CAA a hateful organisation that needs to be banned

I like to work in the evening. Performing music in public is the most satisfying way. Sadly, as any such possibility has been denied to me by way of CAA trolls‘ stalking and harassment of my professional and social life, not to mention a conviction for singing heretical songs, I now spend my evenings mostly writing.

“They” are still out to get me. A certain Catholic Zionist from Ealing – obsessively deranged -has been charged with the job of trying to bait me into publishing words here on my website, thereby enabling the usual suspects to submit yet more vexatious reports to an already overstretched and underfunded police force. So here goes:

Let’s take a look at what what one prosecution witness had to say about my wicked songs – in this case, “Nemo’s anti-Semitic Universe”.

As opposed to the insane declarations below, “Nemo” does not refer to “all Jews” but to CAA Chief Twitter Troll Stephen Applebaum who is the subject of an ongoing police investigation. These two men – Applebaum and his CAA master/mentor – are the major culprits in having twisted the long arm of the law in this supposed democracy of ours to have my right to freedom of artistic expression quashed. Why pretend to hate “fascists” when your own behaviour makes any dictatorship seem positively liberal in comparison?

No argument whatsoever that Applebaum is “Nemo”, as confirmed by this same Crown/CAA witness under cross examination in an English court of law last January. As well, police are in possession of a entire library of screenshots spanning from 2015 to 2018, proving that both Applebaum and the Crown/CAA witness concerned work as team on behalf of the despicable CAA. Astonishingly, none of this evidence was made available to the CPS disclosure unit during my 18-month long legal ordeal.

Below are several comments from the Crown/CAA witness about “Nemo’s anti-Semitic Universe”, a song dedicated to this witness’s closest associate, Applebaum, who trolled me on average three times daily over a period of at least two years. The statement was supplied to the Crown in June 2017. Witness remarks are in red italics. My cited lyrics in blue:

Using Nemo as a metaphor for her Jewish critics, Chabloz dismisses the widespread condemnation of her deliberate incitement of hatred towards Britain’s Jews as the result of an exercise to find something to take offence at. She dismisses her own antisemitism as merely a pretence invented by the Jews for their own purposes.

“Nemo” is not a metaphor for Jewish critics. It is one of the numerous Twitter names belonging to Stephen Applebaum – as testified in court by the person who wrote the above nonsense. “Nemo” relates directly to a troll who spends much of his sad life seeking out examples of “anti-Semitism” on Twitter in order to satisfy his master/mentor. 

*

Nemo, Shomrim online plod, the shekel is his God.

Chabloz uses another antisemitic trope to portray Nemo, whom she imagines to be a Jew, as someone who worships money. In specifying the shekel – the currency of the State of Israel – the implication is that Nemo is paid by Israel to make false accusations of antisemitism.

“Nemo” aka Applebaum certainly identifies as a Jew. As for working for the state of Israel, it is easy to prove that most of his time is spent on Twitter trolling for Israel. His daily visits to my website show a worryingly unhealthy obsession, as well as indicating that he is still tasked with finding something – anything! – that his CAA master/mentor can then report to police.

*

Nemo rages, fumes and spits as he trolls the early shift, regurgitates his myths. He has us all in fits. Nemo’s gentile-o-phobic drift.

By referring to Nemo’s ‘myths’, Chabloz continues to push the narrative that the Holocaust did not happen. By calling Nemo ‘gentile-o-phobic’, she once more attempts to promote the lie that Jews feel disdain for non-Jews. It is hard to see any motive for this beyond encouraging others to hate Jews.

Same spin: Chabloz doesn’t believe the tall tales of Zisblatt, Wiesel, soap and lampshades. Therefore she must be an evil Nazi who wants all Jews killed. As for ‘gentile-o-phobic’, how’s this for a prime exhibit, “Nemo”/Applebaum (renamed “Sicaro”) channelling Shylock from Shakespeare’s Merchant of Venice!

 

 

*

Nazi dogmatic decree. No, no, Nemo, ‘Moi, je ne suis pas Charlie.’

Here Chabloz employs the modern antisemitic trope that Jews are the new Nazis. After the terrorist attack on the offices of Charlie Hebdo in Paris, the slogan ‘Je suis Charlie’ was used around the world as an expression of solidarity. She puts into Nemo’s mouth the words, ‘Je ne suis pas Charlie’, in order to show that Jews stand against civilised society.

The witness is clearly a fantasist who invents ridiculous theses in order to achieve CAA’s sordid aims. He already knew that “Nemo” was Applebaum when he submitted his statement to the Crown. Police already knew too! The “Nazi dog” line is a reference to Count Dankula. I am expressing my own words and thoughts by way of my own music. “Nemo” is a vicious stalker. Writing a humourous song was my way of dealing with this abuse: police weren’t interested in stopping this scumbag from trying to ruin my life. And now I am the one being punished.

Finally, today it became apparent that police engaged in evidence tampering to have me stitched-up! Oh dear, oh dear! The investigating officer who provided video evidence for interrogation and which was later shown in court managed to access a video 48 hours AFTER the video had been blocked in the UK and “sandboxed” by YouTube.

Cohencidentally, the EXACT same evidence-tampering by German police is being exposed in the ongoing Schaefer siblings’ trial in Munich.

 


Dates for my pending appeal for both conviction and sentence should have been made public over two weeks ago. Alas, anti-Zionists do not benefit from a crock/crook-of-gold legal fund à la Tommy Robsinson. I will keep you updated as soon as news arrives. Thanks to all for your ongoing support.

Alison. X x

Corbyn’s persecution and a song of defiance on the Occidental Express

During the years I spent teaching in Swiss secondary schools, in-training days were often orientated towards how to motivate a class of musically mixed-ability teenagers to sing together tunefully and with conviction. One of these training days I remember in particular, given by a male colleague who, during a football World Cup championship, had filmed all the participating teams singing their respective national anthems. The lesson was clear: more often than not, teams who sang with passion and heartfelt conviction went on to gain satisfactory results.

International sporting events have long been one of the subtle ways by which Globalists have been able to implement their agenda of mass non-white immigration into European countries. Most noticeable in football, cricket and athletics, multiracial “national” teams have in recent decades become increasingly present on track, field and pitch. Can a cricketer, for example of Pakistani origin born in England, truly harbour the same patriotism for his adoptive country than an Englishman born and bred in England whose northern European genetic makeup is an integral part of his origin and identity?

Sporting professionals who happen to be British citizens born of foreign parents have the choice whether they compete for Britain or for the country from which their parents originated. Is this fair? Does this not raise questions of possible conspiracy? Would this be one reason why English national teams in so many disciplines tend to produce disappointing results?

Continue reading

Step by step

By Gerard Menuhin, reproduced with kind permission.

ABOUT TRUTH and HATE

The further a society drifts from the truth, the more it will hate those that speak it.”

(George Orwell)

We all know the expression ‘the truth hurts’. The truth can indeed be hurtful, but secure, grounded people can accept it and even grow when they hear the truth.

However, truth doesn’t mean the same to everyone. Whereas to the overwhelming majority of the world’s population ‘truth’ represents what actually happens or has happened and is therefore vital to all relations and transactions, to a minute, rootless but vociferous minority of professional victims, ‘truth’ is a flexible concept, to be used expediently.

As a matter of policy, to gain an approximation of the truth, it’s usually wise to invert everything this minority says. That is to say, when they claim something, particularly when they accuse others of something, that assertion must be assumed to define their own actions and attitudes. They don’t invariably lie in the accepted sense of making something up, they just stand the truth on its head. How to explain this?

Let’s take it step by step.

Continue reading

Hate crime’s alright if you’re non-white

Ben Weich in this week’s edition of the Jewish Chronicle confirms the gist of my previous post: police have received yet another vexatious complaint from the usual suspects and are therefore obliged to fulfil their duty and investigate my heretical comments regards Claude Lanzmann’s Shoah. On and on it goes…

Today, I would like to comment on the atrocious double standards being applied by the English court system when it comes to so-called ‘hate crime’. I will return to foreign justice systems in a future article, specifically dealing with the current plights of Ursula Haverbeck and the Schaefer siblings in Germany (not forgetting Horst Mahler and Gerhard Ittner), as well as that of Canadian free speech advocate, Arthur Topham.

Continue reading

An American Jew denounces the persecution suffered by Alison Chabloz and Monika Schaefer

By Robert Faurisson.

On January 16 of this year Henry Herskovitz spoke out against the persecution by Jewish organisations of the Briton Alison Chabloz and the Canadian Monika Schaefer (the latter has now been imprisoned in Germany for nearly 200 days). Both women had expressed, particularly in videos posted on the internet, their revisionist convictions.

H. Herskovitz is a retired engineer living in Ann Arbor, Michigan. He was a friend of the late Ernst Zündel. He is Jewish, a revisionist and has long been active against both the policies of the State of Israel and international Zionism; he defends the Palestinian cause.
Six months ago he was able to read aloud the text of his statement in support of the two brave female revisionists before Ann Arbor city council (see the video above running 3 m. 47 s.).

Today the names of the Englishwoman Michèle Renouf, the grand German lady Ursula Haverbeck, the Frenchwoman Maria Poumier and several other representatives of the allegedly “weaker” sex are associated with theirs.

Click here to view original article which includes video footage of Mr Herskovitz’ speech.

The death of free expression in England

By Robert Henderson.

The convictions in 2018 of Jeremy “Jez” Bedford-Turner and Alison Chabloz  for simply saying things our politically correct elite do not want to hear set a new benchmark for the imposition on England of the totalitarian creed which is political correctness. It is a totalitarian creed because (1)  it touches on all aspects of life through the application of the non-discrimination or equality principle and (2) its followers insist that there is only one permissible view, the politically correct one.

The convictions

Mr Bedford-Turner has been found guilty of inciting racial hatred in a speech he made  outside of  Downing Street and sentenced to  12 months imprisonment, of which half will be served on licence.  The main thrust of the  speech was his concern about  the close  relationship between the Metropolitan Police and a charity Shomrim which acts as a private Jewish security force.

Ms Chabloz, a singer and musician, has been convicted of three offences relating to the use of a public electronic service. These arise from three songs she had written which were placed on social media and  deemed to be grossly insulting to Jews.

Ms Chabloz was  sentenced to 20 weeks imprisonment suspended for two years, given 180 hours of community service plus a fine, victim’s surcharge and  costs. She is also banned from using social media for a year. Moreover, the conviction will  continue to hinder her both socially and professionally after the two years  are spent because it will make it difficult or  impossible for her to enter countries, especially places such as the USA and Canada.

Continue reading…

[Note from Alison: Thanks very much to Robert Henderson for his excellent article. Please read Robert’s full account via the link provided above. 

Comments and sharing buttons on this website are disabled until further notice. Thanks to all for your continued support. I will update shortly with more information about my situation.]

Harsher treatment for dissident artists in Britain than in Israel or Jordan

First off, thank you for all the wonderful messages of support and for the donations. My apologies for not yet having replied individually to everyone – I have spent the past week answering emails and have still not managed to clear my inbox. If I may ask those waiting for a reply to exercise a little patience, I will do my best to respond as soon as time permits.

Two nights ago, I watched a BBC Newsnight report on an exhibition about censorship of music in Stalin’s Soviet Union, currently doing the rounds in Tel Aviv(!) before coming to London. Stalin banned all genres of music which he found ‘un-Soviet like’ – not just rock ‘n’ roll, but also traditional Russian folk tunes. Dissidents found a way to record songs on x-ray film: the exhibition features these medical scans of human bones, engraved with ‘Rock Around the Clock’ and other classics. But for me the most interesting part of the BBC report concerned a Haifa-based Palestinian Arab musician, Jowan Safadi, arrested and charged for incitement because of a song performed at a music festival in 2010.

Continue reading