Suzanne she goes down
Once more to Ealing cop shop
She makes an umpteenth statement
Falsely claiming she’s a victim
And we know that she’s half crazy
That her strings are pulled in Barnet
And the lies are fed from Finchley
Oh but she’s too blind to see it
Yet Suzanne does her duty
Carries out her orders
Just keeps on spreading nonsense
In the hope somebody answers
With angry words and menace
And again she runs for cover
Begging Mr Plod to nick me
But he only shakes his helmet
As she stands there
Playing victim with her lies…
(Sincere apologies to fans of Leonard Cohen – RIP).
During the years I spent teaching in Swiss secondary schools, in-training days were often orientated towards how to motivate a class of musically mixed-ability teenagers to sing together tunefully and with conviction. One of these training days I remember in particular, given by a male colleague who, during a football World Cup championship, had filmed all the participating teams singing their respective national anthems. The lesson was clear: more often than not, teams who sang with passion and heartfelt conviction went on to gain satisfactory results.
International sporting events have long been one of the subtle ways by which Globalists have been able to implement their agenda of mass non-white immigration into European countries. Most noticeable in football, cricket and athletics, multiracial “national” teams have in recent decades become increasingly present on track, field and pitch. Can a cricketer, for example of Pakistani origin born in England, truly harbour the same patriotism for his adoptive country than an Englishman born and bred in England whose northern European genetic makeup is an integral part of his origin and identity?
Sporting professionals who happen to be British citizens born of foreign parents have the choice whether they compete for Britain or for the country from which their parents originated. Is this fair? Does this not raise questions of possible conspiracy? Would this be one reason why English national teams in so many disciplines tend to produce disappointing results?
Following news yesterday of the death of French Jewish filmmaker Claude Lanzmann, aged 92, I received notification via my inbox that a French small ads website (similar to GumTree) was in trouble for hosting an ad for a shower head purportedly coming from Auschwitz. The ad was removed: apparently someone felt grossly offended and complained. But what if the shower head was real? We know there were showers at Auschwitz – we saw them in Schindler’s List. Surely some ‘Holocaust’ museum would pay a hefty sum for such a rare object which could then artfully be put on display, i.e. ‘Gas vent intended for distribution of Zyklon B disguised as a shower head, never used as a gas vent’?
The song that made me famous – or infamous depending on how you look at it – (((Survivors))) is two years old today.
A song so effective against the Globalist agenda that I’ve now been convicted in an English court of causing ‘gross offence’ – for sharing my own work on social media.
As I mentioned the plight of Monika Schaefer in my previous blog post, I thought this would be a good opportunity to finally upload to YouTube a recording of one of our performances together.
Reasons for the enemy wanting ever stricter bail conditions became clearer last Wednesday. First imposed December 2016 by Friend of Israel DJ Emma Arbuthnot (recused), I have now been on bail for 15 months. Last autumn’s Freedom of Information request provides ample confirmation of Crown witness and CAA Enforcer Steve Silverman‘s determined efforts to have me locked up for breach of bail, thus obtaining a police interview which could be used against me in court. Much of the questioning in fact centred on my answers to Sgt Jon Lloyd regards my song Too Extreme For The BNP for which no charges have been brought. I think on the whole press coverage was pretty fair: selective in parts, for sure, but Jenni Frazer actually manages to call me a performer – a giant step forward. Hurrah!
Above: Barrister Adrian Davies and Alison Chabloz leaving court. Photo Colin Bex.
My YouTube channel is now no longer available in the UK – presumably the same applies in other European ‘free, democratic’ states. I’m told that a well-meaning message appears when trying to access my videos: ‘This channel is no longer available, you can unsubscribe here’.
Ah well. I guess I should consider myself lucky that my channel does at least still exist everywhere else – unlike Richie Allen’s.
My critics are certainly spending vast amounts of time, energy and money trying to silence me.
But not all of them!
Above: the famous Schwarzbadturm, Nordpier mit Sonnenrad