Alison Chabloz

Poor Zionbat is still complaining about being associated with a certain registered charity. If Twitter really is that bad, then why doesn’t she do something else for a change?

 

The undeniable fact that Andrew Roberjot is something of a loose cannon and very much an inveterate liar is unlikely to change in the near future. 

Here’s a brief reminder of Campaign Against Antisemitism (CAA) trolling activities as attested to, in writing, in the private prosecution’s own legal papers submitted to court last December :

 

 

The harassment and stalking of me by these two men dates back to my quenelle salute at the Edinburgh Festival in August 2015. Asides my 2016 show being pulled, every single one of my advertised gigs – including carol concerts at Christmas as well as videos I uploaded of myself performing to backing tracks – was targeted by these two trolls who, as we now know by way of their own legal team’s carelessness, are undoubtedly and inextricably linked to the directorship of CAA.

No amount of muddying the waters or Twitter name changes at this point or indeed previously will amount to any kind of defence.

The most pressing concern is, of course, WHY Derbyshire police inexplicably closed their investigation into these two troll accounts – along with associated death threats and anonymous postal deliveries clearly meant to harass me in my own home – JUST TWO WEEKS BEFORE I WAS ARRESTED BY THIS SAME POLICE FORCE FOR WRITING A COUPLE OF SONGS WHICH UPSET SOME JEWS AND THEIR FRIENDS.

And not just any Jews! The private prosecutor and his older sidekick and witness, on whose whim the police, the CPS and even the Home Office jumped to attention in order to ensure my freedoms were removed, are behind these very same troll accounts which have been at my throat for almost two years.

Sidekick Silverman was forced to admit in court that he used the Twitter account @BedlamJones (now renamed @ssilvuk). He also lied, therefore committing perjury, by denying any knowledge of the Disqus account robbersdog. How could anyone other than someone closely connected to the CAA inner circle know of a secret meeting about tackling rising antisemitism with a senior British police officer, a month before the actual meeting took place? Seemingly, being forced to fess up regards his Twitter troll was quite enough for one day – the verse from the Talmud which permits Jews to lie in court against non-Jews took care of the rest.

Another question which must be raised is why the CAA’s original private prosecution cites only one of my songs, (((Survivors))), as being ‘grossly offensive’ under the 2003 Communications Act, when a second number, ‘Nemo’s Antisemitic Universe’ – now the subject of a further pending charge from the CPS since they took over the case on March 7 – is arguably more revisionist than the first?

The answer to this is because Nemo is Sicaro72 – along with his countless other anonymous monikers . It is easy to recognise a voice which has constantly tweeted for months on end in the same style, using the same expressions. When the new troll responds to his old troll’s name, the cat is most definitely out of the bag:

This song was composed as a direct result of Nemo’s incessant trolling and stalking. I was provoked, day in, day out, until I finally decided to take positive action. Alternatively, I could have done what my abusers wanted – that is to say, shut up once and for all and find some low-paid job in a call centre; or else I could have simply defended myself by abusing them in the same way they have been abusing me. Rather than opt for either of the above, I chose to respond in the most effective and elegant way possible and for which I was professionally trained. That is, to compose songs: funny songs which have now made me famous, thanks to a bunch of idiots with too much influence who have exposed themselves as lobbyists for a foreign power and whose aim it is to prevent patriotic Brits from having the right to freedom of expression in their own land.

I believe Nemo felt deeply humiliated about being the butt of my satirical song, hence his thirst for revenge:

 

If any modern playwright had invented a character similar to Shylock and given him these lines, the CAA would be screeching ‘JEW HATRED’ and phoning the Home Office to have the culprit hung, drawn and quartered at their behest. 

In the recent interview I gave Andrew Carrington Hitchcock, author of The Synagogue of Satan, I speak about these issues and more. In addition, one of my articles will be published in the next issue of Britain’s longest-surviving nationalist magazine, Candour, and another interview conducted by Heritage & Destiny‘s music critic, Edmond Morrison, will also be appearing shortly. Watch this space.