Junior fellow at SLGO (Smirk Like Gideon Osborne) and local Conservative candidate in the upcoming UK General Election, Robert Largan can smell blood. To start off the week, Largan posted the following about his rival, Labour’s Ruth George, on his campaign Facebook page:
The post reads as follows, see Largan’s final sentence:
Ruth George is still trying to claim that well known racist Kasey Carver has “no role to play” in her campaign despite overwhelming evidence to the contrary.
Remember, Kasey Carver has made a number of anti-Jewish racist posts including:
-Sharing a post about the “so called Holocaust”
-Advancing a racist conspiracy theory about Israel supporting ISIS
-Making racist comments about the “Zionist influence of the BBC”
-Was a long time friend of Alison Chabloz, a racist Holocaust denier, so notorious that she is banned from entering France.
No sooner had I politely responded to the call to war, Largan then dutifully moved the battle location over to Twitter – from where I am banned and therefore unable to reply directly. Was Largan hoping to attract an army of virtue-signallers complete with pitchforks? Sadly for him, only a couple of accounts with visible links to Campaign Against Antisemitism, CAA, entered the one-sided fray. Rattusbaum aka Nemo predictably came out to bat for Israel, squeaking plaintively. Amusingly, le gros porc was quickly out for a duck after being bowled over by another song.
Let me make it clear that I am not in favour of any of the main parties. True, there are entries on this very site, published not all that long ago, that are supportive of Jeremy Corbyn’s anti-Zionism. Now, however, the anti anti-Semitism lobby seems to be promoting me as one of the main reasons not to vote Labour. Quite a compliment, I’d say!
Peter Coulson, presiding judge at yesterday’s High Court hearing, when relying on the Crown’s citation of authorities from the 2012 Twitter joke trial (R vs Chambers), stated wrongly that, unlike YouTube videos that are available for to everyone to see, it was necessary to be registered with Twitter to see tweets. The ruling also states, also wrongly in my view, that – as with a tweet – my videos were “immediately streamed” as a result of anyone accessing them.
Also sitting, Bobbie Cheema-Grubb, admonished my barrister, Adrian Davies, for his analogy – coherent in my view – that the ‘sending’ of a message to an inanimate object, as in to a server in California, fails to come under the legislation of S. 127.
Whilst Cheema-Chubb noted that it was unhelpful to compare old forms of communication with the Internet, she appeared not to take into consideration the fact that legislation contained within S. 127 has a history dating back decades, first for ‘offensive, menacing or threatening’ letters and then for similarly abusive phone calls.
Final business of the day was an agreement between both sides, in court, that my costs were to be covered by the tax payer: a pretty clear admission that this entire farce has been a huge waste of precious court time and of public resources.
To mark today’s application to the High Court, the Atelier de chansons potaches is proud to present Les copains d’abord (‘Friends first’), original song by Georges Brassens, here in a parody version that tells the story of Alison Chabloz, (pronounced “Chablo”); spiritual daughter from England, — a worthy heiress, talented, friendly British comedian and female star of the Atelier de chansons potaches, – of Dieudonné M’Bala M’Bala and Robert Faurisson.
Thumbnail from an original drawing by ProjetKO.
A year ago today, Robert Faurisson passed away. For more than 40 years, his life was entirely dedicated to the revisionist cause. By way of his study, research and quest for historical exactitude, he also sought exoneration for the German people, wrongly accused during and since the Nuremberg Victors’ Trials, and declared his unbending support for the plight of the indigenous Arabs of occupied Palestine.
In light of Faurisson’s dual citizenship (France/UK) and bilingualism, it is perhaps unsurprising that he was the first prominent revisionist to discover my own leanings in this direction. That was back in 2015 when I performed a quenelle salute at the Edinburgh Fringe. From that infamous day onward, Faurisson – with the help of his devoted sister, Madame Yvonne S. – was typically diligent in informing revisionists worldwide of my musical and other contributions, for which I am still immensely grateful.
When I began composing my series of Songs of the Shoah, I paid tribute to Faurisson in ‘Nemo’s Antisemitic Universe‘ – one of the songs which later saw me convicted and sentenced in an English court. Before circulating the video of my song, I sent him a copy, politely asking his permission to proceed. His response came almost immediately with a resounding J’approuve! The rest is history, so to speak…
Commitment and sacrifice are the same thing. Committing oneself to the revisionist cause is perforce a self-sacrificial act, especially in countries where expression of doubt or non-belief of proven lies is unlawful. In the UK, however, revisionism is not unlawful, despite wishful thinking on the part of many of my accusers.
To recapitulate: militant Zionist NGO, Campaign Against Antisemitism, CAA, brought a private prosecution against me for a video I had originally uploaded outside English jurisdiction. After taking over and discontinuing CAA’s private prosecution, the Crown Prosecution Service, CPS, then brought two pairs of charges against me for a video containing two of my songs, (((Survivors))) and Nemo’s Antisemitic Universe in a video of a live performance of my show, Tell Me More Lies, originally uploaded to the London Forum YouTube channel, September 2016. A third charge was added for a third song, I Like the Story as it is – SATIRE, in 2017.