Mainstream coverage of social media “offences” is highly dependent on who is the “offender” and who is the “victim”. Certain “racially-motivated” offences are hardly mentioned, whereas others earn swathes of column space and even prime-time TV coverage. Councillors and even members of the aristocracy are not spared the glare of negative publicity and my own case has generated plenty of interest. But for some reason, yesterday’s announcement by the Solicitor’s Regulatory Authority that media lawyer Mark Lewis is to be prosecuted in a disciplinary court has not been mentioned by any mainstream sources at all. *
In a statement made following yesterday’s news, Lewis said:
It is a matter of great principle that one can respond robustly to intimidating racist death threats.
After briefly following me ca. 2011/2012 on Twitter, Lewis then blocked me; thereafter unblocking me to engage in what can only be described as abusive (on his part) spats.
Lewis’ robust responses culminated in his presence in court, seated next to my CAA accusers last June for sentencing, no doubt in the hope that I would be led down to the cells and then to prison.
So, let’s take a look at some of the history which led to this week’s turning of the tables.
Suzanne she goes down
Once more to Ealing cop shop
She makes an umpteenth statement
Falsely claiming she’s a victim
And we know that she’s half crazy
That her strings are pulled in Barnet
And the lies are fed from Finchley
Oh but she’s too blind to see it
Yet Suzanne does her duty
Carries out her orders
Just keeps on spreading nonsense
In the hope somebody answers
With angry words and menace
And again she runs for cover
Begging Mr Plod to nick me
But he only shakes his helmet
As she stands there
Playing victim with her lies…
(Sincere apologies to fans of Leonard Cohen – RIP).
An article online published last Thursday by despicable Zionist rag, UK Jewish News, claims I am again under police investigation. The flurry of emails to my inbox from all over the world – Canada, Australia, the US, France as well as Britain – leads me to write a general update here rather than keep repeating myself in replies to those devoted to the Revisionist Cause.
Above: ‘Hate singer’ – but nevertheless an ‘artist’
Today, I watched Vincent Lapierre’s EetR report on last week’s hearing at the court of appeal in Paris where patriot and author, Hervé Ryssen, stated his case against a 17-month prison sentence demanded by the state procurator and usual anti-racist [sic] busybody organisations (LICRA, SOS Racisme, Jewish Students Union, etc.)
First off, a slight correction as to my speculations yesterday regards the Tommy Robinson affair. Apparently, Robinson was aware of reporting restrictions on the case. He simply did not understand why these restrictions were in place, namely to avoid jury contamination. Everyone has the right to fair trial. Similar restrictions are currently in place for several high-profile nationalist trials. We cannot complain about contempt rules only when it suits us. Readers will have decide for themselves whether or not Robinson’s actions were deliberately intended to a) jeopardise potential convictions and/or b) to deflect attention away from my case. The most relevant point is that it is indeed the issue of free speech which is the prime motivator of current support for Robinson. We now need to open his supporters’ eyes to those who are in fact behind the desire to further limit our most precious of freedoms.
Parisian Songs of War – Giuseppe Fallisi and Alison Chabloz
Yesterday, I finally received the full video footage of Italian tenor Giuseppe Fallisi and I performing together in Vichy last year in honour of Professor Robert Faurisson’s 88th birthday. Although the acoustics are far from perfect, it was a pleasure to listen again after all this time. Entitled in Italian Parisian Songs of War Mr Fallisi’s own musical compositions take the words of Baudelaire, Rimbaud and Verlaine – poets studied and taught by the professor. Indeed, the professor first became known to the French public at large because of his work on the poetry of Rimbaud.
In just nine days’ time, I will once again be in court, on this occasion for my long-awaited trial. Of course, there is no guarantee that proceedings will be over there and then: the enemies of freedom and justice have a nasty habit of trying to drag things out for as long as possible, in the hope of extracting a guilty plea from those they take sadistic pleasure in persecuting. As my father would say: they can whistle!
On the Campaign Against Antisemitism’s website, there is a fairly recent article written in typically gloating fashion concerning my prosecution (for singing songs) which states that Alison Chabloz is not ‘an important person’. Those at the CAA helm, on the other hand, clearly do consider themselves to be important, a fact outlined in numerous articles brimming with over-inflated rhetoric and self-praise. No holds barred when it comes to CAA’s own admissions to meddling with the authorities, producing yet more anti-white ‘Holocaust’ propaganda, currying favour with high-ranking government officials via social invitations and meetings during which the obvious aim is to influence chief constables, police and crime commissioners, judges and anyone else they can manipulate.