My appeal against the National Probation Service takes place this Friday, January 10th 2019, 10.30 am, at Derby Combined Court Centre, Morledge, Derby DE1 2XE.
This post could be the last one for a while, as I expect to be sent back behind bars for three weeks. If further conditions are imposed, these may well include an outright ban from publishing on the Internet, including here on my own website. My enemies – the enemies of freedom of expression – wish to see me silenced for good. They, along with the other usual suspects, are still falsely claiming that I was convicted for ‘holocaust’ denial. The aim is to mislead people into believing that questioning or, in my case, mocking the dubiousness of orthodox ‘holocaust’ history, would be a criminal offence. Bring it on, I say: such legislation, as already exists in many European countries, only makes people more curious as to why it is unlawful to question a historical event.
To mark today’s application to the High Court, the Atelier de chansons potaches is proud to present Les copains d’abord (‘Friends first’), original song by Georges Brassens, here in a parody version that tells the story of Alison Chabloz, (pronounced “Chablo”); spiritual daughter from England, — a worthy heiress, talented, friendly British comedian and female star of the Atelier de chansons potaches, – of Dieudonné M’Bala M’Bala and Robert Faurisson.
Thumbnail from an original drawing by ProjetKO.
A year ago today, Robert Faurisson passed away. For more than 40 years, his life was entirely dedicated to the revisionist cause. By way of his study, research and quest for historical exactitude, he also sought exoneration for the German people, wrongly accused during and since the Nuremberg Victors’ Trials, and declared his unbending support for the plight of the indigenous Arabs of occupied Palestine.
In light of Faurisson’s dual citizenship (France/UK) and bilingualism, it is perhaps unsurprising that he was the first prominent revisionist to discover my own leanings in this direction. That was back in 2015 when I performed a quenelle salute at the Edinburgh Fringe. From that infamous day onward, Faurisson – with the help of his devoted sister, Madame Yvonne S. – was typically diligent in informing revisionists worldwide of my musical and other contributions, for which I am still immensely grateful.
When I began composing my series of Songs of the Shoah, I paid tribute to Faurisson in ‘Nemo’s Antisemitic Universe‘ – one of the songs which later saw me convicted and sentenced in an English court. Before circulating the video of my song, I sent him a copy, politely asking his permission to proceed. His response came almost immediately with a resounding J’approuve! The rest is history, so to speak…
When sleeping women wake, mountains move.
– Ancient Chinese proverb.
Shazia Hobbs is a Glaswegian author and staunch campaigner against the abuse by grooming gangs of tens of thousands of children. Shazia and others who were previously heavily involved with Tommy Robinson’s so-called ‘free speech’ bandwagon are now being rejected by Team Tommy for speaking out on forbidden topics.
Shazia’s novel The Gori’s Daughter (available on Amazon) deals with growing up as a mixed-race child of a Scottish mother and a polygamous Pakistani Muslim father.
Here is the BitChute link to our conversation:
In my latest video, I explain what led up to the false accusations made against me last November by British ‘nationalist’ stalwarts Peter Rushton, Michele Renouf and Richard Edmonds.
Click here to view on BitChute – for some reason the embed link does not appear to work correctly – and please remember to like and subscribe.
Musical extracts ~ me playing keys over backing tracks of jazz standards, Taking a chance… and Gee, baby…
Please find links to my donation pages on the right hand side bar. Thanks to everyone for your ongoing support and encouragement.
Unfortunately, owing to tech issues, I am unable to upload the documents cited but will keep trying and update as necessary.
Alison. X x
*filmed with Vodafone Smart N8; audio track edited and enhanced with Audacity; video edited with Movie Maker.