First off, thank you for all the wonderful messages of support and for the donations. My apologies for not yet having replied individually to everyone – I have spent the past week answering emails and have still not managed to clear my inbox. If I may ask those waiting for a reply to exercise a little patience, I will do my best to respond as soon as time permits.
Two nights ago, I watched a BBC Newsnight report on an exhibition about censorship of music in Stalin’s Soviet Union, currently doing the rounds in Tel Aviv(!) before coming to London. Stalin banned all genres of music which he found ‘un-Soviet like’ – not just rock ‘n’ roll, but also traditional Russian folk tunes. Dissidents found a way to record songs on x-ray film: the exhibition features these medical scans of human bones, engraved with ‘Rock Around the Clock’ and other classics. But for me the most interesting part of the BBC report concerned a Haifa-based Palestinian Arab musician, Jowan Safadi, arrested and charged for incitement because of a song performed at a music festival in 2010.
By Karl Radl, first published by Semitic Controversies. Reproduced with kind permission.
Alison Chabloz – the heroic lady who poked fun at the great shibboleth of modern times aka the so-called ‘Holocaust’ – was convicted of uploading ‘three grossly offensive’ songs on YouTube by a Magistrates Court presided over by Judge John Zani. (1) Zani is himself the descendant of Italian immigrants to the UK. (2)
Despite the assorted hype being used by jewish publications like Jewish News – the Times of Israel’s UK subsidiary – claiming that Zani’s verdict was damning. (3) The fact of the matter is that ‘Chabloz was convicted under section 127 of the Communications Act 2003 after District Judge John Zani found the material to be “grossly offensive”. There is no law specifically against Holocaust denial in the UK.’ (4)
While the Jewish Chronicle buried the following important observation at the very end of their article: ‘Because District Judge Zani’s ruling was at a magistrates’ court, it does not set a binding precedent.’ (5)
The song that made me famous – or infamous depending on how you look at it – (((Survivors))) is two years old today.
A song so effective against the Globalist agenda that I’ve now been convicted in an English court of causing ‘gross offence’ – for sharing my own work on social media.
My site has a new domain name with further visual and functional upgrades coming soon. I can also upload videos directly to my site – quenelle to YouTube! All previous posts and photos remain intact under the new alisonchabloz.com URL.
Here’s a recent version of my short performance in Vichy at last year’s celebration in honour of Professor Robert Faurisson‘s 88th birthday. As well as Gerard Menuhin’s Tell Me More Lies, you can also hear a little speech I made in French (with English subtitles) at the beginning. Charmant, n’est-ce pas?
Today, I watched Vincent Lapierre’s EetR report on last week’s hearing at the court of appeal in Paris where patriot and author, Hervé Ryssen, stated his case against a 17-month prison sentence demanded by the state procurator and usual anti-racist [sic] busybody organisations (LICRA, SOS Racisme, Jewish Students Union, etc.)
Over the past few days, seven opinion pieces have been published by lamestream media. With the possible exception of Spiked’s Fraser Myers, all are penned by Jews, with two written by Gideon Falter, chairman of Campaign Against Antisemitism (CAA), the man who originally brought the private criminal prosecution against me which led to last week’s guilty verdict for causing offence by uploading songs to my Tell Me More Lies blog and to YouTube.