Dig Down Deep & Tell Me More Lies

Tell Me More Lies is the theme from my 2016 Edinburgh Fringe show of the same name, banned for being ‘too political’. Lyrics by Gerard Menuhin, author of Tell the Truth and Shame the Devil.
Dig Down Deep was composed for my very first Edinburgh show Girl with the Guitar in 2011, and equally performed as part of my 2015 show Autumn’s Here. This is a slightly revised version.
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An early birthday gift has arrived

Some of you will know that, last year, my birthday was spent behind bars. This year, thanks to one immensely kind and generous friend, a far nicer birthday present arrived early – a digital piano.

It’s a Yamaha Piaggero 32 and has six and half octaves of semi-weighted keys, great speakers and a very decent range of sounds. I am over the moon.

If I could get my hands on the large repertoire of professional backing tracks still in police possession, I would be able to entertain until next year’s birthday.

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A farewell song for Henry Hafenmayer

Left, German dissident Henry Hafenmayer; right, a traditional German song taken from the collection preserved by Max Friedlaender in his major 474-page opus (Cotta, Stuttgart 1902).

Translation of song lyrics:

Brethren, let us exalt wisdom!
Sing songs, fiery and beautiful.

News of Henry Hafenmayer’s early departure came as a shock. He died two days before I was sent back to jail after losing on appeal (my sentence thus extended.) I had no idea, until last week when I was able to access my mail again.

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Un chant d’adieu pour Henry Hafenmayer

À gauche, dissident Allemand Henry Hafenmayer; à droite, une chanson traditionnelle allemande, tirée de la collection rassemblée et conservée par Max Friedlaender dans son opus majeur de 474 pages (Cotta, Stuttgart 1902).

La traduction des paroles:

Frères, exaltons la sagesse !
Chantez des chansons, ardentes et belles.

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Weighing my thoughts on imperial measurement

British imperial measurement contains within itself the beauty and mysticism of the natural world.

Seven weights, each the double of the one before. Seven tones for each of the major and minor scales: respectively, do re mi fa so la ti and la ti do re mi fa so – and indeed any of the other heptatonic scales (dorian, mixolydian, ect.). And let’s not forget the seven days of the week.

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Accused without being served

Court double-faults with poor service

Despite various excuses made over the past four months by the Courts and Tribunals Service as to why I had not received any official notification for the new trial against me, supposed to begin Friday, February 18th, the fact remains that the document delivered electronically, last Thursday 17th, with less than a day’s notice, was the first time I had set eyes on any official summons to attend trial.

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My humble apologies for not being Jimmy Carr

I humbly apologise to everyone for being me.

Perhaps, if I had told a joke about the Roma Holocaust — or sanctioned a millennia-old goblin-banker stereotype for Hollywood movies based on a children’s book series — things might be different: I would not again be facing jail time for causing ‘gross offence’ with another parody song.

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Offensive speech: viral Netflix sales or jail?

Readers will have no doubt seen the latest Cancel Culture Controversy concerning British comic, Jimmy Carr. I won’t go into details here, only to point out that Carr has been criticised and condemned, whilst no doubt laughing all the way to the bank.

Coming shortly after wokedom’s outrage over Whoopi Goldberg’s comments on race, it seems that cancel culture is truly out of hand.

For something different and distant from all the noise, here is a song I wrote in 2009. Let Love In is a Latin number; the lyrics speak for themselves and have, at least from my own perspective, stood the test of time quite well.

Let Love In – Music and lyrics ©2009 Alison Chabloz
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Wots My Identity ?


Those of you who watched my recent BitChute video will know that this latest number is another TMML Productions collaboration with Gerard Menuhin.

After receiving the first version from Gerard in 2017, I did have a go, but wasn’t quite ready. Some ideas are best shut in the bottom drawer then dug out again after a few years. Five years. Hard to believe.

One of my issues with the words at the time, if I remember rightly, was the fact that the character in the song has transitioned from male to female. How could I perform such a role convincingly? Nor was I able to find a solution for the rhythm and phrasing, until about a fortnight ago, when I came up with a bossa nova theme, one that I feel fits perfectly with the incongruous, the unnatural and the unauthentic. Almost six minutes of bewildering musical loveliness – at least that’s my own impression.

This number follows on nicely from two other recent satirical songs, Mission Photo-op and Anything Goes, – the latter to be re-released as a “live” vocal version. One more swing number and I will have a second E.P; both produced in under four months, since October.

It is not currently in my interest, legally speaking, to rake in donations – although if you wish to contribute a small sum I would be very grateful. (I need to make sure that my websites are up-to-date, possibly offering some form of subscription.) It would be great to hear your suggestions regarding what kind of music or topic you would like to hear more of, within reason of course. And if you would like to help in other ways, then please like, follow and share if you can.

Music & lyrics by Alison Chabloz and Gerard Menuhin © tmml productions 2021