Of the many moving tributes following the recent death of Robert Faurisson, the video below is one of the most pertinent I have seen so far. Using today’s technology – featuring a mise en scène and dresscode worthy of note and which would certainly have met with Robert Faurisson’s approval – Alain Soral regales viewers with his in-a-nutshell analysis of the crucial importance of historical revisionism and the inestimable contribution made by Robert Faurisson.
Alain Soral is the founder of Égalité et Réconciliation, the leading dissident publication in France with seven million monthly clicks. He is also head of the publishing house Kontre Kulture. Mr Soral kindly granted me permission to translate his incisive impromptu text and redistribute the video below with voiceover in English. You can find the original here.
Many thanks to all who continue to support the revisionist cause.
The passing of Robert Faurisson almost immediately after his final speech to an audience of Revisionist enthusiasts brings to mind other prominent figures who made similarly spectacular exits from this worldly stage. In 1673, French playwright Molière collapsed whilst performing the lead role in his comedy Le malade imaginaire (The Hypochondriac). More recently in 1984, British humourist Tommy Cooper suffered a heart attack whilst performing at the Royal Variety Show in London.
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According to the British Sentencing Council’s definitive guidelines on the imposition of custodial sentences:
• A custodial sentence must not be imposed unless the offence or the combination of the offence and one or more offences associated with it was so serious that neither a fine alone nor a community sentence can be justified for the offence.
Furthermore, the Criminal Justice Act 2003, part 12, chapter 3, para. 9 (5), states:
Before making a suspended sentence order imposing two or more different requirements falling within subsection (1) [mine has no less that five], the court must consider whether, in the circumstances of the case, the requirements are compatible with each other.
And again quoting from the above guidelines:
• A suspended sentence MUST NOT be imposed as a more severe form of community order. A suspended sentence is a custodial sentence. Sentencers should be clear that they would impose an immediate custodial sentence if the power to suspend were not available. If not, a non-custodial sentence should be imposed.
At my conviction last May, District Judge John Zani was fairly precise in his indication that my offences were serious enough to warrant custody. My musical malice had “on the face of it”, passed the custody threshold and therefore I was facing a spell behind bars or – as it turned out – a custodial punishment in the form of a Suspended Sentence Order including slave labour plus four other requirements.
Are these requirements compatible? Not really. Forced labour plus a 12-month social media ban plus a fine prevent me from earning a crust. The strangest part of my order is the 20-day “Rehabilitation Requirement Activity” (RAR). Let me explain.
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For the fifth time in 12 months, I walked free from court again yesterday – this time in a breach trial brought against me by the National Probation Service (NPS) for refusing to comply with the slave labour part of my Suspended Sentence Order.
First off, a brief explanation is necessary regards the difference between a Community Order (CO) and a Suspended Sentence Order (SSO). As one District Judge commented in a research paper published in 2008:
‘Well, prison is an ever-present part of one isn’t it [the SSO], but not of the other, and that’s the difference in a nutshell. There’s a real threat. As I see it, a Community Order is – look, we’re trying to help you – and anything to do with imprisonment is – look, we’re trying to threaten you.’
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