Welcome back to all my readers

As predicted, April 14th 2022, the day of my sentencing for again causing gross offence with a satirical song, I was handed almost the maximum term: 22 weeks, eleven of which to be served at HMP Bronzefield near Heathrow, west London, and the rest ‘on Licence’.

Exactly the same as last year: sent to jail on Maundy Thursday, meaning that my first week was spent without access to my own money, without canteen supplies and, worst of all, without access to a telephone.

I repeat: exactly the same scenario as last year. I was unable to reach my family for almost an entire week and only found out after Easter that my mother had been rushed into hospital – as had happened also last year.

My plea for bail, pending Appeal — — including two official complaints to the Lord Chief Justice — took an extraordinary six weeks to be heard, and was rejected on grounds that I would be eligible for early release ‘on tag’.

Again: exactly the same as last year, no tag was granted and I was kept behind bars until the end of June. Following this latest unsuccessful bail hearing, my Appeal against both conviction and sentencing was listed to be heard at Southwark Crown Court, the day following my release, June 30th.

It quickly became apparent during my stay that efforts were afoot to bait me into committing some further offence, for some form of ‘racism’, whilst inside. Mindful of events that affected author, Hervé Ryssen, during his spell in prison in France, I stood my ground, clarified in writing my position and made sure to keep a record of events.

My final ten days were spent in isolation owing to an outbreak of the flu’ (now rebranded as Covid19.) On day five, mass testing on my wing returned a positive Lateral Flow test.

The day of my release, after being forced under duress to sign five pages’ worth of ultra-strict Licence terms basically insinuating that I would be a terrorist, I was told that I would have to wait till lunchtime for a medical certificate stating my ‘Covid’ status, because the Head of Health Care hadn’t yet arrived for work…

Finally, I made it to my first meeting with Probation and was told to go home and rest, and that they would call me.

I was quite poorly for the next few days, with sickness and vomiting – as if I had been poisoned. But I survived.

My initial sentence is now fully served, although I am bound by Standard Licence until September 2023 – unless I am successful on Appeal, now adjourned until November 3rd – thanks to Covid.

Many thanks also to all for your messages of love and support. I will get round to replying to everyone, eventually.

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In light of the total silence from certain prominent individuals representing groups here in England, who claim to champion rights to free expression, I accepted to work on new lyrics penned by my long-time co-author, the hugely talented Gerard Menuhin.

The new song is a follow-up to an earlier number, produced in November 2020. Something of a marathon at eight minutes long, I sing the role of Michele Mainwaring, aka Countess Griaznoff, aka “Lady” Michele Renouf.

Politics, they say, is a dirty business. The question needs to be asked: why is it that my former associates belonging to the Britnat Social Club (including leaders of Patriotic Alternative) have nothing to say about my latest conviction?

The unavoidable conclusion is that they have been working alongside my accusers from the start.

The song that saw me jailed again from Easter to the summer solstice was about Tommy Robinson – despite the judge’s remarks. Only recently did I learn that Robinson’s wife is, apparently, a niece of the late Richard Edmonds… This would explain why, following my first conviction, Edmonds’ advice to me was that I should try to rejoin the Labour party(!). It also helps to clarify his later hatchet job, published by Hope Not Hate satellite mag, Heritage and Destiny, shortly before another of my Court hearings back in 2019.

News of Renouf’s latest gallivanting in fancy dress occasionally soils my inbox. No surprise that these forwarded messages urge correspondents to share some self-publicising clip on Twitter.

Gerard’s latest lyrics were sent to me whilst I was in prison. His and other letters were – exactly the same as last year – withheld by ‘security staff’ who found the content ‘inappropriate.’ Perhaps the c word? I don’t know.

Learning the lyrics by heart and filming (in a wig!) was fun, as have been my few private performances for friends. This version is far from perfect, but it’s a decent enough performance with just a couple of snags towards the end that I managed to patch up using equipment that I currently have at hand.

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It is surreal enough, being the granddaughter of a British soldier who fought and died for his country and having been sent to jail for testing the limits of free speech – for which, I was always told, my grandad sacrificed his life. Those so-called patriots who decided to throw me under the bus are, to reuse a term employed by Labour deputy, Angela Rayner, scum. Despite all their posturing, it seems not in their (financial) interest to actually want to challenge the prescribed narrative concerning WW2.

I have now been jailed twice for singing satirical songs. My right to express myself publicly (and indeed online) as a performing artist has been taken away. This removal of my rights under law has been rubber-stamped by a corrupt Criminal Justice System, and ignored by ‘patriots’ who appear to still believe that Tommy Robinson is the messiah.

If Tommy had any mettle about him in this case, then he might, as one Twitter user suggests, offer to pay my fine. Tommy supported Count Dankula aka Marcus Meecham, yet has nothing much to say about my unique case. Asides the gaslighting and slurs, labelling me a ‘retard’ is unhelpful, as well as downright hypocritical.

Contrary to the facts, several of my original accusers — among whom are two of those who testified against me in Court — now seem to be suggesting that I was jailed for harassment, rather than for causing gross upset with satirical songs. This and other issues not mentioned above are due to be raised with the relevant authorities prior to my November appeal. Until then, once again many thanks to all those with the guts and gumption to lend their support. I hope you enjoy the new song.

Dig Down Deep & Tell Me More Lies

Tell Me More Lies is the theme from my 2016 Edinburgh Fringe show of the same name, banned for being ‘too political’. Lyrics by Gerard Menuhin, author of Tell the Truth and Shame the Devil.
Dig Down Deep was composed for my very first Edinburgh show Girl with the Guitar in 2011, and equally performed as part of my 2015 show Autumn’s Here. This is a slightly revised version.
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Accused without being served

Court double-faults with poor service

Despite various excuses made over the past four months by the Courts and Tribunals Service as to why I had not received any official notification for the new trial against me, supposed to begin Friday, February 18th, the fact remains that the document delivered electronically, last Thursday 17th, with less than a day’s notice, was the first time I had set eyes on any official summons to attend trial.

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Wots My Identity ?


Those of you who watched my recent BitChute video will know that this latest number is another TMML Productions collaboration with Gerard Menuhin.

After receiving the first version from Gerard in 2017, I did have a go, but wasn’t quite ready. Some ideas are best shut in the bottom drawer then dug out again after a few years. Five years. Hard to believe.

One of my issues with the words at the time, if I remember rightly, was the fact that the character in the song has transitioned from male to female. How could I perform such a role convincingly? Nor was I able to find a solution for the rhythm and phrasing, until about a fortnight ago, when I came up with a bossa nova theme, one that I feel fits perfectly with the incongruous, the unnatural and the unauthentic. Almost six minutes of bewildering musical loveliness – at least that’s my own impression.

This number follows on nicely from two other recent satirical songs, Mission Photo-op and Anything Goes, – the latter to be re-released as a “live” vocal version. One more swing number and I will have a second E.P; both produced in under four months, since October.

It is not currently in my interest, legally speaking, to rake in donations – although if you wish to contribute a small sum I would be very grateful. (I need to make sure that my websites are up-to-date, possibly offering some form of subscription.) It would be great to hear your suggestions regarding what kind of music or topic you would like to hear more of, within reason of course. And if you would like to help in other ways, then please like, follow and share if you can.

Music & lyrics by Alison Chabloz and Gerard Menuhin © tmml productions 2021

Prohibition Mission

A fourth and final Covid-19 ditty, featuring a live vocal performance to a backing track that was created after much deliberation with lyricist Gerard Menuhin on the choice of music.

Gerard’s first suggestion was to use the Dave Clarke Five’s ‘Glad All Over’, in particular for the bass drum that is part of the hook line: ‘Because I’m BOOM BOOM glad all over’.

In the end, I adapted that idea to a composition of my own, that nevertheless pays tribute to DC5 in the middle eight.

The sound is decent this time round, but the lighting could be better. Composition of some songs – e.g. my previous number ‘Caught Covid From The Cat’ – can be completed within a day, although there may be some minor changes whilst recording, etc.

Prohibition Mission was supposed to be the third number of a Covid EP. I wanted a catchy melody without the restrictions of a repetitive chord structure, as with blues or rock n roll. Here’s the final result.

Caught Covid from the Cat!

Original musical satire, courtesy of Chabloz & Menuhin.

For some reason, my audio editing software failed to capture a L/R stereo track with separate channels for vocal and keys.

The audio is therefore mono, meaning less possibilities to edit and remove, for example, plosives and other parasitical noises.

My performance is 100% live, to camera, with the absolute minimum of post-production trickery.

The theme is humorous. No offence is intended towards pet owners or their pets or indeed anyone else. Enjoy!


Vaccination Nation

Have you had your jab?


Here’s TMML Productions latest jab – at the jab, and at the obedient masses, living in hope that their jab will enable them to get back to “normal”.

A back-to-the-old-days live demo. Quality is now better than it was few years ago, although my means for such a production are limited to what you see in the video: my Yamaha arranger-keyboard, my 30-year old Shure SM58 (easy to see that my Sony headphones have lasted only a fraction of the time) and the Zoom H4n Pro device, partially seen, in the lower left-hand corner. This piece of kit is ideal for home-studio recording, as well as for capturing audio outside. It can be used as a condenser mic, as a four-track mixer and – my favourite setting – as an audio-interface, once connected to a laptop via USB.

For such a live demo, using the Zoom H4n Pro as my audio interface, it’s only possible to record one stereo track (left/vocals, right/keys). This track then has to be mixed and rendered to two separate mono tracks, and then re-mixed, in order to get a decent balance.

The musical inspiration (excepting the middle eight) – as well as the lyrics – comes once again from Gerard Menuhin, who proposed the famous blues number Work Song. For years, as a classroom music teacher, I used the Monty Alexander Live in Montreux version for music & movement exercises. My students were kept on their toes.

Meanwhile, Gerard and I are on a covid roll. Watch this space.

Chabloz trial raises more concern over “right to offend”

We will likely never know the real reason why District Judge Snow instructed that my latest trial, originally scheduled to take place March 30 and 31 at Hendon Magistrates, has now been transferred back to Westminster Magistrates Court. 

Prior to reversing the choice of venue, the judge was clearly at pains to avoid any repetition of the “procedural nightmare” instigated by my first trial (which lasted from December 2016 to June 2018, followed by the hullabaloo with probation, including a short spell in jail, later overturned on Appeal, all for composing and performing satirical songs that were uploaded to the Internet, and that were deemed by the same court to be “grossly offensive”). In all, I was in the dock for less than an hour, then invited to sit in court whilst complex directives for what is to come next were set out.

Left: outside Wesminster Magistrates last Thursday with barrister Adrian Davies.


There were three or four journalists in court. Below are links to several reports (although the term must be applied loosely to the first two).

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Q: When is a criminal prosecution not a criminal prosecution?

A: When it’s a photo-op!


With gratitude to Gerard Menuhin for the lyrics, for the photo-op idea and for the inspiration to use Schubert’s adaptation of Goethe’s Der Erlkoenig.

© 2020 TMML Productions