Season’s greetings to all. Here is a brief review of 2019 that, in the end, turned out to be not so brief. The new year is fraught with the prospect of yet another upcoming spell behind bars, for singing songs. More on that later…
Commitment and sacrifice are the same thing. Committing oneself to the revisionist cause is perforce a self-sacrificial act, especially in countries where expression of doubt or non-belief of proven lies is unlawful. In the UK, however, revisionism is not unlawful, despite wishful thinking on the part of many of my accusers.
To recapitulate: militant Zionist NGO, Campaign Against Antisemitism, CAA, brought a private prosecution against me for a video I had originally uploaded outside English jurisdiction. After taking over and discontinuing CAA’s private prosecution, the Crown Prosecution Service, CPS, then brought two pairs of charges against me for a video containing two of my songs, (((Survivors))) and Nemo’s Antisemitic Universe in a video of a live performance of my show, Tell Me More Lies, originally uploaded to the London Forum YouTube channel, September 2016. A third charge was added for a third song, I Like the Story as it is – SATIRE, in 2017.
When sleeping women wake, mountains move.
– Ancient Chinese proverb.
Shazia Hobbs is a Glaswegian author and staunch campaigner against the abuse by grooming gangs of tens of thousands of children. Shazia and others who were previously heavily involved with Tommy Robinson’s so-called ‘free speech’ bandwagon are now being rejected by Team Tommy for speaking out on forbidden topics.
Shazia’s novel The Gori’s Daughter (available on Amazon) deals with growing up as a mixed-race child of a Scottish mother and a polygamous Pakistani Muslim father.
Here is the BitChute link to our conversation:
In a High Court ruling this week, Campaign Against Antisemitism (CAA) lost a judicial review attempting to force the Crown Prosecution Service (CPS) to prosecute a pro-Palestinian leader, Nazim Ali, for a speech given by Ali after the Grenfell Tower fire. Possibly a determining factor in the outcome of my appeal next month, the full ruling can be read here.
With the appointment of Tommy Robinson as unpaid adviser on grooming gangs to UKIP interim leader Gerard Batten, the party can finally promote its official standing as United Kingdom Islamophobia Party. Next, they’ll be adopting the IHRA ‘working’ definition of ‘anti-Semitism’.
Not that things were much different under Nigel Farage who yesterday, after announcing his intention to topple Batten in a vote of no confidence, stated in an interview that his greatest achievement in politics was ‘single-handedly killing off the British National Party’ (BNP). Yes, dear reader, this from the same man whose party brought about Brexit – the greatest achievement of British democracy in most voters’ lifetimes. By his own admission, Farage confirms allegiance mainly to himself, rather than to British voters.
For the fifth time in 12 months, I walked free from court again yesterday – this time in a breach trial brought against me by the National Probation Service (NPS) for refusing to comply with the slave labour part of my Suspended Sentence Order.
First off, a brief explanation is necessary regards the difference between a Community Order (CO) and a Suspended Sentence Order (SSO). As one District Judge commented in a research paper published in 2008:
‘Well, prison is an ever-present part of one isn’t it [the SSO], but not of the other, and that’s the difference in a nutshell. There’s a real threat. As I see it, a Community Order is – look, we’re trying to help you – and anything to do with imprisonment is – look, we’re trying to threaten you.’
The International Holocaust Remembrance Alliance (IHRA) working definition of “anti-Semitism” isn’t working. Firstly, the term “anti-Semitism” is a misnomer: “Semitic” defines a group of Middle Eastern languages including Arabic and Hebrew. Jewishness is neither an ethnicity, nor a religion. It is simply a mindset. Those whose mindset betrays adherence to the cult of Jewishness i.e. those Jews and non-Jews who consider “Jews” to be a race, are often the ones crying wolf when it comes to allegations of “anti-Semitism”.
I like to work in the evening. Performing music in public is the most satisfying way. Sadly, as any such possibility has been denied to me by way of CAA trolls‘ stalking and harassment of my professional and social life, not to mention a conviction for singing heretical songs, I now spend my evenings mostly writing.
“They” are still out to get me. A certain Catholic Zionist from Ealing – obsessively deranged -has been charged with the job of trying to bait me into publishing words here on my website, thereby enabling the usual suspects to submit yet more vexatious reports to an already overstretched and underfunded police force. So here goes:
Let’s take a look at what what one prosecution witness had to say about my wicked songs – in this case, “Nemo’s anti-Semitic Universe”.
As opposed to the insane declarations below, “Nemo” does not refer to “all Jews” but to CAA Chief Twitter Troll Stephen Applebaum who is the subject of an ongoing police investigation. These two men – Applebaum and his CAA master/mentor – are the major culprits in having twisted the long arm of the law in this supposed democracy of ours to have my right to freedom of artistic expression quashed. Why pretend to hate “fascists” when your own behaviour makes any dictatorship seem positively liberal in comparison?
No argument whatsoever that Applebaum is “Nemo”, as confirmed by this same Crown/CAA witness under cross examination in an English court of law last January. As well, police are in possession of a entire library of screenshots spanning from 2015 to 2018, proving that both Applebaum and the Crown/CAA witness concerned work as team on behalf of the despicable CAA. Astonishingly, none of this evidence was made available to the CPS disclosure unit during my 18-month long legal ordeal.
Below are several comments from the Crown/CAA witness about “Nemo’s anti-Semitic Universe”, a song dedicated to this witness’s closest associate, Applebaum, who trolled me on average three times daily over a period of at least two years. The statement was supplied to the Crown in June 2017. Witness remarks are in red italics. My cited lyrics in blue:
Using Nemo as a metaphor for her Jewish critics, Chabloz dismisses the widespread condemnation of her deliberate incitement of hatred towards Britain’s Jews as the result of an exercise to find something to take offence at. She dismisses her own antisemitism as merely a pretence invented by the Jews for their own purposes.
“Nemo” is not a metaphor for Jewish critics. It is one of the numerous Twitter names belonging to Stephen Applebaum – as testified in court by the person who wrote the above nonsense. “Nemo” relates directly to a troll who spends much of his sad life seeking out examples of “anti-Semitism” on Twitter in order to satisfy his master/mentor.
Nemo, Shomrim online plod, the shekel is his God.
Chabloz uses another antisemitic trope to portray Nemo, whom she imagines to be a Jew, as someone who worships money. In specifying the shekel – the currency of the State of Israel – the implication is that Nemo is paid by Israel to make false accusations of antisemitism.
“Nemo” aka Applebaum certainly identifies as a Jew. As for working for the state of Israel, it is easy to prove that most of his time is spent on Twitter trolling for Israel. His daily visits to my website show a worryingly unhealthy obsession, as well as indicating that he is still tasked with finding something – anything! – that his CAA master/mentor can then report to police.
Nemo rages, fumes and spits as he trolls the early shift, regurgitates his myths. He has us all in fits. Nemo’s gentile-o-phobic drift.
By referring to Nemo’s ‘myths’, Chabloz continues to push the narrative that the Holocaust did not happen. By calling Nemo ‘gentile-o-phobic’, she once more attempts to promote the lie that Jews feel disdain for non-Jews. It is hard to see any motive for this beyond encouraging others to hate Jews.
Same spin: Chabloz doesn’t believe the tall tales of Zisblatt, Wiesel, soap and lampshades. Therefore she must be an evil Nazi who wants all Jews killed. As for ‘gentile-o-phobic’, how’s this for a prime exhibit, “Nemo”/Applebaum (renamed “Sicaro”) channelling Shylock from Shakespeare’s Merchant of Venice!
Nazi dogmatic decree. No, no, Nemo, ‘Moi, je ne suis pas Charlie.’
Here Chabloz employs the modern antisemitic trope that Jews are the new Nazis. After the terrorist attack on the offices of Charlie Hebdo in Paris, the slogan ‘Je suis Charlie’ was used around the world as an expression of solidarity. She puts into Nemo’s mouth the words, ‘Je ne suis pas Charlie’, in order to show that Jews stand against civilised society.
The witness is clearly a fantasist who invents ridiculous theses in order to achieve CAA’s sordid aims. He already knew that “Nemo” was Applebaum when he submitted his statement to the Crown. Police already knew too! The “Nazi dog” line is a reference to Count Dankula. I am expressing my own words and thoughts by way of my own music. “Nemo” is a vicious stalker. Writing a humourous song was my way of dealing with this abuse: police weren’t interested in stopping this scumbag from trying to ruin my life. And now I am the one being punished.
Finally, today it became apparent that police engaged in evidence tampering to have me stitched-up! Oh dear, oh dear! The investigating officer who provided video evidence for interrogation and which was later shown in court managed to access a video 48 hours AFTER the video had been blocked in the UK and “sandboxed” by YouTube.
Cohencidentally, the EXACT same evidence-tampering by German police is being exposed in the ongoing Schaefer siblings’ trial in Munich.
Dates for my pending appeal for both conviction and sentence should have been made public over two weeks ago. Alas, anti-Zionists do not benefit from a crock/crook-of-gold legal fund à la Tommy Robsinson. I will keep you updated as soon as news arrives. Thanks to all for your ongoing support.
Alison. X x
During the years I spent teaching in Swiss secondary schools, in-training days were often orientated towards how to motivate a class of musically mixed-ability teenagers to sing together tunefully and with conviction. One of these training days I remember in particular, given by a male colleague who, during a football World Cup championship, had filmed all the participating teams singing their respective national anthems. The lesson was clear: more often than not, teams who sang with passion and heartfelt conviction went on to gain satisfactory results.
International sporting events have long been one of the subtle ways by which Globalists have been able to implement their agenda of mass non-white immigration into European countries. Most noticeable in football, cricket and athletics, multiracial “national” teams have in recent decades become increasingly present on track, field and pitch. Can a cricketer, for example of Pakistani origin born in England, truly harbour the same patriotism for his adoptive country than an Englishman born and bred in England whose northern European genetic makeup is an integral part of his origin and identity?
Sporting professionals who happen to be British citizens born of foreign parents have the choice whether they compete for Britain or for the country from which their parents originated. Is this fair? Does this not raise questions of possible conspiracy? Would this be one reason why English national teams in so many disciplines tend to produce disappointing results?
Reasons for the enemy wanting ever stricter bail conditions became clearer last Wednesday. First imposed December 2016 by Friend of Israel DJ Emma Arbuthnot (recused), I have now been on bail for 15 months. Last autumn’s Freedom of Information request provides ample confirmation of Crown witness and CAA Enforcer Steve Silverman‘s determined efforts to have me locked up for breach of bail, thus obtaining a police interview which could be used against me in court. Much of the questioning in fact centred on my answers to Sgt Jon Lloyd regards my song Too Extreme For The BNP for which no charges have been brought. I think on the whole press coverage was pretty fair: selective in parts, for sure, but Jenni Frazer actually manages to call me a performer – a giant step forward. Hurrah!
Above: Barrister Adrian Davies and Alison Chabloz leaving court. Photo Colin Bex.