My appeal against the National Probation Service takes place this Friday, January 10th 2019, 10.30 am, at Derby Combined Court Centre, Morledge, Derby DE1 2XE.
This post could be the last one for a while, as I expect to be sent back behind bars for three weeks. If further conditions are imposed, these may well include an outright ban from publishing on the Internet, including here on my own website. My enemies – the enemies of freedom of expression – wish to see me silenced for good. They, along with the other usual suspects, are still falsely claiming that I was convicted for ‘holocaust’ denial. The aim is to mislead people into believing that questioning or, in my case, mocking the dubiousness of orthodox ‘holocaust’ history, would be a criminal offence. Bring it on, I say: such legislation, as already exists in many European countries, only makes people more curious as to why it is unlawful to question a historical event.
Season’s greetings to all. Here is a brief review of 2019 that, in the end, turned out to be not so brief. The new year is fraught with the prospect of yet another upcoming spell behind bars, for singing songs. More on that later…
Peter Coulson, presiding judge at yesterday’s High Court hearing, when relying on the Crown’s citation of authorities from the 2012 Twitter joke trial (R vs Chambers), stated wrongly that, unlike YouTube videos that are available for to everyone to see, it was necessary to be registered with Twitter to see tweets. The ruling also states, also wrongly in my view, that – as with a tweet – my videos were “immediately streamed” as a result of anyone accessing them.
Also sitting, Bobbie Cheema-Grubb, admonished my barrister, Adrian Davies, for his analogy – coherent in my view – that the ‘sending’ of a message to an inanimate object, as in to a server in California, fails to come under the legislation of S. 127.
Whilst Cheema-Chubb noted that it was unhelpful to compare old forms of communication with the Internet, she appeared not to take into consideration the fact that legislation contained within S. 127 has a history dating back decades, first for ‘offensive, menacing or threatening’ letters and then for similarly abusive phone calls.
Final business of the day was an agreement between both sides, in court, that my costs were to be covered by the tax payer: a pretty clear admission that this entire farce has been a huge waste of precious court time and of public resources.
To mark today’s application to the High Court, the Atelier de chansons potaches is proud to present Les copains d’abord (‘Friends first’), original song by Georges Brassens, here in a parody version that tells the story of Alison Chabloz, (pronounced “Chablo”); spiritual daughter from England, — a worthy heiress, talented, friendly British comedian and female star of the Atelier de chansons potaches, – of Dieudonné M’Bala M’Bala and Robert Faurisson.
Thumbnail from an original drawing by ProjetKO.
Commitment and sacrifice are the same thing. Committing oneself to the revisionist cause is perforce a self-sacrificial act, especially in countries where expression of doubt or non-belief of proven lies is unlawful. In the UK, however, revisionism is not unlawful, despite wishful thinking on the part of many of my accusers.
To recapitulate: militant Zionist NGO, Campaign Against Antisemitism, CAA, brought a private prosecution against me for a video I had originally uploaded outside English jurisdiction. After taking over and discontinuing CAA’s private prosecution, the Crown Prosecution Service, CPS, then brought two pairs of charges against me for a video containing two of my songs, (((Survivors))) and Nemo’s Antisemitic Universe in a video of a live performance of my show, Tell Me More Lies, originally uploaded to the London Forum YouTube channel, September 2016. A third charge was added for a third song, I Like the Story as it is – SATIRE, in 2017.