Season’s greetings to all. Here is a brief review of 2019 that, in the end, turned out to be not so brief. The new year is fraught with the prospect of yet another upcoming spell behind bars, for singing songs. More on that later…
Junior fellow at SLGO (Smirk Like Gideon Osborne) and local Conservative candidate in the upcoming UK General Election, Robert Largan can smell blood. To start off the week, Largan posted the following about his rival, Labour’s Ruth George, on his campaign Facebook page:
The post reads as follows, see Largan’s final sentence:
Ruth George is still trying to claim that well known racist Kasey Carver has “no role to play” in her campaign despite overwhelming evidence to the contrary.
Remember, Kasey Carver has made a number of anti-Jewish racist posts including:
-Sharing a post about the “so called Holocaust”
-Advancing a racist conspiracy theory about Israel supporting ISIS
-Making racist comments about the “Zionist influence of the BBC”
-Was a long time friend of Alison Chabloz, a racist Holocaust denier, so notorious that she is banned from entering France.
No sooner had I politely responded to the call to war, Largan then dutifully moved the battle location over to Twitter – from where I am banned and therefore unable to reply directly. Was Largan hoping to attract an army of virtue-signallers complete with pitchforks? Sadly for him, only a couple of accounts with visible links to Campaign Against Antisemitism, CAA, entered the one-sided fray. Rattusbaum aka Nemo predictably came out to bat for Israel, squeaking plaintively. Amusingly, le gros porc was quickly out for a duck after being bowled over by another song.
Let me make it clear that I am not in favour of any of the main parties. True, there are entries on this very site, published not all that long ago, that are supportive of Jeremy Corbyn’s anti-Zionism. Now, however, the anti anti-Semitism lobby seems to be promoting me as one of the main reasons not to vote Labour. Quite a compliment, I’d say!
Peter Coulson, presiding judge at yesterday’s High Court hearing, when relying on the Crown’s citation of authorities from the 2012 Twitter joke trial (R vs Chambers), stated wrongly that, unlike YouTube videos that are available for to everyone to see, it was necessary to be registered with Twitter to see tweets. The ruling also states, also wrongly in my view, that – as with a tweet – my videos were “immediately streamed” as a result of anyone accessing them.
Also sitting, Bobbie Cheema-Grubb, admonished my barrister, Adrian Davies, for his analogy – coherent in my view – that the ‘sending’ of a message to an inanimate object, as in to a server in California, fails to come under the legislation of S. 127.
Whilst Cheema-Chubb noted that it was unhelpful to compare old forms of communication with the Internet, she appeared not to take into consideration the fact that legislation contained within S. 127 has a history dating back decades, first for ‘offensive, menacing or threatening’ letters and then for similarly abusive phone calls.
Final business of the day was an agreement between both sides, in court, that my costs were to be covered by the tax payer: a pretty clear admission that this entire farce has been a huge waste of precious court time and of public resources.
Commitment and sacrifice are the same thing. Committing oneself to the revisionist cause is perforce a self-sacrificial act, especially in countries where expression of doubt or non-belief of proven lies is unlawful. In the UK, however, revisionism is not unlawful, despite wishful thinking on the part of many of my accusers.
To recapitulate: militant Zionist NGO, Campaign Against Antisemitism, CAA, brought a private prosecution against me for a video I had originally uploaded outside English jurisdiction. After taking over and discontinuing CAA’s private prosecution, the Crown Prosecution Service, CPS, then brought two pairs of charges against me for a video containing two of my songs, (((Survivors))) and Nemo’s Antisemitic Universe in a video of a live performance of my show, Tell Me More Lies, originally uploaded to the London Forum YouTube channel, September 2016. A third charge was added for a third song, I Like the Story as it is – SATIRE, in 2017.
Last week, Hope Not Hate (HNH) ‘Head of Intel’ Matthew Collins was forced to delete a series of five tweets about me after I complained to both his boss, Nick Lowles, and to Twitter:
Musical extracts ~ me playing keys over backing tracks of jazz standards, Taking a chance… and Gee, baby…
Please find links to my donation pages on the right hand side bar. Thanks to everyone for your ongoing support and encouragement.
Unfortunately, owing to tech issues, I am unable to upload the documents cited but will keep trying and update as necessary.
Alison. X x
Like many of us who champion the cause of historical revisionism, I am wedded to the idea of establishing the truth of what actually took place in Germany during World War Two. The official narrative of a past event, branded as a ‘holocaust’ of Jews living under the Third Reich – whilst no longer having credibility, historiographically speaking, – is now implemented, – i.e. shoved down our throats by ZOG at every possible opportunity, neatly assisted by Hollywood and the media, – as the latest imposed religion for the Goyim. You’d better believe in the six million, or else!
Like many who champion the revisionist cause, but not all, I am the victim of state-sponsored persecution, prosecution and a two year suspended prison sentence; not so much for my firm belief that the main posits of the official narrative simply do not stand up to scientific scrutiny, but for having ridiculed and blasphemed, in song, this founding myth of Globalism that is the so-called ‘Holocaust’ and, worse still, for pouring scorn on those who strive to maintain the ‘Holocaust’ myth.
Merely questioning or indeed pointing out the lack of forensic evidence can lead to a spell behind bars, especially in German-speaking countries. Sylvia Stolz is once again in prison in Germany for a speech given in Switzerland. The list goes on: 90-year old Ursula Haverbeck jailed for posing difficult questions on the same subject; ditto for Horst Mahler, now in a secure medical wing after suffering a second leg amputation due to poor health care in prison; in Austria, meanwhile, Wolfgang Fröhlich has at last been freed after serving 15 years – for expressing an opinion. Surely Fröhlich must be the main contender for the 2020 Prix Robert Faurisson?