More Jewish concern over my conviction as Anglicans flounder

As the old saying goes, my enemy’s enemy is my friend. Tony Greenstein is something of a loose canon when it comes to talking about Jewish-ness and Zionism. Hated by my accusers, Greenstein’s petition to have Campaign Against Antisemitism investigated by the Charity Commission was quite a coup, although Greenstein himself was expelled from the Labour Party for – wait for it – “anti-Semitism”.

Greenstein’s latest post condemns my conviction on grounds of wishing to protect freedom of speech, at the same time covering his own back with the old obligatory mental health smear. The first of two notable quotations:

In my view Chabloz should not have been convicted. I also take the view of Raul Hilberg the most distinguished of all Holocaust historians that even holocaust deniers make us question our knowledge of the Holocaust.

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Hear the Jew cry out in pain as the White lady sings

Before detailing my recent experience of Jewish Chronicle (JC) editor Stephen Pollard’s refusal to grant my Subject Access Request (SAR), I would briefly like to return to last June and the day of my sentencing at Westminster Magistrates Court.

When I was called once more to the dock, I immediately recognised solicitor Mark Lewis, seated next to both my accusers from Campaign Against Antisemitism. I was able to quickly alert my barrister, Adrian Davies, that Lewis had sent me several death threats on Twitter, a fact which Mr Davies revealed during mitigation that same day.

During my second visit with the Probation Service in August, I produced screenshots of Lewis’ tweets along with several other examples of abuse sent to me on Twitter, abuse that is still ongoing today despite the obvious fact that I am unable to respond directly owing to my 12-month ban from social media. Shortly after my meeting with probation, Lewis’ prosecution by the Solicitors Regulatory Authority was quietly announced by the media.

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Alain Soral – my homage to Robert Faurisson

Of the many moving tributes following the recent death of Robert Faurisson, the video below is one of the most pertinent I have seen so far. Using today’s technology – featuring a mise en scène and dresscode worthy of note and which would certainly have met with Robert Faurisson’s approval – Alain Soral regales viewers with his in-a-nutshell analysis of the crucial importance of historical revisionism and the inestimable contribution made by Robert Faurisson.

Alain Soral is the founder of Égalité et Réconciliation, the leading dissident publication in France with seven million monthly clicks. He is also head of the publishing house Kontre Kulture. Mr Soral kindly granted me permission to translate his incisive impromptu text and redistribute the video below with voiceover in English. You can find the original here.

 


Many thanks to all who continue to support the revisionist cause.

Robert Faurisson’s commitment to the Revisionist cause remained intact until his final breath

The passing of Robert Faurisson almost immediately after his final speech to an audience of Revisionist enthusiasts brings to mind other prominent figures who made similarly spectacular exits from this worldly stage. In 1673, French playwright Molière collapsed whilst performing the lead role in his comedy Le malade imaginaire (The Hypochondriac). More recently in 1984, British humourist Tommy Cooper suffered a heart attack whilst performing at the Royal Variety Show in London.

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Our corrupt System needs community payback

According to the British Sentencing Council’s definitive guidelines on the imposition of custodial sentences:

• A custodial sentence must not be imposed unless the offence or the combination of the offence and one or more offences associated with it was so serious that neither a fine alone nor a community sentence can be justified for the offence.

Furthermore, the Criminal Justice Act 2003, part 12, chapter 3, para. 9 (5), states:

Before making a suspended sentence order imposing two or more different requirements falling within subsection (1) [mine has no less that five], the court must consider whether, in the circumstances of the case, the requirements are compatible with each other.

And again quoting from the above guidelines:

• A suspended sentence MUST NOT be imposed as a more severe form of community order. A suspended sentence is a custodial sentence. Sentencers should be clear that they would impose an immediate custodial sentence if the power to suspend were not available. If not, a non-custodial sentence should be imposed.

At my conviction last May, District Judge John Zani was fairly precise in his indication that my offences were serious enough to warrant custody. My musical malice had “on the face of it”, passed the custody threshold and therefore I was facing a spell behind bars or – as it turned out – a custodial punishment in the form of a Suspended Sentence Order including slave labour plus four other requirements.

Are these requirements compatible? Not really. Forced labour plus a 12-month social media ban plus a fine prevent me from earning a crust. The strangest part of my order is the 20-day “Rehabilitation Requirement Activity” (RAR). Let me explain.

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Zionists lack any sense of IHRA-ny

The International Holocaust Remembrance Alliance (IHRA) working definition of “anti-Semitism” isn’t working. Firstly, the term “anti-Semitism” is a misnomer: “Semitic” defines a group of Middle Eastern languages including Arabic and Hebrew. Jewishness is neither an ethnicity, nor a religion. It is simply a mindset. Those whose mindset betrays adherence to the cult of Jewishness i.e. those Jews and non-Jews who consider “Jews” to be a race, are often the ones crying wolf when it comes to allegations of “anti-Semitism”.

180926 IHRA definition

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CAA a hateful organisation that needs to be banned

I like to work in the evening. Performing music in public is the most satisfying way. Sadly, as any such possibility has been denied to me by way of CAA trolls‘ stalking and harassment of my professional and social life, not to mention a conviction for singing heretical songs, I now spend my evenings mostly writing.

“They” are still out to get me. A certain Catholic Zionist from Ealing – obsessively deranged -has been charged with the job of trying to bait me into publishing words here on my website, thereby enabling the usual suspects to submit yet more vexatious reports to an already overstretched and underfunded police force. So here goes:

Let’s take a look at what what one prosecution witness had to say about my wicked songs – in this case, “Nemo’s anti-Semitic Universe”.

As opposed to the insane declarations below, “Nemo” does not refer to “all Jews” but to CAA Chief Twitter Troll Stephen Applebaum who is the subject of an ongoing police investigation. These two men – Applebaum and his CAA master/mentor – are the major culprits in having twisted the long arm of the law in this supposed democracy of ours to have my right to freedom of artistic expression quashed. Why pretend to hate “fascists” when your own behaviour makes any dictatorship seem positively liberal in comparison?

No argument whatsoever that Applebaum is “Nemo”, as confirmed by this same Crown/CAA witness under cross examination in an English court of law last January. As well, police are in possession of a entire library of screenshots spanning from 2015 to 2018, proving that both Applebaum and the Crown/CAA witness concerned work as team on behalf of the despicable CAA. Astonishingly, none of this evidence was made available to the CPS disclosure unit during my 18-month long legal ordeal.

Below are several comments from the Crown/CAA witness about “Nemo’s anti-Semitic Universe”, a song dedicated to this witness’s closest associate, Applebaum, who trolled me on average three times daily over a period of at least two years. The statement was supplied to the Crown in June 2017. Witness remarks are in red italics. My cited lyrics in blue:

Using Nemo as a metaphor for her Jewish critics, Chabloz dismisses the widespread condemnation of her deliberate incitement of hatred towards Britain’s Jews as the result of an exercise to find something to take offence at. She dismisses her own antisemitism as merely a pretence invented by the Jews for their own purposes.

“Nemo” is not a metaphor for Jewish critics. It is one of the numerous Twitter names belonging to Stephen Applebaum – as testified in court by the person who wrote the above nonsense. “Nemo” relates directly to a troll who spends much of his sad life seeking out examples of “anti-Semitism” on Twitter in order to satisfy his master/mentor. 

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Nemo, Shomrim online plod, the shekel is his God.

Chabloz uses another antisemitic trope to portray Nemo, whom she imagines to be a Jew, as someone who worships money. In specifying the shekel – the currency of the State of Israel – the implication is that Nemo is paid by Israel to make false accusations of antisemitism.

“Nemo” aka Applebaum certainly identifies as a Jew. As for working for the state of Israel, it is easy to prove that most of his time is spent on Twitter trolling for Israel. His daily visits to my website show a worryingly unhealthy obsession, as well as indicating that he is still tasked with finding something – anything! – that his CAA master/mentor can then report to police.

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Nemo rages, fumes and spits as he trolls the early shift, regurgitates his myths. He has us all in fits. Nemo’s gentile-o-phobic drift.

By referring to Nemo’s ‘myths’, Chabloz continues to push the narrative that the Holocaust did not happen. By calling Nemo ‘gentile-o-phobic’, she once more attempts to promote the lie that Jews feel disdain for non-Jews. It is hard to see any motive for this beyond encouraging others to hate Jews.

Same spin: Chabloz doesn’t believe the tall tales of Zisblatt, Wiesel, soap and lampshades. Therefore she must be an evil Nazi who wants all Jews killed. As for ‘gentile-o-phobic’, how’s this for a prime exhibit, “Nemo”/Applebaum (renamed “Sicaro”) channelling Shylock from Shakespeare’s Merchant of Venice!

 

 

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Nazi dogmatic decree. No, no, Nemo, ‘Moi, je ne suis pas Charlie.’

Here Chabloz employs the modern antisemitic trope that Jews are the new Nazis. After the terrorist attack on the offices of Charlie Hebdo in Paris, the slogan ‘Je suis Charlie’ was used around the world as an expression of solidarity. She puts into Nemo’s mouth the words, ‘Je ne suis pas Charlie’, in order to show that Jews stand against civilised society.

The witness is clearly a fantasist who invents ridiculous theses in order to achieve CAA’s sordid aims. He already knew that “Nemo” was Applebaum when he submitted his statement to the Crown. Police already knew too! The “Nazi dog” line is a reference to Count Dankula. I am expressing my own words and thoughts by way of my own music. “Nemo” is a vicious stalker. Writing a humourous song was my way of dealing with this abuse: police weren’t interested in stopping this scumbag from trying to ruin my life. And now I am the one being punished.

Finally, today it became apparent that police engaged in evidence tampering to have me stitched-up! Oh dear, oh dear! The investigating officer who provided video evidence for interrogation and which was later shown in court managed to access a video 48 hours AFTER the video had been blocked in the UK and “sandboxed” by YouTube.

Cohencidentally, the EXACT same evidence-tampering by German police is being exposed in the ongoing Schaefer siblings’ trial in Munich.

 


Dates for my pending appeal for both conviction and sentence should have been made public over two weeks ago. Alas, anti-Zionists do not benefit from a crock/crook-of-gold legal fund à la Tommy Robsinson. I will keep you updated as soon as news arrives. Thanks to all for your ongoing support.

Alison. X x