Season’s greetings to all. Here is a brief review of 2019 that, in the end, turned out to be not so brief. The new year is fraught with the prospect of yet another upcoming spell behind bars, for singing songs. More on that later…
Exactly a year ago today, I received in my inbox an extraordinary missive sent by veteran nationalist, Richard Edmonds, relaying the text of a statement published online by Heritage and Destiny deputy editor, Peter Rushton. Initially signed by Rushton, Edmonds and Michèle Renouf, the statement slanders me as a ‘traitor and a saboteur’. Below are links to several self-penned articles on this astonishing chapter in British nationalist-revisionist history:
A year on, the outright failure on the part of these so-called nationalists to have me surgically removed from movement circles is no better illustrated than by today’s demands by the Anti Defamation League that my Facebook account must be suspended immediately. Indeed, according to both the ADL and the Jewish diaspora’s seethingly vengeful and most anti-White publication to date, The Algemeiner, the removal of my presence from Facebook is a top priority, as is the removal of online accounts run by a host of other notorious luminaries including David Duke, Louis Farrakhan, Richard Spencer, Gilad Atzmon, Kevin MacDonald, Kevin Barrett, Texe Marrs (RIP), Gordon Duff, E. Michael Jones and Nathanael Kapner :
A year ago today, Robert Faurisson passed away. For more than 40 years, his life was entirely dedicated to the revisionist cause. By way of his study, research and quest for historical exactitude, he also sought exoneration for the German people, wrongly accused during and since the Nuremberg Victors’ Trials, and declared his unbending support for the plight of the indigenous Arabs of occupied Palestine.
In light of Faurisson’s dual citizenship (France/UK) and bilingualism, it is perhaps unsurprising that he was the first prominent revisionist to discover my own leanings in this direction. That was back in 2015 when I performed a quenelle salute at the Edinburgh Fringe. From that infamous day onward, Faurisson – with the help of his devoted sister, Madame Yvonne S. – was typically diligent in informing revisionists worldwide of my musical and other contributions, for which I am still immensely grateful.
When I began composing my series of Songs of the Shoah, I paid tribute to Faurisson in ‘Nemo’s Antisemitic Universe‘ – one of the songs which later saw me convicted and sentenced in an English court. Before circulating the video of my song, I sent him a copy, politely asking his permission to proceed. His response came almost immediately with a resounding J’approuve! The rest is history, so to speak…
My unexpected release from HMP New Hall on unconditional bail last week appears to have somewhat dampened my detractors’ celebratory mood, in particular for the start of the Jewish New Year, Rosh Hashanah. Following vituperative pleas that I be shiv’d inside prison (= stabbed ), post-release whining has reverted to the usual calls for censorship and that I would do well to hang myself. Such nice people. Why they still think it’s a wise move to grant me further publicity is, frankly, unfathomable.
This latest round of persecution has led to my profile being raised further, with messages of love and support flooding in from near and far. Many thanks to everyone for their kind encouragements. Those of you frustrated in your attempts to donate (my latest donation pages at Patreon and Ko-Fi having been suspended with funds sequestered!) can find more information on how to help by clicking here.
In the above interview, first published by MetaTV, Thibault and Alison cover many topics, including Alison’s recent ban from entering France and the current situation facing European patriots.
In my latest video, I explain what led up to the false accusations made against me last November by British ‘nationalist’ stalwarts Peter Rushton, Michele Renouf and Richard Edmonds.
Click here to view on BitChute – for some reason the embed link does not appear to work correctly – and please remember to like and subscribe.
Musical extracts ~ me playing keys over backing tracks of jazz standards, Taking a chance… and Gee, baby…
Please find links to my donation pages on the right hand side bar. Thanks to everyone for your ongoing support and encouragement.
Unfortunately, owing to tech issues, I am unable to upload the documents cited but will keep trying and update as necessary.
Alison. X x
It sounds better than ‘Dumpling of dumplings’ – although the English translation might be more apt as far as my silhouette is concerned. But let’s stick with the French for now…
Following my participation at last month’s Forum de l’Europe, it was suggested that I should perform at this year’s Bal des Quenelles – an annual celebration every Summer Solstice at the country residence of France’s best known comic and inventor of the Quenelle, Dieudonné. I waited patiently for confirmation and was rewarded with the offer of a 15-minute first-half slot, all expenses paid and a VIP backstage pass.
Two days before I was due to take the Eurostar to Paris, the mayoress of St-Lubin-de-la-Haye – a nondescript liberal feminist author – threatened to shut down the event, predictably citing ‘anti-Semitism’ and the risk of a breach of the peace. Dieudonné responded with typical defiance and humour. The mayoress’s letter was in fact a thinly disguised attempt to dissuade people from making the effort to attend: with the theme announced as a ‘Yellow Vests Special’ and an almost perfect weather forecast, the authorities’ frantic scaremongering was clearly intended to put a damper on things. But there was no doubt in my mind that Chabloz would go to the ball.
Like many of us who champion the cause of historical revisionism, I am wedded to the idea of establishing the truth of what actually took place in Germany during World War Two. The official narrative of a past event, branded as a ‘holocaust’ of Jews living under the Third Reich – whilst no longer having credibility, historiographically speaking, – is now implemented, – i.e. shoved down our throats by ZOG at every possible opportunity, neatly assisted by Hollywood and the media, – as the latest imposed religion for the Goyim. You’d better believe in the six million, or else!
Like many who champion the revisionist cause, but not all, I am the victim of state-sponsored persecution, prosecution and a two year suspended prison sentence; not so much for my firm belief that the main posits of the official narrative simply do not stand up to scientific scrutiny, but for having ridiculed and blasphemed, in song, this founding myth of Globalism that is the so-called ‘Holocaust’ and, worse still, for pouring scorn on those who strive to maintain the ‘Holocaust’ myth.
Merely questioning or indeed pointing out the lack of forensic evidence can lead to a spell behind bars, especially in German-speaking countries. Sylvia Stolz is once again in prison in Germany for a speech given in Switzerland. The list goes on: 90-year old Ursula Haverbeck jailed for posing difficult questions on the same subject; ditto for Horst Mahler, now in a secure medical wing after suffering a second leg amputation due to poor health care in prison; in Austria, meanwhile, Wolfgang Fröhlich has at last been freed after serving 15 years – for expressing an opinion. Surely Fröhlich must be the main contender for the 2020 Prix Robert Faurisson?
During my three-day appeal last February, the prosecution’s main argument regards the facts – i.e are my songs “grossly offensive” under S. 127 of the 2003 Communications Act – relied on Judge Charles Gray’s 2000 ruling in the Irving vs Lipstadt case. According to both James Mulholland QC and Judge Chris Hehir, Judge Gray’s ruling provided the appropriate benchmark by which to (a) define “Holocaust denial” and (b) prove that the Holocaust happened according to the standard narrative (six million Jews killed mostly in gas chambers as part of a pre-planned mass-extermination of Jews by the Nazis).
In response to the court’s decision to uphold my appeal, I wish to cite a passage from the end of Thomas Dalton’s Debating the Holocaust – A New Look At Both Sides that deals with Cambridge historian Richard Evans’s 2001 book Lying About Hitler. Evans acted as Lipstadt’s expert witness; his book describes his impressions of the case.
Dalton’s scathing treatment of Evans’s chapter on the Irving vs Lipstadt trial raises serious concerns not only regards Evans’s intellectual capabilities; Dalton’s appraisal also calls into question Judge Gray’s ruling and its consequences for further revisionist witch trials here in England. The passage comes at the very end of the book, in the Epilogue, on pages 293 to 294.
Dalton’s work is highly recommended reading. It can be found here where you can also download a free PDF “peek” preview. Here’s the relevant passage:
6. The anti-revisionist response is highly revealing
Since the year 2000, there have been only a few attempts by orthodox historians to respond directly to revisionist challenges. […]