During the years I spent teaching in Swiss secondary schools, in-training days were often orientated towards how to motivate a class of musically mixed-ability teenagers to sing together tunefully and with conviction. One of these training days I remember in particular, given by a male colleague who, during a football World Cup championship, had filmed all the participating teams singing their respective national anthems. The lesson was clear: more often than not, teams who sang with passion and heartfelt conviction went on to gain satisfactory results.
International sporting events have long been one of the subtle ways by which Globalists have been able to implement their agenda of mass non-white immigration into European countries. Most noticeable in football, cricket and athletics, multiracial “national” teams have in recent decades become increasingly present on track, field and pitch. Can a cricketer, for example of Pakistani origin born in England, truly harbour the same patriotism for his adoptive country than an Englishman born and bred in England whose northern European genetic makeup is an integral part of his origin and identity?
Sporting professionals who happen to be British citizens born of foreign parents have the choice whether they compete for Britain or for the country from which their parents originated. Is this fair? Does this not raise questions of possible conspiracy? Would this be one reason why English national teams in so many disciplines tend to produce disappointing results?
First off, thank you for all the wonderful messages of support and for the donations. My apologies for not yet having replied individually to everyone – I have spent the past week answering emails and have still not managed to clear my inbox. If I may ask those waiting for a reply to exercise a little patience, I will do my best to respond as soon as time permits.
Two nights ago, I watched a BBC Newsnight report on an exhibition about censorship of music in Stalin’s Soviet Union, currently doing the rounds in Tel Aviv(!) before coming to London. Stalin banned all genres of music which he found ‘un-Soviet like’ – not just rock ‘n’ roll, but also traditional Russian folk tunes. Dissidents found a way to record songs on x-ray film: the exhibition features these medical scans of human bones, engraved with ‘Rock Around the Clock’ and other classics. But for me the most interesting part of the BBC report concerned a Haifa-based Palestinian Arab musician, Jowan Safadi, arrested and charged for incitement because of a song performed at a music festival in 2010.
The song that made me famous – or infamous depending on how you look at it – (((Survivors))) is two years old today.
A song so effective against the Globalist agenda that I’ve now been convicted in an English court of causing ‘gross offence’ – for sharing my own work on social media.
My YouTube channel is now no longer available in the UK – presumably the same applies in other European ‘free, democratic’ states. I’m told that a well-meaning message appears when trying to access my videos: ‘This channel is no longer available, you can unsubscribe here’.
Ah well. I guess I should consider myself lucky that my channel does at least still exist everywhere else – unlike Richie Allen’s.
My critics are certainly spending vast amounts of time, energy and money trying to silence me.
But not all of them!
Above: the famous Schwarzbadturm, Nordpier mit Sonnenrad
Looking back over the past 12 months, it’s hard to describe my year as being anything other than eventful. Thank you to all my followers, readers and donors – your support has enabled me to continue the fight and remain strong in the face of ever-increasing adversity.
In the past, – asides those contracts on cruise ships where I entertained live audiences daily – my musical performances were more often than not part of some folk gathering or open mic session. Of course, most artists desire a live audience and such events were always enjoyable, giving me the opportunity to meet other musicians playing the local circuit in the North West and Derbyshire.
There’s no denying that I sometimes feel great sadness about having lost this part of my life. Many of those closest to me now are understandably concerned for my safety and believe that appearing at open mics elsewhere is simply not worth the risk.
As far as I am aware, I am the only artist in modern British history to have been jailed for the heinous crime of composing and singing satirical songs which I uploaded to the Internet.
In four weeks time, my trial will take place in London and the three songs concerned will be screened in court. Two clips will show songs from my appearance at The London Forum in September 2016 in front of an audience of roughly 100 people who, considering the standing ovation I received at the end, clearly enjoyed my performance. The third clip is of a song which contains the word SATIRE in the title, which leads me to the point of this blog post.
Continuing from my previous post, as well as from the main topic of my recent videos, i.e. YouTube censorship, I feel it is necessary at this point to dwell somewhat on the double standards imposed by certain countries regards freedom of expression, especially when it comes to one particular historical event, namely, the ‘Holocaust’.
According to Wikipedia, 22 nations have laws which forbid either explicit denial of the ‘Holocaust’ or else denial of genocides in general. Although the list in part mirrors YouTube’s censored list, there are several notable exceptions: Russia, Spain, Portugal, Liechtenstein and Bosnia and Herzegovina. Why are these nations resistant to YouTube’s legal complaints? And how come Bulgaria, Croatia, Estonia and the United Kingdom figure on the list when these countries do not have any anti-revisionist laws?