The Gilet Jaune movement that began in France is the latest and perhaps most striking symptom to date of a real desire for political change in the Zionist Occupied West. In his analysis, Alain Soral takes a look at those at the heart of the struggle as well as those wishing to destabilise it on behalf of the status quo and deep power of the state.
Soral explains how French patriots mostly from white, dispossessed working and lower middle classes are being deliberately pitted against the anti-social left and dregs of suburbia, with the latter groups being egged on by politicians and public figures whose loyalties lie with the cosmopolitan banking classes rather than with the social and moral values they claim to uphold.
As anger and violence increase, overburdened security forces are losing their grip, as is Emmanuel Macron. The Gilet Jaune uprising marks a crucial moment in 21st century history. Will more western states continue to follow suit and demand an end to the powers of ZOG and the Deep State?
Allez les Gilets Jaunes!
Of the many moving tributes following the recent death of Robert Faurisson, the video below is one of the most pertinent I have seen so far. Using today’s technology – featuring a mise en scène and dresscode worthy of note and which would certainly have met with Robert Faurisson’s approval – Alain Soral regales viewers with his in-a-nutshell analysis of the crucial importance of historical revisionism and the inestimable contribution made by Robert Faurisson.
Alain Soral is the founder of Égalité et Réconciliation, the leading dissident publication in France with seven million monthly clicks. He is also head of the publishing house Kontre Kulture. Mr Soral kindly granted me permission to translate his incisive impromptu text and redistribute the video below with voiceover in English. You can find the original here.
Many thanks to all who continue to support the revisionist cause.
My site has a new domain name with further visual and functional upgrades coming soon. I can also upload videos directly to my site – quenelle to YouTube! All previous posts and photos remain intact under the new alisonchabloz.com URL.
Here’s a recent version of my short performance in Vichy at last year’s celebration in honour of Professor Robert Faurisson‘s 88th birthday. As well as Gerard Menuhin’s Tell Me More Lies, you can also hear a little speech I made in French (with English subtitles) at the beginning. Charmant, n’est-ce pas?
As I mentioned the plight of Monika Schaefer in my previous blog post, I thought this would be a good opportunity to finally upload to YouTube a recording of one of our performances together.
In just nine days’ time, I will once again be in court, on this occasion for my long-awaited trial. Of course, there is no guarantee that proceedings will be over there and then: the enemies of freedom and justice have a nasty habit of trying to drag things out for as long as possible, in the hope of extracting a guilty plea from those they take sadistic pleasure in persecuting. As my father would say: they can whistle!
On the Campaign Against Antisemitism’s website, there is a fairly recent article written in typically gloating fashion concerning my prosecution (for singing songs) which states that Alison Chabloz is not ‘an important person’. Those at the CAA helm, on the other hand, clearly do consider themselves to be important, a fact outlined in numerous articles brimming with over-inflated rhetoric and self-praise. No holds barred when it comes to CAA’s own admissions to meddling with the authorities, producing yet more anti-white ‘Holocaust’ propaganda, currying favour with high-ranking government officials via social invitations and meetings during which the obvious aim is to influence chief constables, police and crime commissioners, judges and anyone else they can manipulate.
Looking back over the past 12 months, it’s hard to describe my year as being anything other than eventful. Thank you to all my followers, readers and donors – your support has enabled me to continue the fight and remain strong in the face of ever-increasing adversity.
In the past, – asides those contracts on cruise ships where I entertained live audiences daily – my musical performances were more often than not part of some folk gathering or open mic session. Of course, most artists desire a live audience and such events were always enjoyable, giving me the opportunity to meet other musicians playing the local circuit in the North West and Derbyshire.
There’s no denying that I sometimes feel great sadness about having lost this part of my life. Many of those closest to me now are understandably concerned for my safety and believe that appearing at open mics elsewhere is simply not worth the risk.
As far as I am aware, I am the only artist in modern British history to have been jailed for the heinous crime of composing and singing satirical songs which I uploaded to the Internet.
In four weeks time, my trial will take place in London and the three songs concerned will be screened in court. Two clips will show songs from my appearance at The London Forum in September 2016 in front of an audience of roughly 100 people who, considering the standing ovation I received at the end, clearly enjoyed my performance. The third clip is of a song which contains the word SATIRE in the title, which leads me to the point of this blog post.