer told me he was acting on behalf of Essex Police – for alleged harassment. Fernandes falsely accused me of targeting her and her children on Twitter. I was never asked to answer bail and the charges against me were dropped. Indeed, Fernandes regularly posts photos of her young children online – most recently as her Twitter header. One may be forgiven for concluding that professional victims like Fernandes use their own kids as bait. She’s certainly not the only one.

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CAA a hateful organisation that needs to be banned

I like to work in the evening. Performing music in public is the most satisfying way. Sadly, as any such possibility has been denied to me by way of CAA trolls‘ stalking and harassment of my professional and social life, not to mention a conviction for singing heretical songs, I now spend my evenings mostly writing.

“They” are still out to get me. A certain Catholic Zionist from Ealing – obsessively deranged -has been charged with the job of trying to bait me into publishing words here on my website, thereby enabling the usual suspects to submit yet more vexatious reports to an already overstretched and underfunded police force. So here goes:

Let’s take a look at what what one prosecution witness had to say about my wicked songs – in this case, “Nemo’s anti-Semitic Universe”.

As opposed to the insane declarations below, “Nemo” does not refer to “all Jews” but to CAA Chief Twitter Troll Stephen Applebaum who is the subject of an ongoing police investigation. These two men – Applebaum and his CAA master/mentor – are the major culprits in having twisted the long arm of the law in this supposed democracy of ours to have my right to freedom of artistic expression quashed. Why pretend to hate “fascists” when your own behaviour makes any dictatorship seem positively liberal in comparison?

No argument whatsoever that Applebaum is “Nemo”, as confirmed by this same Crown/CAA witness under cross examination in an English court of law last January. As well, police are in possession of a entire library of screenshots spanning from 2015 to 2018, proving that both Applebaum and the Crown/CAA witness concerned work as team on behalf of the despicable CAA. Astonishingly, none of this evidence was made available to the CPS disclosure unit during my 18-month long legal ordeal.

Below are several comments from the Crown/CAA witness about “Nemo’s anti-Semitic Universe”, a song dedicated to this witness’s closest associate, Applebaum, who trolled me on average three times daily over a period of at least two years. The statement was supplied to the Crown in June 2017. Witness remarks are in red italics. My cited lyrics in blue:

Using Nemo as a metaphor for her Jewish critics, Chabloz dismisses the widespread condemnation of her deliberate incitement of hatred towards Britain’s Jews as the result of an exercise to find something to take offence at. She dismisses her own antisemitism as merely a pretence invented by the Jews for their own purposes.

“Nemo” is not a metaphor for Jewish critics. It is one of the numerous Twitter names belonging to Stephen Applebaum – as testified in court by the person who wrote the above nonsense. “Nemo” relates directly to a troll who spends much of his sad life seeking out examples of “anti-Semitism” on Twitter in order to satisfy his master/mentor. 

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Nemo, Shomrim online plod, the shekel is his God.

Chabloz uses another antisemitic trope to portray Nemo, whom she imagines to be a Jew, as someone who worships money. In specifying the shekel – the currency of the State of Israel – the implication is that Nemo is paid by Israel to make false accusations of antisemitism.

“Nemo” aka Applebaum certainly identifies as a Jew. As for working for the state of Israel, it is easy to prove that most of his time is spent on Twitter trolling for Israel. His daily visits to my website show a worryingly unhealthy obsession, as well as indicating that he is still tasked with finding something – anything! – that his CAA master/mentor can then report to police.

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Nemo rages, fumes and spits as he trolls the early shift, regurgitates his myths. He has us all in fits. Nemo’s gentile-o-phobic drift.

By referring to Nemo’s ‘myths’, Chabloz continues to push the narrative that the Holocaust did not happen. By calling Nemo ‘gentile-o-phobic’, she once more attempts to promote the lie that Jews feel disdain for non-Jews. It is hard to see any motive for this beyond encouraging others to hate Jews.

Same spin: Chabloz doesn’t believe the tall tales of Zisblatt, Wiesel, soap and lampshades. Therefore she must be an evil Nazi who wants all Jews killed. As for ‘gentile-o-phobic’, how’s this for a prime exhibit, “Nemo”/Applebaum (renamed “Sicaro”) channelling Shylock from Shakespeare’s Merchant of Venice!

 

 

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Nazi dogmatic decree. No, no, Nemo, ‘Moi, je ne suis pas Charlie.’

Here Chabloz employs the modern antisemitic trope that Jews are the new Nazis. After the terrorist attack on the offices of Charlie Hebdo in Paris, the slogan ‘Je suis Charlie’ was used around the world as an expression of solidarity. She puts into Nemo’s mouth the words, ‘Je ne suis pas Charlie’, in order to show that Jews stand against civilised society.

The witness is clearly a fantasist who invents ridiculous theses in order to achieve CAA’s sordid aims. He already knew that “Nemo” was Applebaum when he submitted his statement to the Crown. Police already knew too! The “Nazi dog” line is a reference to Count Dankula. I am expressing my own words and thoughts by way of my own music. “Nemo” is a vicious stalker. Writing a humourous song was my way of dealing with this abuse: police weren’t interested in stopping this scumbag from trying to ruin my life. And now I am the one being punished.

Finally, today it became apparent that police engaged in evidence tampering to have me stitched-up! Oh dear, oh dear! The investigating officer who provided video evidence for interrogation and which was later shown in court managed to access a video 48 hours AFTER the video had been blocked in the UK and “sandboxed” by YouTube.

Cohencidentally, the EXACT same evidence-tampering by German police is being exposed in the ongoing Schaefer siblings’ trial in Munich.

 


Dates for my pending appeal for both conviction and sentence should have been made public over two weeks ago. Alas, anti-Zionists do not benefit from a crock/crook-of-gold legal fund à la Tommy Robsinson. I will keep you updated as soon as news arrives. Thanks to all for your ongoing support.

Alison. X x

Report to police, publish an article

An article online published last Thursday by despicable Zionist rag, UK Jewish News, claims I am again under police investigation. The flurry of emails to my inbox from all over the world – Canada, Australia, the US, France as well as Britain – leads me to write a general update here rather than keep repeating myself in replies to those devoted to the Revisionist Cause.

180802 JN artist

 Above: ‘Hate singer’ – but nevertheless an ‘artist’

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Guilty verdict provokes Jewish concerns

Over the past few days, seven opinion pieces have been published by lamestream media. With the possible exception of Spiked’s Fraser Myers, all are penned by Jews, with two written by Gideon Falter, chairman of Campaign Against Antisemitism (CAA), the man who originally brought the private criminal prosecution against me which led to last week’s guilty verdict for causing offence by uploading songs to my Tell Me More Lies blog and to YouTube.

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Abusive CAA-approved Twitter trolls sparked Songs of the Shoah

First off, a slight correction as to my speculations yesterday regards the Tommy Robinson affair. Apparently, Robinson was aware of reporting restrictions on the case. He simply did not understand why these restrictions were in place, namely to avoid jury contamination. Everyone has the right to fair trial. Similar restrictions are currently in place for several high-profile nationalist trials. We cannot complain about contempt rules only when it suits us. Readers will have decide for themselves whether or not Robinson’s actions were deliberately intended to a) jeopardise potential convictions and/or b) to deflect attention away from my case. The most relevant point is that it is indeed the issue of free speech which is the prime motivator of current support for Robinson. We now need to open his supporters’ eyes to those who are in fact behind the desire to further limit our most precious of freedoms.

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A song of strategy & other news

Parisian Songs of War – Giuseppe Fallisi and Alison Chabloz

180519 joe and me vichyYesterday, I finally received the full video footage of Italian tenor Giuseppe Fallisi and I performing together in Vichy last year in honour of Professor Robert Faurisson’s 88th birthday. Although the acoustics are far from perfect, it was a pleasure to listen again after all this time. Entitled in Italian Parisian Songs of War Mr Fallisi’s own musical compositions take the words of Baudelaire, Rimbaud and Verlaine – poets studied and taught by the professor. Indeed, the professor first became known to the French public at large because of his work on the poetry of Rimbaud.

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Statement to Derbyshire Constabulary

Thanks for your message, Sergeant.

Here is my statement:

Following previous treatment of me by Derbyshire Constabulary, including six arrests, unwarranted detention and seizure of my property whilst seemingly being reluctant to carry out any proper investigation into harassment of which I am the victim, this statement will be published in full on my blog alisonchabloz.wordpress.com as well as forwarded to my solicitor, my barrister, and to Ms Jane Grenfell of the UK Charity Commission.

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Evidence of conspiracy increases likelihood of further potential witnesses

Another spate of Twitter accounts hacked, or is it simply a case of the same old excuse being dug out in order to save face?

Who might have come up with the idea in the first place? Let’s take an educated guess:

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